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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ACAC0 it is the complementary color #C5353F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ACAC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ACAC0 shade: #3FCABB, #50DCCE, #61EEE1, #72FFF4 and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ACAC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ACAC0 shade: #3ACAC0, #29B8AD, #18A69A, #079487 and #008274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ACAC0 shade: #3ACBC0, #3ACB99, #3ACB72, #3ACB4B and #4FCB3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ACAC0 shade: #3ACBC0, #3AAECB, #3A86CB, #3A5FCB and #3A3ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ACAC0 shade matches the following richer shades: #3ACBC0, #25DFD2 and #11F3E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ACAC0 shade: #3ACBC0, #4EB6AF, #62A29E, #768E8C and #8A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ACAC0 shade: #3ACB71, #3ACB98, #3ACBBE, #3AB0CB and #3A89CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ACAC0 shade: #258C85, #2EADA4, #3ACBC0, #5AD3CB and #7BDCD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ACAC0 shade: #3ACAC0, #4A3ACB and #CB843A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ACAC0 shade: #3ACAC0, #BE3ACB and #CBBE3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ACAC0 shade: #3ACAC0, #4A3ACB, #CB3A46 and #BACB3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ACAC0 shade: #3ACAC0, #763ACB, #CB3A46 and #8ECB3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 5 / 21

HEX #3ACAC0

RGB 58 202 192

HSL 175.83, 0.58%, 0.51%

LAB 74.16, -39.39, -5.96

 

Complementary color

CMYK 0 / 73 / 68 / 23

HEX #C5353F

RGB 197 53 63

HSL 355.83, 0.58%, 0.49%

LAB 45.33, 56.86, 28.68

 

CMYK 69 / 0 / 7 / 21

HEX #3FCABB

RGB 63 202 187

HSL 173.53, 0.57%, 0.52%

LAB 74.12, -40.09, -3.3

 

CMYK 64 / 0 / 6 / 14

HEX #50DCCE

RGB 80 220 206

HSL 174, 0.67%, 0.59%

LAB 80.37, -40.58, -4.25

 

CMYK 59 / 0 / 5 / 7

HEX #61EEE1

RGB 97 238 225

HSL 174.47, 0.81%, 0.66%

LAB 86.57, -40.92, -5.12

 

CMYK 55 / 0 / 4 / 0

HEX #72FFF4

RGB 114 255 244

HSL 175.32, 1%, 0.72%

LAB 92.41, -40.7, -6.34

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 71 / 0 / 5 / 21

HEX #3ACAC0

RGB 58 202 192

HSL 175.83, 0.58%, 0.51%

LAB 74.16, -39.39, -5.96

 

CMYK 78 / 0 / 6 / 28

HEX #29B8AD

RGB 41 184 173

HSL 175.38, 0.64%, 0.44%

LAB 67.85, -38.53, -4.93

 

CMYK 86 / 0 / 7 / 35

HEX #18A69A

RGB 24 166 154

HSL 174.93, 0.75%, 0.37%

LAB 61.48, -37.34, -3.78

 

CMYK 95 / 0 / 9 / 42

HEX #079487

RGB 7 148 135

HSL 174.47, 0.91%, 0.3%

LAB 55.05, -35.73, -2.48

 

CMYK 100 / 0 / 11 / 49

HEX #008274

RGB 0 130 116

HSL 173.54, 1%, 0.25%

LAB 48.54, -33.55, -0.99

 

CMYK 71 / 0 / 5 / 20

HEX #3ACBC0

RGB 58 203 192

HSL 175.45, 0.58%, 0.51%

LAB 74.46, -39.85, -5.52

 

CMYK 71 / 0 / 25 / 20

HEX #3ACB99

RGB 58 203 153

HSL 159.31, 0.58%, 0.51%

LAB 73.49, -49.7, 14.13

 

CMYK 71 / 0 / 44 / 20

HEX #3ACB72

RGB 58 203 114

HSL 143.17, 0.58%, 0.51%

LAB 72.78, -57.51, 33.62

 

