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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3837B2 it is the complementary color #C7C84D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3837B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3837B2: #3D37AD, #4E49C0, #5F5BD3, #706DE6 and #817FF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3837B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3837B2: #3837B2, #27259F, #16138C, #050179 and #000066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

Complementary color

CMYK 0 / 0 / 62 / 22

HEX #C7C84D

RGB 199 200 77

HSL 60.49, 0.53%, 0.54%

LAB 78.45, -15.86, 59.46

 

CMYK 65 / 68 / 0 / 32

HEX #3D37AD

RGB 61 55 173

HSL 243.05, 0.52%, 0.45%

LAB 31.21, 38.93, -62.16

 

CMYK 59 / 62 / 0 / 25

HEX #4E49C0

RGB 78 73 192

HSL 242.52, 0.49%, 0.52%

LAB 38.18, 36.89, -61.95

 

CMYK 55 / 57 / 0 / 17

HEX #5F5BD3

RGB 95 91 211

HSL 242, 0.58%, 0.59%

LAB 45.11, 35.08, -61.64

 

CMYK 51 / 53 / 0 / 10

HEX #706DE6

RGB 112 109 230

HSL 241.49, 0.71%, 0.66%

LAB 51.94, 33.5, -61.31

 

CMYK 48 / 49 / 0 / 2

HEX #817FF9

RGB 129 127 249

HSL 240.98, 0.91%, 0.74%

LAB 58.68, 32.13, -60.99

 

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

CMYK 75 / 77 / 0 / 38

HEX #27259F

RGB 39 37 159

HSL 240.98, 0.62%, 0.38%

LAB 24.51, 42.28, -64.8

 

CMYK 84 / 86 / 0 / 45

HEX #16138C

RGB 22 19 140

HSL 241.49, 0.76%, 0.31%

LAB 18.05, 44.21, -63.79

 

CMYK 96 / 99 / 0 / 53

HEX #050179

RGB 5 1 121

HSL 242, 0.98%, 0.24%

LAB 12.19, 45.25, -61.54

 

CMYK 100 / 100 / 0 / 60

HEX #000066

RGB 0 0 102

HSL 240, 1%, 0.2%

LAB 8.65, 40.41, -55.04

 

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

CMYK 58 / 69 / 0 / 30

HEX #4B37B3

RGB 75 55 179

HSL 249.68, 0.53%, 0.46%

LAB 32.88, 42.92, -62.95

 

CMYK 46 / 69 / 0 / 30

HEX #6037B3

RGB 96 55 179

HSL 259.84, 0.53%, 0.46%

LAB 34.95, 46.48, -59.49

 

CMYK 35 / 69 / 0 / 30

HEX #7537B3

RGB 117 55 179

HSL 270, 0.53%, 0.46%

LAB 37.42, 50.54, -55.35

 

CMYK 23 / 69 / 0 / 30

HEX #8A37B3

RGB 138 55 179

HSL 280.16, 0.53%, 0.46%

LAB 40.23, 54.94, -50.68

 

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

CMYK 69 / 69 / 0 / 10

HEX #4847E5

RGB 72 71 229

HSL 240.38, 0.75%, 0.59%

LAB 40.48, 49.27, -79.53

 

CMYK 68 / 68 / 0 / 90

HEX #080819

RGB 8 8 25

HSL 240, 0.52%, 0.06%

LAB 2.67, 3.34, -9.1

 

CMYK 68 / 70 / 0 / 70

HEX #18174C

RGB 24 23 76

HSL 241.13, 0.54%, 0.19%

LAB 11.48, 19.32, -32.71

 

CMYK 69 / 69 / 0 / 50

HEX #28277F

RGB 40 39 127

HSL 240.68, 0.53%, 0.33%

LAB 21.71, 30.06, -49.54

 

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 42 / 0 / 69 / 30

HEX #68B337

RGB 104 179 55

HSL 96.29, 0.53%, 0.46%

LAB 66.1, -44.51, 53.57

 

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

CMYK 0 / 69 / 69 / 30

HEX #B33737

RGB 179 55 55

HSL 0, 0.53%, 0.46%

LAB 42.14, 49.95, 28.83

 

CMYK 69 / 0 / 69 / 30

HEX #37B337

RGB 55 179 55

HSL 120, 0.53%, 0.46%

LAB 64.43, -57.5, 51.29

 

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 0 / 0 / 69 / 30

HEX #B3B337

RGB 179 179 55

HSL 60, 0.53%, 0.46%

LAB 70.94, -15, 60.04

 

CMYK 69 / 0 / 56 / 30

HEX #37B34F

RGB 55 179 79

HSL 131.61, 0.53%, 0.46%

LAB 64.66, -54.76, 40.89

 

CMYK 69 / 69 / 0 / 30

HEX #3837B2

RGB 56 55 178

HSL 240.49, 0.53%, 0.46%

LAB 31.32, 39.95, -64.98

 

CMYK 0 / 69 / 35 / 30

HEX #B33775

RGB 179 55 117

HSL 330, 0.53%, 0.46%

LAB 43.65, 55.2, -7.39

 

CMYK 0 / 0 / 69 / 30

HEX #B3B337

RGB 179 179 55

HSL 60, 0.53%, 0.46%

LAB 70.94, -15, 60.04

 

CMYK 69 / 0 / 35 / 30

HEX #37B375

RGB 55 179 117

HSL 150, 0.53%, 0.46%

LAB 65.23, -48.3, 22.06

 

Description

Color code: HEX #3837B2 | qconv.com Color code: HEX #3837B2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 55 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 55 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 69 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 69% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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