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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3670FC it is the complementary color #C98F03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3670FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3670FC shade: #3B70F7, #4C82FF, #5D94FF, #6EA6FF and #7FB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3670FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3670FC shade: #3670FC, #255EE9, #144CD6, #033AC3 and #0028B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3670FC shade: #3670FC, #363BFC, #6736FC, #9C36FC and #D236FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3670FC shade: #3670FC, #363BFC and #3636FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3670FC shade matches the following richer shades: #3670FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3670FC shade: #3670FC, #4777EB, #577EDB, #6885CA and #788BBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3670FC shade: #36DBFC, #36A6FC, #3671FC, #363DFC and #6436FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3670FC shade: #0343DC, #0D53FB, #3670FC, #5F8DFD and #87AAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3670FC shade: #3670FC, #E836FC and #C1FC36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3670FC shade: #3670FC, #FC3671 and #71FC36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3670FC shade: #3670FC, #E836FC, #FCC136 and #4AFC36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3670FC shade: #3670FC, #FC36D4, #FCC136 and #36FC5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

Complementary color

CMYK 0 / 29 / 99 / 21

HEX #C98F03

RGB 201 143 3

HSL 42.42, 0.97%, 0.4%

LAB 63.4, 12.44, 67.81

 

CMYK 76 / 55 / 0 / 3

HEX #3B70F7

RGB 59 112 247

HSL 223.09, 0.92%, 0.6%

LAB 50.96, 29.1, -72.54

 

CMYK 70 / 49 / 0 / 0

HEX #4C82FF

RGB 76 130 255

HSL 221.9, 1%, 0.65%

LAB 56.8, 22.85, -67.48

 

CMYK 64 / 42 / 0 / 0

HEX #5D94FF

RGB 93 148 255

HSL 219.63, 1%, 0.68%

LAB 62.28, 14.57, -58.66

 

CMYK 57 / 35 / 0 / 0

HEX #6EA6FF

RGB 110 166 255

HSL 216.83, 1%, 0.72%

LAB 67.88, 7.17, -49.72

 

CMYK 50 / 28 / 0 / 0

HEX #7FB8FF

RGB 127 184 255

HSL 213.28, 1%, 0.75%

LAB 73.55, 0.61, -40.76

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 84 / 60 / 0 / 9

HEX #255EE9

RGB 37 94 233

HSL 222.55, 0.82%, 0.53%

LAB 44.63, 33.41, -75.04

 

CMYK 91 / 64 / 0 / 16

HEX #144CD6

RGB 20 76 214

HSL 222.68, 0.83%, 0.46%

LAB 38.15, 36.86, -74.86

 

CMYK 98 / 70 / 0 / 24

HEX #033AC3

RGB 3 58 195

HSL 222.81, 0.97%, 0.39%

LAB 31.77, 40.66, -74.34

 

CMYK 100 / 77 / 0 / 31

HEX #0028B0

RGB 0 40 176

HSL 226.36, 1%, 0.35%

LAB 25.72, 44.6, -73.1

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 79 / 77 / 0 / 1

HEX #363BFC

RGB 54 59 252

HSL 238.48, 0.97%, 0.6%

LAB 39.48, 61.47, -94.19

 

CMYK 59 / 79 / 0 / 1

HEX #6736FC

RGB 103 54 252

HSL 254.85, 0.97%, 0.6%

LAB 42.08, 67.8, -89.78

 

CMYK 38 / 79 / 0 / 1

HEX #9C36FC

RGB 156 54 252

HSL 270.91, 0.97%, 0.6%

LAB 47.92, 74.46, -79.96

 

CMYK 17 / 79 / 0 / 1

HEX #D236FC

RGB 210 54 252

HSL 287.27, 0.97%, 0.6%

LAB 55.45, 83.07, -67.39

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 79 / 77 / 0 / 1

HEX #363BFC

RGB 54 59 252

HSL 238.48, 0.97%, 0.6%

LAB 39.48, 61.47, -94.19

 

CMYK 79 / 79 / 0 / 1

HEX #3636FC

RGB 54 54 252

HSL 240, 0.97%, 0.6%

LAB 38.64, 63.9, -95.58

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 70 / 49 / 0 / 8

HEX #4777EB

RGB 71 119 235

HSL 222.44, 0.8%, 0.6%

LAB 52.43, 21.9, -63.44

 

CMYK 60 / 42 / 0 / 14

HEX #577EDB

RGB 87 126 219

HSL 222.27, 0.65%, 0.6%

LAB 54.09, 14.68, -51.77

 

