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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #383772 it is the complementary color #C7C88D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #383772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #383772: #3D376D, #4E4980, #5F5B93, #706DA6 and #817FB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #383772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #383772: #383772, #27255F, #16134C, #050139 and #000026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

Complementary color

CMYK 0 / 0 / 30 / 22

HEX #C7C88D

RGB 199 200 141

HSL 61.02, 0.35%, 0.67%

LAB 79.26, -9.63, 29.48

 

CMYK 44 / 50 / 0 / 57

HEX #3D376D

RGB 61 55 109

HSL 246.67, 0.33%, 0.32%

LAB 26.24, 17.58, -30.65

 

CMYK 39 / 43 / 0 / 50

HEX #4E4980

RGB 78 73 128

HSL 245.45, 0.27%, 0.39%

LAB 33.86, 16.46, -30.42

 

CMYK 35 / 38 / 0 / 42

HEX #5F5B93

RGB 95 91 147

HSL 244.29, 0.24%, 0.47%

LAB 41.25, 15.56, -30.27

 

CMYK 33 / 34 / 0 / 35

HEX #706DA6

RGB 112 109 166

HSL 243.16, 0.24%, 0.54%

LAB 48.43, 14.81, -30.19

 

CMYK 30 / 31 / 0 / 27

HEX #817FB9

RGB 129 127 185

HSL 242.07, 0.29%, 0.61%

LAB 55.43, 14.17, -30.18

 

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

CMYK 59 / 61 / 0 / 63

HEX #27255F

RGB 39 37 95

HSL 242.07, 0.44%, 0.26%

LAB 18.28, 19.59, -34.43

 

CMYK 71 / 75 / 0 / 70

HEX #16134C

RGB 22 19 76

HSL 243.16, 0.6%, 0.19%

LAB 10.24, 21.81, -34.73

 

CMYK 91 / 98 / 0 / 78

HEX #050139

RGB 5 1 57

HSL 244.29, 0.97%, 0.11%

LAB 3.16, 19.66, -32.87

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

CMYK 42 / 52 / 0 / 56

HEX #413671

RGB 65 54 113

HSL 251.19, 0.35%, 0.33%

LAB 26.6, 20.62, -32.6

 

CMYK 34 / 52 / 0 / 56

HEX #4B3671

RGB 75 54 113

HSL 261.36, 0.35%, 0.33%

LAB 27.65, 23.45, -30.88

 

CMYK 25 / 52 / 0 / 56

HEX #553671

RGB 85 54 113

HSL 271.53, 0.35%, 0.33%

LAB 28.8, 26.42, -28.97

 

CMYK 17 / 52 / 0 / 56

HEX #5E3671

RGB 94 54 113

HSL 280.68, 0.35%, 0.33%

LAB 29.94, 29.18, -27.11

 

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

CMYK 51 / 52 / 0 / 35

HEX #5150A5

RGB 81 80 165

HSL 240.71, 0.35%, 0.48%

LAB 38.2, 24.33, -45.96

 

CMYK 51 / 52 / 0 / 15

HEX #6A68D8

RGB 106 104 216

HSL 241.07, 0.59%, 0.63%

LAB 49.4, 30.97, -57.52

 

CMYK 50 / 50 / 0 / 95

HEX #06060C

RGB 6 6 12

HSL 240, 0.33%, 0.04%

LAB 1.77, 0.85, -2.31

 

CMYK 51 / 52 / 0 / 75

HEX #1F1E3F

RGB 31 30 63

HSL 241.82, 0.35%, 0.18%

LAB 13.1, 10.9, -20.99

 

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

CMYK 0 / 52 / 12 / 56

HEX #713664

RGB 113 54 100

HSL 313.22, 0.35%, 0.33%

LAB 31.96, 32.63, -15.46

 

CMYK 32 / 0 / 52 / 56

HEX #4D7136

RGB 77 113 54

HSL 96.61, 0.35%, 0.33%

LAB 43.73, -24.36, 28.53

 

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

CMYK 0 / 51 / 52 / 56

HEX #713736

RGB 113 55 54

HSL 1.02, 0.35%, 0.33%

LAB 30.66, 25.42, 12.45

 

CMYK 52 / 0 / 51 / 56

HEX #367137

RGB 54 113 55

HSL 121.02, 0.35%, 0.33%

LAB 42.57, -32.27, 26.29

 

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

CMYK 0 / 52 / 12 / 56

HEX #713664

RGB 113 54 100

HSL 313.22, 0.35%, 0.33%

LAB 31.96, 32.63, -15.46

 

CMYK 1 / 0 / 52 / 56

HEX #707136

RGB 112 113 54

HSL 61.02, 0.35%, 0.33%

LAB 46.34, -9.43, 32.29

 

CMYK 52 / 0 / 41 / 56

HEX #367143

RGB 54 113 67

HSL 133.22, 0.35%, 0.33%

LAB 42.76, -30.22, 19.79

 

CMYK 51 / 52 / 0 / 55

HEX #383772

RGB 56 55 114

HSL 241.02, 0.35%, 0.33%

LAB 26.12, 17.9, -34.06

 

CMYK 0 / 52 / 27 / 56

HEX #713653

RGB 113 54 83

HSL 330.51, 0.35%, 0.33%

LAB 31.29, 29.76, -5.53

 

CMYK 1 / 0 / 52 / 56

HEX #707136

RGB 112 113 54

HSL 61.02, 0.35%, 0.33%

LAB 46.34, -9.43, 32.29

 

CMYK 52 / 0 / 25 / 56

HEX #367155

RGB 54 113 85

HSL 151.53, 0.35%, 0.33%

LAB 43.14, -26.45, 9.74

 

Description

Color code: HEX #383772 | qconv.com Color code: HEX #383772 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 55 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 55 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 52 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 52% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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