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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A728A it is the complementary color #C58D75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A728A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3A728A: #3F7285, #508498, #6196AB, #72A8BE and #83BAD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A728A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3A728A: #3A728A, #296077, #184E64, #073C51 and #002A3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

Complementary color

CMYK 0 / 28 / 41 / 23

HEX #C58D75

RGB 197 141 117

HSL 18, 0.41%, 0.62%

LAB 63.51, 18.24, 21.24

 

CMYK 53 / 14 / 0 / 48

HEX #3F7285

RGB 63 114 133

HSL 196.29, 0.36%, 0.38%

LAB 45.34, -11.48, -15.72

 

CMYK 47 / 13 / 0 / 40

HEX #508498

RGB 80 132 152

HSL 196.67, 0.31%, 0.45%

LAB 52.37, -11.74, -16.12

 

CMYK 43 / 12 / 0 / 33

HEX #6196AB

RGB 97 150 171

HSL 197.03, 0.31%, 0.53%

LAB 59.25, -11.92, -16.51

 

CMYK 40 / 12 / 0 / 25

HEX #72A8BE

RGB 114 168 190

HSL 197.37, 0.37%, 0.6%

LAB 65.98, -12.05, -16.9

 

CMYK 37 / 11 / 0 / 18

HEX #83BAD1

RGB 131 186 209

HSL 197.69, 0.46%, 0.67%

LAB 72.59, -12.14, -17.28

 

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

CMYK 66 / 19 / 0 / 53

HEX #296077

RGB 41 96 119

HSL 197.69, 0.49%, 0.31%

LAB 38.14, -10.43, -18.35

 

CMYK 76 / 22 / 0 / 61

HEX #184E64

RGB 24 78 100

HSL 197.37, 0.61%, 0.24%

LAB 30.79, -9.45, -17.91

 

CMYK 91 / 26 / 0 / 68

HEX #073C51

RGB 7 60 81

HSL 197.03, 0.84%, 0.17%

LAB 23.24, -7.88, -17.36

 

CMYK 100 / 32 / 0 / 76

HEX #002A3E

RGB 0 42 62

HSL 199.35, 1%, 0.12%

LAB 15.51, -5.11, -16.6

 

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

CMYK 58 / 27 / 0 / 47

HEX #396388

RGB 57 99 136

HSL 208.1, 0.41%, 0.38%

LAB 40.53, -3.03, -24.96

 

CMYK 58 / 37 / 0 / 47

HEX #395688

RGB 57 86 136

HSL 217.97, 0.41%, 0.38%

LAB 36.56, 5.15, -31.17

 

CMYK 58 / 46 / 0 / 47

HEX #394988

RGB 57 73 136

HSL 227.85, 0.41%, 0.38%

LAB 32.73, 13.68, -37.26

 

CMYK 58 / 57 / 0 / 47

HEX #393B88

RGB 57 59 136

HSL 238.48, 0.41%, 0.38%

LAB 28.84, 23.03, -43.51

 

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

CMYK 58 / 17 / 0 / 26

HEX #4F9CBD

RGB 79 156 189

HSL 198, 0.45%, 0.53%

LAB 60.88, -14.05, -24.26

 

CMYK 58 / 18 / 0 / 6

HEX #65C6F0

RGB 101 198 240

HSL 198.13, 0.82%, 0.67%

LAB 75.73, -16.7, -29.41

 

CMYK 58 / 17 / 0 / 86

HEX #0F1E24

RGB 15 30 36

HSL 197.14, 0.41%, 0.1%

LAB 10.24, -4.29, -6.09

 

CMYK 57 / 17 / 0 / 66

HEX #254857

RGB 37 72 87

HSL 198, 0.4%, 0.24%

LAB 28.68, -7.78, -12.79

 

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

CMYK 29 / 58 / 0 / 47

HEX #603988

RGB 96 57 136

HSL 269.62, 0.41%, 0.38%

LAB 32.24, 33.74, -37.84

 

CMYK 0 / 6 / 58 / 47

HEX #888039

RGB 136 128 57

HSL 53.92, 0.41%, 0.38%

LAB 52.91, -6.7, 38.94

 

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

CMYK 0 / 58 / 18 / 47

HEX #883970

RGB 136 57 112

HSL 318.23, 0.41%, 0.38%

LAB 36.61, 40.64, -15.62

 

CMYK 18 / 0 / 58 / 47

HEX #708839

RGB 112 136 57

HSL 78.23, 0.41%, 0.38%

LAB 53.33, -21.47, 38.89

 

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

CMYK 29 / 58 / 0 / 47

HEX #603988

RGB 96 57 136

HSL 269.62, 0.41%, 0.38%

LAB 32.24, 33.74, -37.84

 

CMYK 0 / 40 / 58 / 47

HEX #885139

RGB 136 81 57

HSL 18.23, 0.41%, 0.38%

LAB 40.27, 20.47, 23.79

 

CMYK 29 / 0 / 58 / 47

HEX #608839

RGB 96 136 57

HSL 90.38, 0.41%, 0.38%

LAB 52.28, -27.95, 37.41

 

CMYK 58 / 17 / 0 / 46

HEX #3A728A

RGB 58 114 138

HSL 198, 0.41%, 0.38%

LAB 45.32, -11.05, -18.75

 

CMYK 12 / 58 / 0 / 47

HEX #783988

RGB 120 57 136

HSL 287.85, 0.41%, 0.38%

LAB 35.39, 40.33, -32.62

 

CMYK 0 / 40 / 58 / 47

HEX #885139

RGB 136 81 57

HSL 18.23, 0.41%, 0.38%

LAB 40.27, 20.47, 23.79

 

CMYK 46 / 0 / 58 / 47

HEX #498839

RGB 73 136 57

HSL 107.85, 0.41%, 0.38%

LAB 51.06, -36.21, 35.68

 

Description

Color code: HEX #3A728A | qconv.com Color code: HEX #3A728A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 114 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 114 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 17 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 17% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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