CMYK 71 / 0 / 63 / 20

HEX #3ACB4B

RGB 58 203 75

HSL 127.03, 0.58%, 0.51%

LAB 72.31, -62.99, 51.58

 

CMYK 61 / 0 / 71 / 20

HEX #4FCB3A

RGB 79 203 58

HSL 111.31, 0.58%, 0.51%

LAB 72.68, -60.42, 58.93

 

CMYK 71 / 0 / 5 / 20

HEX #3ACBC0

RGB 58 203 192

HSL 175.45, 0.58%, 0.51%

LAB 74.46, -39.85, -5.52

 

CMYK 71 / 14 / 0 / 20

HEX #3AAECB

RGB 58 174 203

HSL 192, 0.58%, 0.51%

LAB 66.12, -22.64, -24.08

 

CMYK 71 / 34 / 0 / 20

HEX #3A86CB

RGB 58 134 203

HSL 208.55, 0.58%, 0.51%

LAB 54.3, -0.52, -42.47

 

CMYK 71 / 53 / 0 / 20

HEX #3A5FCB

RGB 58 95 203

HSL 224.69, 0.58%, 0.51%

LAB 43.35, 23.74, -59.99

 

CMYK 71 / 71 / 0 / 20

HEX #3A3ACB

RGB 58 58 203

HSL 240, 0.58%, 0.51%

LAB 34.47, 46.74, -74.5

 

CMYK 71 / 0 / 5 / 20

HEX #3ACBC0

RGB 58 203 192

HSL 175.45, 0.58%, 0.51%

LAB 74.46, -39.85, -5.52

 

CMYK 83 / 0 / 6 / 13

HEX #25DFD2

RGB 37 223 210

HSL 175.81, 0.74%, 0.51%

LAB 80.64, -45.69, -6.07

 

CMYK 93 / 0 / 7 / 5

HEX #11F3E3

RGB 17 243 227

HSL 175.75, 0.9%, 0.51%

LAB 86.88, -50.48, -5.83

 

CMYK 71 / 0 / 5 / 20

HEX #3ACBC0

RGB 58 203 192

HSL 175.45, 0.58%, 0.51%

LAB 74.46, -39.85, -5.52

 

CMYK 57 / 0 / 4 / 29

HEX #4EB6AF

RGB 78 182 175

HSL 175.96, 0.42%, 0.51%

LAB 68.15, -31.57, -5.5

 

CMYK 40 / 0 / 2 / 36

HEX #62A29E

RGB 98 162 158

HSL 176.25, 0.26%, 0.51%

LAB 62.43, -21.46, -4.4

 

CMYK 17 / 0 / 1 / 44

HEX #768E8C

RGB 118 142 140

HSL 175, 0.1%, 0.51%

LAB 57.16, -8.94, -1.79

 

CMYK 0 / 12 / 11 / 46

HEX #8A7A7B

RGB 138 122 123

HSL 356.25, 0.06%, 0.51%

LAB 52.68, 6.32, 1.7

 

CMYK 71 / 0 / 44 / 20

HEX #3ACB71

RGB 58 203 113

HSL 142.76, 0.58%, 0.51%

LAB 72.76, -57.68, 34.11

 

CMYK 71 / 0 / 25 / 20

HEX #3ACB98

RGB 58 203 152

HSL 158.9, 0.58%, 0.51%

LAB 73.47, -49.92, 14.63

 

CMYK 71 / 0 / 6 / 20

HEX #3ACBBE

RGB 58 203 190

HSL 174.62, 0.58%, 0.51%

LAB 74.4, -40.39, -4.52

 

CMYK 71 / 13 / 0 / 20

HEX #3AB0CB

RGB 58 176 203

HSL 191.17, 0.58%, 0.51%

LAB 66.72, -23.66, -23.17

 

CMYK 71 / 33 / 0 / 20

HEX #3A89CB

RGB 58 137 203

HSL 207.31, 0.58%, 0.51%

LAB 55.18, -2.29, -41.09

 

