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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #376C83 it is the complementary color #C8937C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #376C83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #376C83: #3C6C7E, #4D7E91, #5E90A4, #6FA2B7 and #80B4CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #376C83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #376C83: #376C83, #265A70, #15485D, #04364A and #002437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

Complementary color

CMYK 0 / 27 / 38 / 22

HEX #C8937C

RGB 200 147 124

HSL 18.16, 0.41%, 0.64%

LAB 65.44, 16.97, 20.02

 

CMYK 52 / 14 / 0 / 51

HEX #3C6C7E

RGB 60 108 126

HSL 196.36, 0.35%, 0.36%

LAB 43.05, -10.93, -15.02

 

CMYK 47 / 13 / 0 / 43

HEX #4D7E91

RGB 77 126 145

HSL 196.76, 0.31%, 0.44%

LAB 50.15, -11.18, -15.43

 

CMYK 43 / 12 / 0 / 36

HEX #5E90A4

RGB 94 144 164

HSL 197.14, 0.28%, 0.51%

LAB 57.08, -11.35, -15.82

 

CMYK 39 / 11 / 0 / 28

HEX #6FA2B7

RGB 111 162 183

HSL 197.5, 0.33%, 0.58%

LAB 63.87, -11.47, -16.21

 

CMYK 37 / 11 / 0 / 21

HEX #80B4CA

RGB 128 180 202

HSL 197.84, 0.41%, 0.65%

LAB 70.52, -11.57, -16.59

 

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

CMYK 66 / 20 / 0 / 56

HEX #265A70

RGB 38 90 112

HSL 197.84, 0.49%, 0.29%

LAB 35.78, -9.88, -17.69

 

CMYK 77 / 23 / 0 / 64

HEX #15485D

RGB 21 72 93

HSL 197.5, 0.63%, 0.22%

LAB 28.34, -8.87, -17.24

 

CMYK 95 / 27 / 0 / 71

HEX #04364A

RGB 4 54 74

HSL 197.14, 0.9%, 0.15%

LAB 20.67, -7.3, -16.71

 

CMYK 100 / 35 / 0 / 78

HEX #002437

RGB 0 36 55

HSL 200.73, 1%, 0.11%

LAB 12.85, -4.13, -15.86

 

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

CMYK 58 / 27 / 0 / 49

HEX #365E81

RGB 54 94 129

HSL 208, 0.41%, 0.36%

LAB 38.51, -3.01, -23.86

 

CMYK 58 / 37 / 0 / 49

HEX #365181

RGB 54 81 129

HSL 218.4, 0.41%, 0.36%

LAB 34.51, 5.25, -30.13

 

CMYK 58 / 47 / 0 / 49

HEX #364581

RGB 54 69 129

HSL 228, 0.41%, 0.36%

LAB 30.94, 13.2, -35.8

 

CMYK 58 / 57 / 0 / 49

HEX #363881

RGB 54 56 129

HSL 238.4, 0.41%, 0.36%

LAB 27.29, 21.96, -41.66

 

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

CMYK 58 / 18 / 0 / 29

HEX #4C96B6

RGB 76 150 182

HSL 198.11, 0.42%, 0.51%

LAB 58.72, -13.55, -23.64

 

CMYK 58 / 18 / 0 / 9

HEX #62C0E9

RGB 98 192 233

HSL 198.22, 0.75%, 0.65%

LAB 73.66, -16.22, -28.82

 

CMYK 59 / 17 / 0 / 89

HEX #0C181D

RGB 12 24 29

HSL 197.65, 0.41%, 0.08%

LAB 7.41, -3.26, -5.16

 

CMYK 58 / 18 / 0 / 69

HEX #224250

RGB 34 66 80

HSL 198.26, 0.4%, 0.22%

LAB 26.2, -7.19, -12.05

 

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

CMYK 29 / 58 / 0 / 49

HEX #5B3681

RGB 91 54 129

HSL 269.6, 0.41%, 0.36%

LAB 30.51, 32.33, -36.28

 

CMYK 0 / 6 / 58 / 49

HEX #817936

RGB 129 121 54

HSL 53.6, 0.41%, 0.36%

LAB 50.23, -6.21, 37.2

 

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

CMYK 0 / 58 / 18 / 49

HEX #81366A

RGB 129 54 106

HSL 318.4, 0.41%, 0.36%

LAB 34.69, 38.94, -14.88

 

CMYK 18 / 0 / 58 / 49

HEX #6A8136

RGB 106 129 54

HSL 78.4, 0.41%, 0.36%

LAB 50.72, -20.68, 37.27

 

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

CMYK 29 / 58 / 0 / 49

HEX #5B3681

RGB 91 54 129

HSL 269.6, 0.41%, 0.36%

LAB 30.51, 32.33, -36.28

 

CMYK 0 / 41 / 58 / 49

HEX #814C36

RGB 129 76 54

HSL 17.6, 0.41%, 0.36%

LAB 38.03, 20.06, 22.54

 

CMYK 29 / 0 / 58 / 49

HEX #5B8136

RGB 91 129 54

HSL 90.4, 0.41%, 0.36%

LAB 49.73, -26.82, 35.86

 

CMYK 58 / 18 / 0 / 49

HEX #376C83

RGB 55 108 131

HSL 198.16, 0.41%, 0.36%

LAB 43.03, -10.51, -18.09

 

CMYK 12 / 58 / 0 / 49

HEX #723681

RGB 114 54 129

HSL 288, 0.41%, 0.36%

LAB 33.56, 38.72, -31.24

 

CMYK 0 / 41 / 58 / 49

HEX #814C36

RGB 129 76 54

HSL 17.6, 0.41%, 0.36%

LAB 38.03, 20.06, 22.54

 

CMYK 47 / 0 / 58 / 49

HEX #458136

RGB 69 129 54

HSL 108, 0.41%, 0.36%

LAB 48.55, -34.79, 34.19

 

Description

Color code: HEX #376C83 | qconv.com Color code: HEX #376C83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 108 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 108 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 18 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 18% 0% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Inicio
Link: http://receco.eu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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