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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323296 it is the complementary color #CDCD69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #323296: #373291, #4844A4, #5956B7, #6A68CA and #7B7ADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #323296: #323296, #212083, #100E70, #00005D and #00004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

Complementary color

CMYK 0 / 0 / 49 / 20

HEX #CDCD69

RGB 205 205 105

HSL 60, 0.5%, 0.61%

LAB 80.55, -13.73, 49.32

 

CMYK 62 / 66 / 0 / 43

HEX #373291

RGB 55 50 145

HSL 243.16, 0.49%, 0.38%

LAB 27.12, 31.65, -51.87

 

CMYK 56 / 59 / 0 / 36

HEX #4844A4

RGB 72 68 164

HSL 242.5, 0.41%, 0.45%

LAB 34.38, 29.72, -51.56

 

CMYK 51 / 53 / 0 / 28

HEX #5956B7

RGB 89 86 183

HSL 241.86, 0.4%, 0.53%

LAB 41.53, 28.08, -51.22

 

CMYK 48 / 49 / 0 / 21

HEX #6A68CA

RGB 106 104 202

HSL 241.22, 0.48%, 0.6%

LAB 48.55, 26.69, -50.9

 

CMYK 44 / 45 / 0 / 13

HEX #7B7ADD

RGB 123 122 221

HSL 240.61, 0.59%, 0.67%

LAB 55.43, 25.51, -50.62

 

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

CMYK 75 / 76 / 0 / 49

HEX #212083

RGB 33 32 131

HSL 240.61, 0.61%, 0.32%

LAB 20.02, 35.03, -54.85

 

CMYK 86 / 88 / 0 / 56

HEX #100E70

RGB 16 14 112

HSL 241.22, 0.78%, 0.25%

LAB 13.19, 37.2, -54.01

 

CMYK 100 / 100 / 0 / 64

HEX #00005D

RGB 0 0 93

HSL 240, 1%, 0.18%

LAB 7.14, 37.74, -51.54

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

CMYK 56 / 67 / 0 / 42

HEX #423195

RGB 66 49 149

HSL 250.2, 0.51%, 0.39%

LAB 28.18, 35.5, -52.56

 

CMYK 45 / 67 / 0 / 42

HEX #523195

RGB 82 49 149

HSL 259.8, 0.51%, 0.39%

LAB 29.81, 38.59, -49.83

 

CMYK 34 / 67 / 0 / 42

HEX #633195

RGB 99 49 149

HSL 270, 0.51%, 0.39%

LAB 31.85, 42.25, -46.43

 

CMYK 22 / 67 / 0 / 42

HEX #743195

RGB 116 49 149

HSL 280.2, 0.51%, 0.39%

LAB 34.15, 46.17, -42.62

 

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

CMYK 67 / 67 / 0 / 21

HEX #4343C9

RGB 67 67 201

HSL 240, 0.55%, 0.53%

LAB 36.79, 41.85, -69.5

 

CMYK 67 / 67 / 0 / 1

HEX #5454FC

RGB 84 84 252

HSL 240, 0.97%, 0.66%

LAB 45.98, 50.61, -83.41

 

CMYK 67 / 67 / 0 / 81

HEX #101030

RGB 16 16 48

HSL 240, 0.5%, 0.13%

LAB 6.27, 11.05, -21.2

 

CMYK 67 / 67 / 0 / 61

HEX #212163

RGB 33 33 99

HSL 240, 0.5%, 0.26%

LAB 17.05, 22.68, -39.1

 

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

CMYK 0 / 67 / 13 / 42

HEX #953181

RGB 149 49 129

HSL 312, 0.51%, 0.39%

LAB 38.15, 50.81, -23.67

 

CMYK 40 / 0 / 67 / 42

HEX #599531

RGB 89 149 49

HSL 96, 0.51%, 0.39%

LAB 55.93, -37.32, 45.08

 

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

CMYK 0 / 67 / 67 / 42

HEX #953131

RGB 149 49 49

HSL 0, 0.51%, 0.39%

LAB 35.61, 41.89, 23.25

 

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

CMYK 0 / 67 / 13 / 42

HEX #953181

RGB 149 49 129

HSL 312, 0.51%, 0.39%

LAB 38.15, 50.81, -23.67

 

CMYK 0 / 0 / 67 / 42

HEX #959531

RGB 149 149 49

HSL 60, 0.51%, 0.39%

LAB 59.98, -12.83, 50.58

 

CMYK 67 / 0 / 54 / 42

HEX #319545

RGB 49 149 69

HSL 132, 0.51%, 0.39%

LAB 54.63, -46.26, 33.71

 

CMYK 67 / 67 / 0 / 41

HEX #323296

RGB 50 50 150

HSL 240, 0.5%, 0.39%

LAB 27.19, 32.6, -54.85

 

CMYK 0 / 67 / 34 / 42

HEX #953163

RGB 149 49 99

HSL 330, 0.51%, 0.39%

LAB 36.91, 46.56, -6.77

 

CMYK 0 / 0 / 67 / 42

HEX #959531

RGB 149 149 49

HSL 60, 0.51%, 0.39%

LAB 59.98, -12.83, 50.58

 

CMYK 67 / 0 / 34 / 42

HEX #319563

RGB 49 149 99

HSL 150, 0.51%, 0.39%

LAB 55.12, -40.84, 18.19

 

Description

Color code: HEX #323296 | qconv.com Color code: HEX #323296 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 50 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 50 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 67 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 67% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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