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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A48FEBF it is the complementary color #C5B701BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A48FEBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A48FEBF shade: #3F48F9BF, #505AFFBF, #616CFFBF, #727EFFBF and #8390FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A48FEBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A48FEBF shade: #3A48FEBF, #2936EBBF, #1824D8BF, #0712C5BF and #0000B2BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A48FEBF shade: #3947FE, #6039FE, #9539FE, #CA39FE and #FE39FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A48FEBF shade: #3947FE and #3939FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A48FEBF shade matches the following richer shades: #3947FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A48FEBF shade: #3947FE, #4955EE, #5963DE, #6971CE and #797EBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A48FEBF shade: #39B3FE, #397EFE, #394AFE, #5D39FE and #9239FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A48FEBF shade: #0111E3, #1021FE, #3947FE, #626DFE and #8B93FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A48FEBF shade: #3A48FE, #FE39E7 and #98FE39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A48FEBF shade: #3A48FE, #FE394A and #4AFE39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A48FEBF shade: #3A48FE, #FE39E7, #FEEE39 and #39FE50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A48FEBF shade: #3A48FE, #FE39AC, #FEEE39 and #39FE8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 54 / 0 / 0

HEX #3A48FEBF

RGBA 58 72 254 0.75

HSLA 235.71, 0.99%, 0.61%, 0.75

LABA 42.29, 55.51, -90.65, 0.75

 

Complementary color

CMYK 0 / 5 / 75 / 17

HEX #C5B701BF

RGBA 197 183 1 0.75

HSLA 55.71, 0.99%, 0.39%, 0.75

LABA 73.38, -10.66, 74.94, 0.75

 

CMYK 56 / 53 / 0 / 2

HEX #3F48F9BF

RGBA 63 72 249 0.75

HSLA 237.1, 0.94%, 0.61%, 0.75

LABA 42.05, 54.28, -88.24, 0.75

 

CMYK 51 / 49 / 0 / 0

HEX #505AFFBF

RGBA 80 90 255 0.75

HSLA 236.57, 1%, 0.66%, 0.75

LABA 47.28, 47.64, -82.95, 0.75

 

CMYK 46 / 43 / 0 / 0

HEX #616CFFBF

RGBA 97 108 255 0.75

HSLA 235.82, 1%, 0.69%, 0.75

LABA 52.38, 39.29, -74.59, 0.75

 

CMYK 41 / 38 / 0 / 0

HEX #727EFFBF

RGBA 114 126 255 0.75

HSLA 234.89, 1%, 0.72%, 0.75

LABA 57.77, 31.49, -65.82, 0.75

 

CMYK 36 / 33 / 0 / 0

HEX #8390FFBF

RGBA 131 144 255 0.75

HSLA 233.71, 1%, 0.76%, 0.75

LABA 63.34, 24.37, -56.85, 0.75

 

CMYK 58 / 54 / 0 / 0

HEX #3A48FEBF

RGBA 58 72 254 0.75

HSLA 235.71, 0.99%, 0.61%, 0.75

LABA 42.29, 55.51, -90.65, 0.75

 

CMYK 62 / 58 / 0 / 6

HEX #2936EBBF

RGBA 41 54 235 0.75

HSLA 235.98, 0.83%, 0.54%, 0.75

LABA 36.19, 58.01, -90.07, 0.75

 

CMYK 67 / 63 / 0 / 11

HEX #1824D8BF

RGBA 24 36 216 0.75

HSLA 236.25, 0.8%, 0.47%, 0.75

LABA 30.43, 60.1, -88.77, 0.75

 

CMYK 72 / 68 / 0 / 17

HEX #0712C5BF

RGBA 7 18 197 0.75

HSLA 236.53, 0.93%, 0.4%, 0.75

LABA 25.29, 61.05, -86.29, 0.75

 

CMYK 75 / 75 / 0 / 23

HEX #0000B2BF

RGBA 0 0 178 0.75

HSLA 240, 1%, 0.35%, 0.75

LABA 20.88, 60.47, -82.36, 0.75

 

CMYK 78 / 72 / 0 / 0

HEX #3947FE

RGB 57 71 254

HSL 235.74, 0.99%, 0.61%

LAB 42.05, 55.99, -91.05

 

CMYK 62 / 78 / 0 / 0

HEX #6039FE

RGB 96 57 254

HSL 251.88, 0.99%, 0.61%

LAB 42.11, 66.34, -90.87

 

CMYK 41 / 78 / 0 / 0

HEX #9539FE

RGB 149 57 254

HSL 268.02, 0.99%, 0.61%

LAB 47.59, 72.83, -81.66

 

CMYK 20 / 78 / 0 / 0

HEX #CA39FE

RGB 202 57 254

HSL 284.16, 0.99%, 0.61%

LAB 54.7, 81.2, -69.77

 

CMYK 0 / 78 / 0 / 0

HEX #FE39FD

RGB 254 57 253

HSL 300.3, 0.99%, 0.61%

LAB 62.58, 90.36, -56.13

 

CMYK 78 / 72 / 0 / 0

HEX #3947FE

RGB 57 71 254

HSL 235.74, 0.99%, 0.61%

LAB 42.05, 55.99, -91.05

 

CMYK 78 / 78 / 0 / 0

HEX #3939FE

RGB 57 57 254

HSL 240, 0.99%, 0.61%

LAB 39.5, 63.24, -95.27

 

CMYK 78 / 72 / 0 / 0

HEX #3947FE

RGB 57 71 254

HSL 235.74, 0.99%, 0.61%

LAB 42.05, 55.99, -91.05

 

CMYK 78 / 72 / 0 / 0

HEX #3947FE

RGB 57 71 254

HSL 235.74, 0.99%, 0.61%

LAB 42.05, 55.99, -91.05

 

