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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FFE7B it is the complementary color #D00184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FFE7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FFE7B shade: #34FE76, #45FF89, #56FF9C, #67FFAF and #78FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FFE7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FFE7B shade: #2FFE7B, #1EEC68, #0DDA55, #00C842 and #00B62F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FFE7B shade: #2FFE7B, #2FFE43, #53FE2F, #8AFE2F and #C2FE2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FFE7B shade: #2FFE7B, #2FFEB3, #2FFEEB, #2FD9FE and #2FA2FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FFE7B shade matches the following richer shades: #2FFE7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FFE7B shade: #2FFE7B, #40ED7F, #51DC84, #62CB88 and #73BA8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FFE7B shade: #51FE2F, #2FFE44, #2FFE7B, #2FFEB2 and #2FFEE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FFE7B shade: #01D950, #06FE61, #2FFE7B, #58FE95 and #81FEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FFE7B shade: #2FFE7B, #2F89FE and #FE2F36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FFE7B shade: #2FFE7B, #7B2FFE and #FE7B2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FFE7B shade: #2FFE7B, #2F89FE, #FE2FB2 and #FEA42F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FFE7B shade: #2FFE7B, #2F4BFE, #FE2FB2 and #FEE22F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

Complementary color

CMYK 0 / 100 / 37 / 18

HEX #D00184

RGB 208 1 132

HSL 322.03, 0.99%, 0.41%

LAB 45.77, 74.9, -12.88

 

CMYK 80 / 0 / 54 / 0

HEX #34FE76

RGB 52 254 118

HSL 139.6, 0.99%, 0.6%

LAB 88.41, -74.95, 51.19

 

CMYK 73 / 0 / 46 / 0

HEX #45FF89

RGB 69 255 137

HSL 141.94, 1%, 0.64%

LAB 89.2, -70.42, 43.33

 

CMYK 66 / 0 / 39 / 0

HEX #56FF9C

RGB 86 255 156

HSL 144.85, 1%, 0.67%

LAB 89.81, -64.67, 34.91

 

CMYK 60 / 0 / 31 / 0

HEX #67FFAF

RGB 103 255 175

HSL 148.42, 1%, 0.7%

LAB 90.55, -58.1, 26.45

 

CMYK 53 / 0 / 24 / 0

HEX #78FFC2

RGB 120 255 194

HSL 152.89, 1%, 0.74%

LAB 91.42, -50.84, 18.06

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 87 / 0 / 56 / 7

HEX #1EEC68

RGB 30 236 104

HSL 141.55, 0.84%, 0.52%

LAB 82.52, -73.14, 50.44

 

CMYK 94 / 0 / 61 / 15

HEX #0DDA55

RGB 13 218 85

HSL 141.07, 0.89%, 0.45%

LAB 76.61, -70.99, 51.98

 

CMYK 100 / 0 / 67 / 22

HEX #00C842

RGB 0 200 66

HSL 139.8, 1%, 0.39%

LAB 70.66, -68.26, 53.37

 

CMYK 100 / 0 / 74 / 29

HEX #00B62F

RGB 0 182 47

HSL 135.49, 1%, 0.36%

LAB 64.69, -64.78, 54.4

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 81 / 0 / 74 / 0

HEX #2FFE43

RGB 47 254 67

HSL 125.8, 0.99%, 0.59%

LAB 87.92, -80.78, 71.04

 

CMYK 67 / 0 / 81 / 0

HEX #53FE2F

RGB 83 254 47

HSL 109.57, 0.99%, 0.59%

LAB 88.41, -76.86, 77.46

 

CMYK 46 / 0 / 81 / 0

HEX #8AFE2F

RGB 138 254 47

HSL 93.62, 0.99%, 0.59%

LAB 90.09, -63.47, 79.6

 

CMYK 24 / 0 / 81 / 0

HEX #C2FE2F

RGB 194 254 47

HSL 77.39, 0.99%, 0.59%

LAB 92.82, -44.46, 83.07

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 81 / 0 / 30 / 0

HEX #2FFEB3

RGB 47 254 179

HSL 158.26, 0.99%, 0.59%

LAB 89.27, -64.78, 22.5

 

CMYK 81 / 0 / 7 / 0

HEX #2FFEEB

RGB 47 254 235

HSL 174.49, 0.99%, 0.59%

LAB 90.54, -51.33, -4.58

 

CMYK 81 / 15 / 0 / 0

HEX #2FD9FE

RGB 47 217 254

HSL 190.72, 0.99%, 0.59%

LAB 80.4, -29.08, -29.83

 

