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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #367D9C it is the complementary color #C98263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #367D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #367D9C shade: #3B7D97, #4C8FAA, #5DA1BD, #6EB3D0 and #7FC5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #367D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #367D9C shade: #367D9C, #256B89, #145976, #034763 and #003550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #367D9C shade: #357D9C, #35619C, #35459C, #41359C and #5D359C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #367D9C shade: #357D9C, #35619C, #35459C and #35359C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #367D9C shade matches the following richer shades: #357D9C, #2483AD, #138ABE and #0391CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #367D9C shade: #357D9C, #46768B, #576F7A, #686969 and #796258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #367D9C shade: #359C84, #35989C, #357D9C, #35629C and #35469C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #367D9C shade: #204B5E, #2B647D, #357D9C, #4095BB and #5CA7C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #367D9C shade: #367D9C, #69359C and #9C9235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #367D9C shade: #367D9C, #9C357D and #7D9C35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #367D9C shade: #367D9C, #69359C, #9C5435 and #699C35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #367D9C shade: #367D9C, #87359C, #9C5435 and #4A9C35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 20 / 0 / 39

HEX #367D9C

RGB 54 125 156

HSL 198.24, 0.49%, 0.41%

LAB 49.32, -12.2, -23.23

 

Complementary color

CMYK 0 / 35 / 51 / 21

HEX #C98263

RGB 201 130 99

HSL 18.24, 0.49%, 0.59%

LAB 61.03, 24.02, 28.05

 

CMYK 61 / 17 / 0 / 41

HEX #3B7D97

RGB 59 125 151

HSL 196.96, 0.44%, 0.41%

LAB 49.29, -12.9, -20.32

 

CMYK 55 / 16 / 0 / 33

HEX #4C8FAA

RGB 76 143 170

HSL 197.23, 0.38%, 0.48%

LAB 56.17, -13.4, -20.72

 

CMYK 51 / 15 / 0 / 26

HEX #5DA1BD

RGB 93 161 189

HSL 197.5, 0.42%, 0.55%

LAB 62.92, -13.76, -21.09

 

CMYK 47 / 14 / 0 / 18

HEX #6EB3D0

RGB 110 179 208

HSL 197.76, 0.51%, 0.62%

LAB 69.55, -14.03, -21.45

 

CMYK 44 / 13 / 0 / 11

HEX #7FC5E3

RGB 127 197 227

HSL 198, 0.64%, 0.69%

LAB 76.06, -14.23, -21.8

 

CMYK 65 / 20 / 0 / 39

HEX #367D9C

RGB 54 125 156

HSL 198.24, 0.49%, 0.41%

LAB 49.32, -12.2, -23.23

 

CMYK 73 / 22 / 0 / 46

HEX #256B89

RGB 37 107 137

HSL 198, 0.57%, 0.34%

LAB 42.33, -11.24, -22.82

 

CMYK 83 / 25 / 0 / 54

HEX #145976

RGB 20 89 118

HSL 197.76, 0.71%, 0.27%

LAB 35.21, -9.83, -22.34

 

CMYK 97 / 28 / 0 / 61

HEX #034763

RGB 3 71 99

HSL 197.5, 0.94%, 0.2%

LAB 27.92, -7.84, -21.77

 

CMYK 100 / 34 / 0 / 69

HEX #003550

RGB 0 53 80

HSL 200.25, 1%, 0.16%

LAB 20.54, -4.54, -20.94

 

CMYK 66 / 20 / 0 / 39

HEX #357D9C

RGB 53 125 156

HSL 198.06, 0.49%, 0.41%

LAB 49.28, -12.38, -23.28

 

CMYK 66 / 38 / 0 / 39

HEX #35619C

RGB 53 97 156

HSL 214.37, 0.49%, 0.41%

LAB 40.75, 4.44, -36.63

 

CMYK 66 / 56 / 0 / 39

HEX #35459C

RGB 53 69 156

HSL 230.68, 0.49%, 0.41%

LAB 32.73, 22.79, -49.48

 

