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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38375E it is the complementary color #C7C8A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38375E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #38375E: #3D3759, #4E496C, #5F5B7F, #706D92 and #817FA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38375E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #38375E: #38375E, #27254B, #161338, #050125 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

Complementary color

CMYK 0 / 0 / 20 / 22

HEX #C7C8A1

RGB 199 200 161

HSL 61.54, 0.26%, 0.71%

LAB 79.63, -6.84, 19.45

 

CMYK 31 / 38 / 0 / 65

HEX #3D3759

RGB 61 55 89

HSL 250.59, 0.24%, 0.28%

LAB 25.09, 11.38, -19.51

 

CMYK 28 / 32 / 0 / 58

HEX #4E496C

RGB 78 73 108

HSL 248.57, 0.19%, 0.35%

LAB 32.85, 10.66, -19.52

 

CMYK 25 / 28 / 0 / 50

HEX #5F5B7F

RGB 95 91 127

HSL 246.67, 0.17%, 0.43%

LAB 40.32, 10.07, -19.61

 

CMYK 23 / 25 / 0 / 43

HEX #706D92

RGB 112 109 146

HSL 244.86, 0.15%, 0.5%

LAB 47.57, 9.57, -19.75

 

CMYK 22 / 23 / 0 / 35

HEX #817FA5

RGB 129 127 165

HSL 243.16, 0.17%, 0.57%

LAB 54.62, 9.13, -19.94

 

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

CMYK 48 / 51 / 0 / 71

HEX #27254B

RGB 39 37 75

HSL 243.16, 0.34%, 0.22%

LAB 16.81, 12.42, -23.35

 

CMYK 61 / 66 / 0 / 78

HEX #161338

RGB 22 19 56

HSL 244.86, 0.49%, 0.15%

LAB 8.32, 14.04, -23.72

 

CMYK 86 / 97 / 0 / 85

HEX #050125

RGB 5 1 37

HSL 246.67, 0.95%, 0.07%

LAB 1.69, 9.39, -20.11

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

CMYK 34 / 42 / 0 / 64

HEX #3D365D

RGB 61 54 93

HSL 250.77, 0.27%, 0.29%

LAB 25.02, 13.25, -22.24

 

CMYK 27 / 42 / 0 / 64

HEX #44365D

RGB 68 54 93

HSL 261.54, 0.27%, 0.29%

LAB 25.74, 15.57, -21.06

 

CMYK 20 / 42 / 0 / 64

HEX #4A365D

RGB 74 54 93

HSL 270.77, 0.27%, 0.29%

LAB 26.4, 17.62, -19.97

 

CMYK 14 / 42 / 0 / 64

HEX #50365D

RGB 80 54 93

HSL 280, 0.27%, 0.29%

LAB 27.11, 19.71, -18.81

 

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

CMYK 41 / 41 / 0 / 43

HEX #565591

RGB 86 85 145

HSL 241, 0.26%, 0.45%

LAB 38.76, 16.17, -33.04

 

CMYK 40 / 41 / 0 / 23

HEX #7573C4

RGB 117 115 196

HSL 241.48, 0.41%, 0.61%

LAB 51.87, 20.97, -42.12

 

CMYK 40 / 41 / 0 / 3

HEX #9391F7

RGB 147 145 247

HSL 241.18, 0.86%, 0.77%

LAB 64.3, 25.26, -50.87

 

CMYK 40 / 42 / 0 / 83

HEX #1A192B

RGB 26 25 43

HSL 243.33, 0.26%, 0.13%

LAB 9.71, 5.9, -11.99

 

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

CMYK 0 / 42 / 10 / 64

HEX #5D3654

RGB 93 54 84

HSL 313.85, 0.27%, 0.29%

LAB 28.39, 22.47, -10.83

 

CMYK 26 / 0 / 42 / 64

HEX #455D36

RGB 69 93 54

HSL 96.92, 0.27%, 0.29%

LAB 36.67, -17.09, 19.54

 

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

CMYK 0 / 41 / 42 / 64

HEX #5D3736

RGB 93 55 54

HSL 1.54, 0.27%, 0.29%

LAB 27.64, 16.83, 7.82

SW® 7595

CMYK 42 / 0 / 41 / 64

HEX #365D37

RGB 54 93 55

HSL 121.54, 0.27%, 0.29%

LAB 35.77, -22.68, 17.6

 

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

CMYK 0 / 42 / 10 / 64

HEX #5D3654

RGB 93 54 84

HSL 313.85, 0.27%, 0.29%

LAB 28.39, 22.47, -10.83

 

CMYK 1 / 0 / 42 / 64

HEX #5C5D36

RGB 92 93 54

HSL 61.54, 0.27%, 0.29%

LAB 38.5, -7.07, 22.26

 

CMYK 42 / 0 / 32 / 64

HEX #365D3F

RGB 54 93 63

HSL 133.85, 0.27%, 0.29%

LAB 35.93, -21.13, 13

 

CMYK 40 / 41 / 0 / 63

HEX #38375E

RGB 56 55 94

HSL 241.54, 0.26%, 0.29%

LAB 24.89, 11.3, -23.12

 

CMYK 0 / 42 / 22 / 64

HEX #5D3649

RGB 93 54 73

HSL 330.77, 0.27%, 0.29%

LAB 27.97, 20.41, -4.25

 

CMYK 1 / 0 / 42 / 64

HEX #5C5D36

RGB 92 93 54

HSL 61.54, 0.27%, 0.29%

LAB 38.5, -7.07, 22.26

 

CMYK 42 / 0 / 20 / 64

HEX #365D4A

RGB 54 93 74

HSL 150.77, 0.27%, 0.29%

LAB 36.19, -18.7, 6.62

 

Description

Color code: HEX #38375E | qconv.com Color code: HEX #38375E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 55 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 55 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 41 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 41% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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