CMYK 69 / 64 / 0 / 7

HEX #4955EE

RGB 73 85 238

HSL 235.64, 0.83%, 0.61%

LAB 44.36, 44.16, -78.25

 

CMYK 60 / 55 / 0 / 13

HEX #5963DE

RGB 89 99 222

HSL 235.49, 0.67%, 0.61%

LAB 47.39, 32.66, -64.22

 

CMYK 49 / 45 / 0 / 19

HEX #6971CE

RGB 105 113 206

HSL 235.25, 0.51%, 0.61%

LAB 51, 22.2, -49.27

 

CMYK 36 / 34 / 0 / 25

HEX #797EBE

RGB 121 126 190

HSL 235.65, 0.35%, 0.61%

LAB 54.77, 13.79, -34.12

 

CMYK 78 / 30 / 0 / 0

HEX #39B3FE

RGB 57 179 254

HSL 202.84, 0.99%, 0.61%

LAB 69.66, -8.47, -46.5

 

CMYK 78 / 50 / 0 / 0

HEX #397EFE

RGB 57 126 254

HSL 218.98, 0.99%, 0.61%

LAB 55.02, 22.72, -69.85

 

CMYK 78 / 71 / 0 / 0

HEX #394AFE

RGB 57 74 254

HSL 234.82, 0.99%, 0.61%

LAB 42.65, 54.32, -90.06

 

CMYK 63 / 78 / 0 / 0

HEX #5D39FE

RGB 93 57 254

HSL 250.96, 0.99%, 0.61%

LAB 41.86, 66.05, -91.29

 

CMYK 43 / 78 / 0 / 0

HEX #9239FE

RGB 146 57 254

HSL 267.11, 0.99%, 0.61%

LAB 47.23, 72.41, -82.26

 

CMYK 100 / 93 / 0 / 11

HEX #0111E3

RGB 1 17 227

HSL 235.75, 0.99%, 0.45%

LAB 29.29, 69.31, -97.02

 

CMYK 94 / 87 / 0 / 0

HEX #1021FE

RGB 16 33 254

HSL 235.71, 0.99%, 0.53%

LAB 34.71, 71.96, -103.28

 

CMYK 78 / 72 / 0 / 0

HEX #3947FE

RGB 57 71 254

HSL 235.74, 0.99%, 0.61%

LAB 42.05, 55.99, -91.05

 

CMYK 61 / 57 / 0 / 0

HEX #626DFE

RGB 98 109 254

HSL 235.77, 0.99%, 0.69%

LAB 52.61, 38.52, -73.66

 

CMYK 45 / 42 / 0 / 0

HEX #8B93FE

RGB 139 147 254

HSL 235.83, 0.98%, 0.77%

LAB 64.57, 24.15, -54.3

 

CMYK 77 / 72 / 0 / 0

HEX #3A48FE

RGB 58 72 254

HSL 235.71, 0.99%, 0.61%

LAB 42.29, 55.51, -90.65

 

CMYK 0 / 78 / 9 / 0

HEX #FE39E7

RGB 254 57 231

HSL 307.01, 0.99%, 0.61%

LAB 61.45, 87.21, -45.69

 

CMYK 40 / 0 / 78 / 0

HEX #98FE39

RGB 152 254 57

HSL 91.07, 0.99%, 0.61%

LAB 90.71, -58.7, 77.77

 

CMYK 77 / 72 / 0 / 0

HEX #3A48FE

RGB 58 72 254

HSL 235.71, 0.99%, 0.61%

LAB 42.29, 55.51, -90.65

 

CMYK 0 / 78 / 71 / 0

HEX #FE394A

RGB 254 57 74

HSL 354.82, 0.99%, 0.61%

LAB 56.58, 72.7, 38.3

 

CMYK 71 / 0 / 78 / 0

HEX #4AFE39

RGB 74 254 57

HSL 114.82, 0.99%, 0.61%

LAB 88.27, -77.89, 74.61

 

CMYK 77 / 72 / 0 / 0

HEX #3A48FE

RGB 58 72 254

HSL 235.71, 0.99%, 0.61%

LAB 42.29, 55.51, -90.65

 

CMYK 0 / 78 / 9 / 0

HEX #FE39E7

RGB 254 57 231

HSL 307.01, 0.99%, 0.61%

LAB 61.45, 87.21, -45.69

 

CMYK 0 / 6 / 78 / 0

HEX #FEEE39

RGB 254 238 57

HSL 55.13, 0.99%, 0.61%

LAB 92.8, -12.79, 82.06

 

CMYK 78 / 0 / 69 / 0

HEX #39FE50

RGB 57 254 80

HSL 127.01, 0.99%, 0.61%

LAB 88.13, -78.63, 66.76

 

CMYK 77 / 72 / 0 / 0

HEX #3A48FE

RGB 58 72 254

HSL 235.71, 0.99%, 0.61%

LAB 42.29, 55.51, -90.65

 

CMYK 0 / 78 / 32 / 0

HEX #FE39AC

RGB 254 57 172

HSL 324.97, 0.99%, 0.61%

LAB 58.95, 79.97, -15.91

 

CMYK 0 / 6 / 78 / 0

HEX #FEEE39

RGB 254 238 57

HSL 55.13, 0.99%, 0.61%

LAB 92.8, -12.79, 82.06

 

CMYK 78 / 0 / 45 / 0

HEX #39FE8B

RGB 57 254 139

HSL 144.97, 0.99%, 0.61%

LAB 88.74, -71.27, 41.74

 

Description

Color code: HEX #3A48FEBF | qconv.com Color code: HEX #3A48FEBF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 72 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 72 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 54 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 54% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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