CMYK 49 / 34 / 0 / 21

HEX #6885CA

RGB 104 133 202

HSL 222.24, 0.48%, 0.6%

LAB 56.07, 8.67, -38.98

 

CMYK 35 / 25 / 0 / 27

HEX #788BBA

RGB 120 139 186

HSL 222.73, 0.32%, 0.6%

LAB 58.04, 4.77, -26.76

 

CMYK 79 / 13 / 0 / 1

HEX #36DBFC

RGB 54 219 252

HSL 190, 0.97%, 0.6%

LAB 81, -30.09, -27.83

 

CMYK 79 / 34 / 0 / 1

HEX #36A6FC

RGB 54 166 252

HSL 206.06, 0.97%, 0.6%

LAB 65.81, -2.2, -51.48

 

CMYK 79 / 55 / 0 / 1

HEX #3671FC

RGB 54 113 252

HSL 222.12, 0.97%, 0.6%

LAB 51.41, 29.8, -74.6

 

CMYK 79 / 76 / 0 / 1

HEX #363DFC

RGB 54 61 252

HSL 237.88, 0.97%, 0.6%

LAB 39.83, 60.46, -93.6

 

CMYK 60 / 79 / 0 / 1

HEX #6436FC

RGB 100 54 252

HSL 253.94, 0.97%, 0.6%

LAB 41.81, 67.5, -90.24

 

CMYK 99 / 70 / 0 / 14

HEX #0343DC

RGB 3 67 220

HSL 222.3, 0.97%, 0.44%

LAB 36.37, 44.25, -81.25

 

CMYK 95 / 67 / 0 / 2

HEX #0D53FB

RGB 13 83 251

HSL 222.35, 0.97%, 0.52%

LAB 43.12, 45.87, -87.65

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 62 / 44 / 0 / 1

HEX #5F8DFD

RGB 95 141 253

HSL 222.53, 0.98%, 0.68%

LAB 60.4, 18.41, -60.55

 

CMYK 47 / 33 / 0 / 1

HEX #87AAFD

RGB 135 170 253

HSL 222.2, 0.97%, 0.76%

LAB 70.17, 9.7, -44.94

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 8 / 79 / 0 / 1

HEX #E836FC

RGB 232 54 252

HSL 293.94, 0.97%, 0.6%

LAB 58.81, 86.93, -61.81

 

CMYK 23 / 0 / 79 / 1

HEX #C1FC36

RGB 193 252 54

HSL 77.88, 0.97%, 0.6%

LAB 92.23, -43.72, 80.76

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 0 / 79 / 55 / 1

HEX #FC3671

RGB 252 54 113

HSL 342.12, 0.97%, 0.6%

LAB 56.61, 75.11, 15.4

 

CMYK 55 / 0 / 79 / 1

HEX #71FC36

RGB 113 252 54

HSL 102.12, 0.97%, 0.6%

LAB 88.64, -69.32, 76.14

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 8 / 79 / 0 / 1

HEX #E836FC

RGB 232 54 252

HSL 293.94, 0.97%, 0.6%

LAB 58.81, 86.93, -61.81

 

CMYK 0 / 23 / 79 / 1

HEX #FCC136

RGB 252 193 54

HSL 42.12, 0.97%, 0.6%

LAB 81.35, 9.03, 72.64

 

CMYK 71 / 0 / 79 / 1

HEX #4AFC36

RGB 74 252 54

HSL 113.94, 0.97%, 0.6%

LAB 87.65, -77.46, 74.86

 

CMYK 79 / 56 / 0 / 1

HEX #3670FC

RGB 54 112 252

HSL 222.42, 0.97%, 0.6%

LAB 51.15, 30.42, -75.01

 

CMYK 0 / 79 / 16 / 1

HEX #FC36D4

RGB 252 54 212

HSL 312.12, 0.97%, 0.6%

LAB 59.97, 85, -37.33

 

CMYK 0 / 23 / 79 / 1

HEX #FCC136

RGB 252 193 54

HSL 42.12, 0.97%, 0.6%

LAB 81.35, 9.03, 72.64

 

CMYK 79 / 0 / 63 / 1

HEX #36FC5E

RGB 54 252 94

HSL 132.12, 0.97%, 0.6%

LAB 87.59, -77.03, 60.69

 

Description

Color code: HEX #3670FC | qconv.com Color code: HEX #3670FC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 112 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 112 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 56 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 56% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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