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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #376ECE it is the complementary color #C89131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #376ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #376ECE shade: #3C6EC9, #4D80DC, #5E92EF, #6FA4FF and #80B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #376ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #376ECE shade: #376ECE, #265CBB, #154AA8, #043895 and #002682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #376ECE shade: #366DCE, #3644CE, #5136CE, #7A36CE and #A336CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #376ECE shade: #366DCE, #3644CE and #3636CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #376ECE shade matches the following richer shades: #366DCE, #2268E2 and #0D62F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #376ECE shade: #366DCE, #4A73BA, #5E78A6, #727E92 and #87837D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #376ECE shade: #36BFCE, #3696CE, #366ECE, #3645CE and #4F36CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #376ECE shade: #234A8F, #2B5BB0, #366DCE, #5785D6 and #789DDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #376ECE shade: #376ECE, #B536CE and #ABCE36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #376ECE shade: #376ECE, #CE366E and #6ECE36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #376ECE shade: #376ECE, #B536CE, #CE9636 and #4FCE36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #376ECE shade: #376ECE, #CE36BA, #CE9636 and #36CE4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 47 / 0 / 19

HEX #376ECE

RGB 55 110 206

HSL 218.15, 0.61%, 0.51%

LAB 47.52, 14.88, -54.99

 

Complementary color

CMYK 0 / 28 / 76 / 22

HEX #C89131

RGB 200 145 49

HSL 38.15, 0.61%, 0.49%

LAB 63.96, 12.01, 56.21

 

CMYK 70 / 45 / 0 / 21

HEX #3C6EC9

RGB 60 110 201

HSL 218.72, 0.57%, 0.51%

LAB 47.4, 13.74, -52.31

 

CMYK 65 / 42 / 0 / 14

HEX #4D80DC

RGB 77 128 220

HSL 218.6, 0.67%, 0.58%

LAB 54.22, 12.02, -52.15

 

CMYK 61 / 39 / 0 / 6

HEX #5E92EF

RGB 94 146 239

HSL 218.48, 0.82%, 0.65%

LAB 60.93, 10.62, -52.01

 

CMYK 56 / 36 / 0 / 0

HEX #6FA4FF

RGB 111 164 255

HSL 217.92, 1%, 0.72%

LAB 67.39, 8.52, -50.49

 

CMYK 50 / 29 / 0 / 0

HEX #80B6FF

RGB 128 182 255

HSL 214.49, 1%, 0.75%

LAB 73.07, 1.94, -41.52

 

CMYK 73 / 47 / 0 / 19

HEX #376ECE

RGB 55 110 206

HSL 218.15, 0.61%, 0.51%

LAB 47.52, 14.88, -54.99

 

CMYK 80 / 51 / 0 / 27

HEX #265CBB

RGB 38 92 187

HSL 218.26, 0.66%, 0.44%

LAB 40.66, 17.26, -55.1

 

CMYK 88 / 56 / 0 / 34

HEX #154AA8

RGB 21 74 168

HSL 218.37, 0.78%, 0.37%

LAB 33.74, 20.27, -55.11

 

CMYK 97 / 62 / 0 / 42

HEX #043895

RGB 4 56 149

HSL 218.48, 0.95%, 0.3%

LAB 26.8, 23.97, -54.94

 

CMYK 100 / 71 / 0 / 49

HEX #002682

RGB 0 38 130

HSL 222.46, 1%, 0.25%

LAB 20.04, 28.49, -54.24

 

CMYK 74 / 47 / 0 / 19

HEX #366DCE

RGB 54 109 206

HSL 218.29, 0.61%, 0.51%

LAB 47.21, 15.38, -55.5

 

CMYK 74 / 67 / 0 / 19

HEX #3644CE

RGB 54 68 206

HSL 234.47, 0.61%, 0.51%

LAB 36.7, 41.43, -72.59

 

CMYK 61 / 74 / 0 / 19

HEX #5136CE

RGB 81 54 206

HSL 250.66, 0.61%, 0.51%

LAB 35.68, 52.46, -74.19

 

CMYK 41 / 74 / 0 / 19

HEX #7A36CE

RGB 122 54 206

HSL 266.84, 0.61%, 0.51%

LAB 39.97, 58.54, -67

 

CMYK 21 / 74 / 0 / 19

HEX #A336CE

RGB 163 54 206

HSL 283.03, 0.61%, 0.51%

LAB 45.47, 66, -57.81

 

CMYK 74 / 47 / 0 / 19

HEX #366DCE

RGB 54 109 206

HSL 218.29, 0.61%, 0.51%

LAB 47.21, 15.38, -55.5

 

CMYK 74 / 67 / 0 / 19

HEX #3644CE

RGB 54 68 206

HSL 234.47, 0.61%, 0.51%

LAB 36.7, 41.43, -72.59

 

CMYK 74 / 74 / 0 / 19

HEX #3636CE

RGB 54 54 206

HSL 240, 0.61%, 0.51%

LAB 33.73, 49.59, -77.47

 

CMYK 74 / 47 / 0 / 19

HEX #366DCE

RGB 54 109 206

HSL 218.29, 0.61%, 0.51%

LAB 47.21, 15.38, -55.5

 

CMYK 85 / 54 / 0 / 11

HEX #2268E2

RGB 34 104 226

HSL 218.13, 0.77%, 0.51%

LAB 46.62, 24.16, -67.85

 

CMYK 95 / 60 / 0 / 3

HEX #0D62F7

RGB 13 98 247

HSL 218.21, 0.94%, 0.51%

LAB 46.36, 35.02, -80.09

 

CMYK 74 / 47 / 0 / 19

HEX #366DCE

RGB 54 109 206

HSL 218.29, 0.61%, 0.51%

LAB 47.21, 15.38, -55.5

 