CMYK 58 / 66 / 0 / 39

HEX #41359C

RGB 65 53 156

HSL 246.99, 0.49%, 0.41%

LAB 29.59, 35.16, -54.54

 

CMYK 40 / 66 / 0 / 39

HEX #5D359C

RGB 93 53 156

HSL 263.3, 0.49%, 0.41%

LAB 32.42, 40.63, -49.81

 

CMYK 66 / 20 / 0 / 39

HEX #357D9C

RGB 53 125 156

HSL 198.06, 0.49%, 0.41%

LAB 49.28, -12.38, -23.28

 

CMYK 66 / 38 / 0 / 39

HEX #35619C

RGB 53 97 156

HSL 214.37, 0.49%, 0.41%

LAB 40.75, 4.44, -36.63

 

CMYK 66 / 56 / 0 / 39

HEX #35459C

RGB 53 69 156

HSL 230.68, 0.49%, 0.41%

LAB 32.73, 22.79, -49.48

 

CMYK 66 / 66 / 0 / 39

HEX #35359C

RGB 53 53 156

HSL 240, 0.49%, 0.41%

LAB 28.65, 33.24, -56.11

 

CMYK 66 / 20 / 0 / 39

HEX #357D9C

RGB 53 125 156

HSL 198.06, 0.49%, 0.41%

LAB 49.28, -12.38, -23.28

 

CMYK 79 / 24 / 0 / 32

HEX #2483AD

RGB 36 131 173

HSL 198.39, 0.66%, 0.41%

LAB 51.41, -12.28, -29.89

 

CMYK 90 / 27 / 0 / 25

HEX #138ABE

RGB 19 138 190

HSL 198.25, 0.82%, 0.41%

LAB 54.06, -11.44, -35.52

 

CMYK 99 / 30 / 0 / 19

HEX #0391CF

RGB 3 145 207

HSL 198.24, 0.97%, 0.41%

LAB 56.86, -9.73, -40.76

 

CMYK 66 / 20 / 0 / 39

HEX #357D9C

RGB 53 125 156

HSL 198.06, 0.49%, 0.41%

LAB 49.28, -12.38, -23.28

 

CMYK 50 / 15 / 0 / 45

HEX #46768B

RGB 70 118 139

HSL 198.26, 0.33%, 0.41%

LAB 47.14, -10.2, -16.51

 

CMYK 29 / 9 / 0 / 52

HEX #576F7A

RGB 87 111 122

HSL 198.86, 0.17%, 0.41%

LAB 45.36, -6.02, -8.98

 

CMYK 1 / 0 / 0 / 59

HEX #686969

RGB 104 105 105

HSL 180, 0%, 0.41%

LAB 44.33, -0.38, -0.14

 

CMYK 0 / 19 / 27 / 53

HEX #796258

RGB 121 98 88

HSL 18.18, 0.16%, 0.41%

LAB 43.51, 7.62, 9.18

 

CMYK 66 / 0 / 15 / 39

HEX #359C84

RGB 53 156 132

HSL 166.02, 0.49%, 0.41%

LAB 58.23, -35.38, 3.95

 

CMYK 66 / 3 / 0 / 39

HEX #35989C

RGB 53 152 156

HSL 182.33, 0.49%, 0.41%

LAB 57.67, -26.74, -10.52

 

CMYK 66 / 20 / 0 / 39

HEX #357D9C

RGB 53 125 156

HSL 198.06, 0.49%, 0.41%

LAB 49.28, -12.38, -23.28

 

CMYK 66 / 37 / 0 / 39

HEX #35629C

RGB 53 98 156

HSL 213.79, 0.49%, 0.41%

LAB 41.04, 3.81, -36.16

 

CMYK 66 / 55 / 0 / 39

HEX #35469C

RGB 53 70 156

HSL 230.1, 0.49%, 0.41%

LAB 33, 22.12, -49.04

 