CMYK 81 / 36 / 0 / 0

HEX #2FA2FE

RGB 47 162 254

HSL 206.67, 0.99%, 0.59%

LAB 64.64, 0.17, -54.43

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 73 / 0 / 46 / 7

HEX #40ED7F

RGB 64 237 127

HSL 141.85, 0.83%, 0.59%

LAB 83.54, -66.53, 40.96

 

CMYK 63 / 0 / 40 / 14

HEX #51DC84

RGB 81 220 132

HSL 142.01, 0.67%, 0.59%

LAB 78.81, -56.71, 32.43

 

CMYK 52 / 0 / 33 / 20

HEX #62CB88

RGB 98 203 136

HSL 141.71, 0.5%, 0.59%

LAB 74.24, -45.42, 24.37

 

CMYK 38 / 0 / 24 / 27

HEX #73BA8D

RGB 115 186 141

HSL 141.97, 0.34%, 0.59%

LAB 69.96, -32.21, 15.92

 

CMYK 68 / 0 / 81 / 0

HEX #51FE2F

RGB 81 254 47

HSL 110.14, 0.99%, 0.59%

LAB 88.37, -77.22, 77.41

 

CMYK 81 / 0 / 73 / 0

HEX #2FFE44

RGB 47 254 68

HSL 126.09, 0.99%, 0.59%

LAB 87.92, -80.71, 70.72

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 81 / 0 / 30 / 0

HEX #2FFEB2

RGB 47 254 178

HSL 157.97, 0.99%, 0.59%

LAB 89.25, -64.99, 22.98

 

CMYK 81 / 0 / 8 / 0

HEX #2FFEE9

RGB 47 254 233

HSL 173.91, 0.99%, 0.59%

LAB 90.49, -51.86, -3.62

 

CMYK 100 / 0 / 63 / 15

HEX #01D950

RGB 1 217 80

HSL 141.94, 0.99%, 0.43%

LAB 76.2, -71.7, 53.65

 

CMYK 98 / 0 / 62 / 0

HEX #06FE61

RGB 6 254 97

HSL 142.02, 0.99%, 0.51%

LAB 87.87, -80.41, 59.66

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 65 / 0 / 41 / 0

HEX #58FE95

RGB 88 254 149

HSL 142.05, 0.99%, 0.67%

LAB 89.45, -65.16, 37.9

 

CMYK 49 / 0 / 31 / 0

HEX #81FEAF

RGB 129 254 175

HSL 142.08, 0.98%, 0.75%

LAB 91.07, -51.98, 27.3

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 81 / 46 / 0 / 0

HEX #2F89FE

RGB 47 137 254

HSL 213.91, 0.99%, 0.59%

LAB 57.7, 15.03, -65.52

 

CMYK 0 / 81 / 79 / 0

HEX #FE2F36

RGB 254 47 54

HSL 357.97, 0.99%, 0.59%

LAB 55.45, 74.53, 48.12

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 52 / 81 / 0 / 0

HEX #7B2FFE

RGB 123 47 254

HSL 262.03, 0.99%, 0.59%

LAB 43.36, 73.13, -88.72

 

CMYK 0 / 52 / 81 / 0

HEX #FE7B2F

RGB 254 123 47

HSL 22.03, 0.99%, 0.59%

LAB 66.09, 45.62, 61.51

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 81 / 46 / 0 / 0

HEX #2F89FE

RGB 47 137 254

HSL 213.91, 0.99%, 0.59%

LAB 57.7, 15.03, -65.52

 

CMYK 0 / 81 / 30 / 0

HEX #FE2FB2

RGB 254 47 178

HSL 322.03, 0.99%, 0.59%

LAB 58.34, 83, -20.33

 

CMYK 0 / 35 / 81 / 0

HEX #FEA42F

RGB 254 164 47

HSL 33.91, 0.99%, 0.59%

LAB 74.72, 24.78, 69.16

 

CMYK 81 / 0 / 52 / 0

HEX #2FFE7B

RGB 47 254 123

HSL 142.03, 0.99%, 0.59%

LAB 88.41, -74.75, 48.88

 

CMYK 81 / 70 / 0 / 0

HEX #2F4BFE

RGB 47 75 254

HSL 231.88, 0.99%, 0.59%

LAB 42.45, 53.09, -90.4

 

CMYK 0 / 81 / 30 / 0

HEX #FE2FB2

RGB 254 47 178

HSL 322.03, 0.99%, 0.59%

LAB 58.34, 83, -20.33

 

CMYK 0 / 11 / 81 / 0

HEX #FEE22F

RGB 254 226 47

HSL 51.88, 0.99%, 0.59%

LAB 89.71, -7.16, 82.08

 

Description

Color code: HEX #2FFE7B | qconv.com Color code: HEX #2FFE7B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 254 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 254 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 52 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 52% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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