CMYK 60 / 38 / 0 / 27

HEX #4A73BA

RGB 74 115 186

HSL 218.04, 0.45%, 0.51%

LAB 48.59, 7.76, -41.74

 

CMYK 43 / 28 / 0 / 35

HEX #5E78A6

RGB 94 120 166

HSL 218.33, 0.29%, 0.51%

LAB 50.18, 3.03, -27.58

 

CMYK 22 / 14 / 0 / 43

HEX #727E92

RGB 114 126 146

HSL 217.5, 0.13%, 0.51%

LAB 52.48, 0.17, -12.26

 

CMYK 0 / 3 / 7 / 47

HEX #87837D

RGB 135 131 125

HSL 36, 0.04%, 0.51%

LAB 54.93, 0.37, 3.77

 

CMYK 74 / 7 / 0 / 19

HEX #36BFCE

RGB 54 191 206

HSL 185.92, 0.61%, 0.51%

LAB 71.22, -30.68, -17.98

 

CMYK 74 / 27 / 0 / 19

HEX #3696CE

RGB 54 150 206

HSL 202.11, 0.61%, 0.51%

LAB 59.02, -9.25, -36.75

 

CMYK 74 / 47 / 0 / 19

HEX #366ECE

RGB 54 110 206

HSL 217.89, 0.61%, 0.51%

LAB 47.49, 14.75, -55.05

 

CMYK 74 / 67 / 0 / 19

HEX #3645CE

RGB 54 69 206

HSL 234.08, 0.61%, 0.51%

LAB 36.92, 40.82, -72.21

 

CMYK 62 / 74 / 0 / 19

HEX #4F36CE

RGB 79 54 206

HSL 249.87, 0.61%, 0.51%

LAB 35.51, 52.21, -74.47

 

CMYK 76 / 48 / 0 / 44

HEX #234A8F

RGB 35 74 143

HSL 218.33, 0.61%, 0.35%

LAB 32.34, 11.66, -42.23

 

CMYK 76 / 48 / 0 / 31

HEX #2B5BB0

RGB 43 91 176

HSL 218.35, 0.61%, 0.43%

LAB 39.8, 14.26, -50.03

 

CMYK 74 / 47 / 0 / 19

HEX #366DCE

RGB 54 109 206

HSL 218.29, 0.61%, 0.51%

LAB 47.21, 15.38, -55.5

 

CMYK 59 / 38 / 0 / 16

HEX #5785D6

RGB 87 133 214

HSL 218.27, 0.61%, 0.59%

LAB 55.74, 8.78, -46.33

 

CMYK 46 / 29 / 0 / 13

HEX #789DDE

RGB 120 157 222

HSL 218.24, 0.61%, 0.67%

LAB 64.47, 4.53, -36.95

 

CMYK 73 / 47 / 0 / 19

HEX #376ECE

RGB 55 110 206

HSL 218.15, 0.61%, 0.51%

LAB 47.52, 14.88, -54.99

 

CMYK 12 / 74 / 0 / 19

HEX #B536CE

RGB 181 54 206

HSL 290.13, 0.61%, 0.51%

LAB 48.16, 69.53, -53.35

 

CMYK 17 / 0 / 74 / 19

HEX #ABCE36

RGB 171 206 54

HSL 73.82, 0.61%, 0.51%

LAB 77.91, -31.58, 66.98

 

CMYK 73 / 47 / 0 / 19

HEX #376ECE

RGB 55 110 206

HSL 218.15, 0.61%, 0.51%

LAB 47.52, 14.88, -54.99

 

CMYK 0 / 74 / 47 / 19

HEX #CE366E

RGB 206 54 110

HSL 337.89, 0.61%, 0.51%

LAB 48.12, 62.5, 4.02

 

CMYK 47 / 0 / 74 / 19

HEX #6ECE36

RGB 110 206 54

HSL 97.89, 0.61%, 0.51%

LAB 74.65, -53.48, 62.68

 

CMYK 73 / 47 / 0 / 19

HEX #376ECE

RGB 55 110 206

HSL 218.15, 0.61%, 0.51%

LAB 47.52, 14.88, -54.99

 

CMYK 12 / 74 / 0 / 19

HEX #B536CE

RGB 181 54 206

HSL 290.13, 0.61%, 0.51%

LAB 48.16, 69.53, -53.35

 

CMYK 0 / 27 / 74 / 19

HEX #CE9636

RGB 206 150 54

HSL 37.89, 0.61%, 0.51%

LAB 65.9, 12.13, 56.3

 

CMYK 62 / 0 / 74 / 19

HEX #4FCE36

RGB 79 206 54

HSL 110.13, 0.61%, 0.51%

LAB 73.59, -61.76, 61.28

 

CMYK 73 / 47 / 0 / 19

HEX #376ECE

RGB 55 110 206

HSL 218.15, 0.61%, 0.51%

LAB 47.52, 14.88, -54.99

 

CMYK 0 / 74 / 10 / 19

HEX #CE36BA

RGB 206 54 186

HSL 307.89, 0.61%, 0.51%

LAB 51.04, 71.56, -36.94

 

CMYK 0 / 27 / 74 / 19

HEX #CE9636

RGB 206 150 54

HSL 37.89, 0.61%, 0.51%

LAB 65.9, 12.13, 56.3

 

CMYK 74 / 0 / 64 / 19

HEX #36CE4A

RGB 54 206 74

HSL 127.89, 0.61%, 0.51%

LAB 73.17, -64.72, 52.94

 

Description

Color code: HEX #376ECE | qconv.com Color code: HEX #376ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 110 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 110 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 47 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 47% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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