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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364252 it is the complementary color #C9BDAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #364252: #3B424D, #4C5460, #5D6673, #6E7886 and #7F8A99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #364252: #364252, #25303F, #141E2C, #030C19 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

Complementary color

CMYK 0 / 6 / 14 / 21

HEX #C9BDAD

RGB 201 189 173

HSL 34.29, 0.21%, 0.73%

LAB 77.18, 1.53, 9.6

 

CMYK 23 / 14 / 0 / 70

HEX #3B424D

RGB 59 66 77

HSL 216.67, 0.13%, 0.27%

LAB 27.74, -0.06, -7.6

 

CMYK 21 / 13 / 0 / 62

HEX #4C5460

RGB 76 84 96

HSL 216, 0.12%, 0.34%

LAB 35.44, -0.25, -8.02

 

CMYK 19 / 11 / 0 / 55

HEX #5D6673

RGB 93 102 115

HSL 215.45, 0.11%, 0.41%

LAB 42.87, -0.41, -8.46

 

CMYK 18 / 10 / 0 / 47

HEX #6E7886

RGB 110 120 134

HSL 215, 0.1%, 0.48%

LAB 50.06, -0.57, -8.9

 

CMYK 17 / 10 / 0 / 40

HEX #7F8A99

RGB 127 138 153

HSL 214.62, 0.11%, 0.55%

LAB 57.06, -0.71, -9.34

 

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

CMYK 41 / 24 / 0 / 75

HEX #25303F

RGB 37 48 63

HSL 214.62, 0.26%, 0.2%

LAB 19.5, -0.13, -10.95

 

CMYK 55 / 32 / 0 / 83

HEX #141E2C

RGB 20 30 44

HSL 215, 0.38%, 0.13%

LAB 10.99, 0.34, -10.78

 

CMYK 88 / 52 / 0 / 90

HEX #030C19

RGB 3 12 25

HSL 215.45, 0.79%, 0.05%

LAB 3.18, 0.39, -8.38

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

CMYK 35 / 25 / 0 / 67

HEX #363E53

RGB 54 62 83

HSL 223.45, 0.21%, 0.27%

LAB 26.31, 2.49, -13.73

 

CMYK 35 / 31 / 0 / 67

HEX #363953

RGB 54 57 83

HSL 233.79, 0.21%, 0.27%

LAB 24.75, 5.85, -16.15

 

CMYK 33 / 35 / 0 / 67

HEX #383653

RGB 56 54 83

HSL 244.14, 0.21%, 0.27%

LAB 24.01, 8.57, -17.28

 

CMYK 27 / 35 / 0 / 67

HEX #3D3653

RGB 61 54 83

HSL 254.48, 0.21%, 0.27%

LAB 24.5, 10.32, -16.49

 

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

CMYK 34 / 20 / 0 / 48

HEX #586B85

RGB 88 107 133

HSL 214.67, 0.2%, 0.43%

LAB 44.64, -0.39, -16.66

 

CMYK 34 / 20 / 0 / 28

HEX #7994B8

RGB 121 148 184

HSL 214.29, 0.31%, 0.6%

LAB 60.52, -0.63, -21.81

 

CMYK 34 / 20 / 0 / 8

HEX #9BBDEB

RGB 155 189 235

HSL 214.5, 0.67%, 0.76%

LAB 75.68, -0.58, -26.57

 

CMYK 35 / 19 / 0 / 88

HEX #14191F

RGB 20 25 31

HSL 212.73, 0.22%, 0.1%

LAB 8.51, -0.5, -4.95

 

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

CMYK 8 / 35 / 0 / 67

HEX #4C3653

RGB 76 54 83

HSL 285.52, 0.21%, 0.27%

LAB 26.16, 15.83, -13.79

 

CMYK 6 / 0 / 35 / 67

HEX #4E5336

RGB 78 83 54

HSL 70.34, 0.21%, 0.27%

LAB 34.13, -7.5, 16.36

 

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

CMYK 0 / 35 / 20 / 67

HEX #533642

RGB 83 54 66

HSL 335.17, 0.21%, 0.27%

LAB 26.36, 15.04, -2.15

 

CMYK 20 / 0 / 35 / 67

HEX #425336

RGB 66 83 54

HSL 95.17, 0.21%, 0.27%

LAB 33.16, -12.74, 14.89

 

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

CMYK 8 / 35 / 0 / 67

HEX #4C3653

RGB 76 54 83

HSL 285.52, 0.21%, 0.27%

LAB 26.16, 15.83, -13.79

 

CMYK 0 / 16 / 35 / 67

HEX #534636

RGB 83 70 54

HSL 33.1, 0.21%, 0.27%

LAB 30.61, 2.77, 11.71

 

CMYK 27 / 0 / 35 / 67

HEX #3D5336

RGB 61 83 54

HSL 105.52, 0.21%, 0.27%

LAB 32.8, -14.82, 14.34

 

CMYK 34 / 20 / 0 / 68

HEX #364252

RGB 54 66 82

HSL 214.29, 0.21%, 0.27%

LAB 27.55, -0.44, -11.2

 

CMYK 0 / 35 / 2 / 67

HEX #533651

RGB 83 54 81

HSL 304.14, 0.21%, 0.27%

LAB 26.94, 18.04, -11.2

 

CMYK 0 / 16 / 35 / 67

HEX #534636

RGB 83 70 54

HSL 33.1, 0.21%, 0.27%

LAB 30.61, 2.77, 11.71

 

CMYK 35 / 0 / 33 / 67

HEX #365338

RGB 54 83 56

HSL 124.14, 0.21%, 0.27%

LAB 32.38, -17.19, 12.47

 

Description

Color code: HEX #364252 | qconv.com Color code: HEX #364252 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 66 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 66 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 20 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 20% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - websitesforpeople
Link: http://websitesforpeople.com.s99199.gridserver.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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