CMYK 74 / 0 / 5 / 45

HEX #258C85

RGB 37 140 133

HSL 175.92, 0.58%, 0.35%

LAB 52.78, -30.06, -4.63

 

CMYK 73 / 0 / 5 / 32

HEX #2EADA4

RGB 46 173 164

HSL 175.75, 0.58%, 0.43%

LAB 64.28, -35.5, -5.21

 

CMYK 71 / 0 / 5 / 20

HEX #3ACBC0

RGB 58 203 192

HSL 175.45, 0.58%, 0.51%

LAB 74.46, -39.85, -5.52

 

CMYK 57 / 0 / 4 / 17

HEX #5AD3CB

RGB 90 211 203

HSL 176.03, 0.58%, 0.59%

LAB 77.92, -35.54, -6.24

 

CMYK 44 / 0 / 3 / 14

HEX #7BDCD5

RGB 123 220 213

HSL 175.67, 0.58%, 0.67%

LAB 81.95, -30.27, -5.5

 

CMYK 71 / 0 / 5 / 21

HEX #3ACAC0

RGB 58 202 192

HSL 175.83, 0.58%, 0.51%

LAB 74.16, -39.39, -5.96

 

CMYK 64 / 71 / 0 / 20

HEX #4A3ACB

RGB 74 58 203

HSL 246.62, 0.58%, 0.51%

LAB 35.58, 48.55, -72.63

 

CMYK 0 / 35 / 71 / 20

HEX #CB843A

RGB 203 132 58

HSL 30.62, 0.58%, 0.51%

LAB 61.22, 20.83, 49.64

 

CMYK 71 / 0 / 5 / 21

HEX #3ACAC0

RGB 58 202 192

HSL 175.83, 0.58%, 0.51%

LAB 74.16, -39.39, -5.96

 

CMYK 6 / 71 / 0 / 20

HEX #BE3ACB

RGB 190 58 203

HSL 294.62, 0.58%, 0.51%

LAB 49.84, 69.49, -48.85

 

CMYK 0 / 6 / 71 / 20

HEX #CBBE3A

RGB 203 190 58

HSL 54.62, 0.58%, 0.51%

LAB 75.96, -10.18, 64.54

 

CMYK 71 / 0 / 5 / 21

HEX #3ACAC0

RGB 58 202 192

HSL 175.83, 0.58%, 0.51%

LAB 74.16, -39.39, -5.96

 

CMYK 64 / 71 / 0 / 20

HEX #4A3ACB

RGB 74 58 203

HSL 246.62, 0.58%, 0.51%

LAB 35.58, 48.55, -72.63

 

CMYK 0 / 71 / 66 / 20

HEX #CB3A46

RGB 203 58 70

HSL 355.03, 0.58%, 0.51%

LAB 47.19, 57.31, 27.04

 

CMYK 8 / 0 / 71 / 20

HEX #BACB3A

RGB 186 203 58

HSL 67.03, 0.58%, 0.51%

LAB 78.14, -23.84, 66.19

 

CMYK 71 / 0 / 5 / 21

HEX #3ACAC0

RGB 58 202 192

HSL 175.83, 0.58%, 0.51%

LAB 74.16, -39.39, -5.96

 

CMYK 42 / 71 / 0 / 20

HEX #763ACB

RGB 118 58 203

HSL 264.83, 0.58%, 0.51%

LAB 39.9, 55.28, -65.39

 

CMYK 0 / 71 / 66 / 20

HEX #CB3A46

RGB 203 58 70

HSL 355.03, 0.58%, 0.51%

LAB 47.19, 57.31, 27.04

 

CMYK 30 / 0 / 71 / 20

HEX #8ECB3A

RGB 142 203 58

HSL 85.24, 0.58%, 0.51%

LAB 75.31, -41.17, 62.44

 

Description

Color code: HEX #3ACAC0 | qconv.com Color code: HEX #3ACAC0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 202 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 202 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 5 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 5% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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