CMYK 66 / 20 / 0 / 63

HEX #204B5E

RGB 32 75 94

HSL 198.39, 0.49%, 0.25%

LAB 29.78, -8.35, -15.62

 

CMYK 66 / 20 / 0 / 51

HEX #2B647D

RGB 43 100 125

HSL 198.29, 0.49%, 0.33%

LAB 39.76, -10.33, -19.52

 

CMYK 66 / 20 / 0 / 39

HEX #357D9C

RGB 53 125 156

HSL 198.06, 0.49%, 0.41%

LAB 49.28, -12.38, -23.28

 

CMYK 66 / 20 / 0 / 27

HEX #4095BB

RGB 64 149 187

HSL 198.54, 0.49%, 0.49%

LAB 58.2, -13.62, -27.3

 

CMYK 54 / 16 / 0 / 22

HEX #5CA7C7

RGB 92 167 199

HSL 197.94, 0.49%, 0.57%

LAB 64.99, -14.28, -23.5

 

CMYK 65 / 20 / 0 / 39

HEX #367D9C

RGB 54 125 156

HSL 198.24, 0.49%, 0.41%

LAB 49.32, -12.2, -23.23

 

CMYK 33 / 66 / 0 / 39

HEX #69359C

RGB 105 53 156

HSL 270.29, 0.49%, 0.41%

LAB 33.88, 43.28, -47.38

 

CMYK 0 / 6 / 66 / 39

HEX #9C9235

RGB 156 146 53

HSL 54.17, 0.49%, 0.41%

LAB 59.78, -7.87, 48.85

 

CMYK 65 / 20 / 0 / 39

HEX #367D9C

RGB 54 125 156

HSL 198.24, 0.49%, 0.41%

LAB 49.32, -12.2, -23.23

 

CMYK 0 / 66 / 20 / 39

HEX #9C357D

RGB 156 53 125

HSL 318.06, 0.49%, 0.41%

LAB 39.74, 50.47, -18.64

 

CMYK 20 / 0 / 66 / 39

HEX #7D9C35

RGB 125 156 53

HSL 78.06, 0.49%, 0.41%

LAB 60.24, -26.42, 48.59

 

CMYK 65 / 20 / 0 / 39

HEX #367D9C

RGB 54 125 156

HSL 198.24, 0.49%, 0.41%

LAB 49.32, -12.2, -23.23

 

CMYK 33 / 66 / 0 / 39

HEX #69359C

RGB 105 53 156

HSL 270.29, 0.49%, 0.41%

LAB 33.88, 43.28, -47.38

 

CMYK 0 / 46 / 66 / 39

HEX #9C5435

RGB 156 84 53

HSL 18.06, 0.49%, 0.41%

LAB 43.75, 27.03, 31.01

 

CMYK 33 / 0 / 66 / 39

HEX #699C35

RGB 105 156 53

HSL 89.71, 0.49%, 0.41%

LAB 59.01, -34.3, 46.91

 

CMYK 65 / 20 / 0 / 39

HEX #367D9C

RGB 54 125 156

HSL 198.24, 0.49%, 0.41%

LAB 49.32, -12.2, -23.23

 

CMYK 13 / 66 / 0 / 39

HEX #87359C

RGB 135 53 156

HSL 287.77, 0.49%, 0.41%

LAB 38.02, 50.34, -40.52

 

CMYK 0 / 46 / 66 / 39

HEX #9C5435

RGB 156 84 53

HSL 18.06, 0.49%, 0.41%

LAB 43.75, 27.03, 31.01

 

CMYK 53 / 0 / 66 / 39

HEX #4A9C35

RGB 74 156 53

HSL 107.77, 0.49%, 0.41%

LAB 57.55, -44.71, 44.9

 

Description

Color code: HEX #367D9C | qconv.com Color code: HEX #367D9C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 125 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 125 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 20 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 20% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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