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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FD6AB it is the complementary color #D02954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FD6AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FD6AB shade: #34D6A6, #45E8B9, #56FACC, #67FFDF and #78FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FD6AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FD6AB shade: #2FD6AB, #1EC498, #0DB285, #00A072 and #008E5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FD6AB shade: #2ED6AB, #2ED67E, #2ED650, #39D62E and #67D62E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FD6AB shade: #2ED6AB, #2ED4D6, #2EA7D6, #2E79D6 and #2E4CD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FD6AB shade matches the following richer shades: #2ED6AB, #1AEAB4 and #06FEBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FD6AB shade: #2ED6AB, #43C2A1, #57AD97, #6B998D and #7F8583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FD6AB shade: #2ED650, #2ED67C, #2ED6A9, #2ED6D6 and #2EA9D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FD6AB shade: #1D9476, #24B791, #2ED6AB, #51DDB9 and #73E3C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FD6AB shade: #2FD6AB, #2E39D6 and #D6662E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FD6AB shade: #2FD6AB, #A92ED6 and #D6A92E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FD6AB shade: #2FD6AB, #2E39D6, #D62E5B and #D6CB2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FD6AB shade: #2FD6AB, #552ED6, #D62E5B and #AFD62E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 20 / 16

HEX #2FD6AB

RGB 47 214 171

HSL 164.55, 0.67%, 0.51%

LAB 77.06, -51.25, 9.54

 

Complementary color

CMYK 0 / 80 / 60 / 18

HEX #D02954

RGB 208 41 84

HSL 344.55, 0.67%, 0.49%

LAB 46.49, 64.92, 17.79

 

CMYK 76 / 0 / 22 / 16

HEX #34D6A6

RGB 52 214 166

HSL 162.22, 0.66%, 0.52%

LAB 77.03, -51.89, 12.16

 

CMYK 70 / 0 / 20 / 9

HEX #45E8B9

RGB 69 232 185

HSL 162.7, 0.78%, 0.59%

LAB 83.17, -52.55, 10.89

 

CMYK 66 / 0 / 18 / 2

HEX #56FACC

RGB 86 250 204

HSL 163.17, 0.94%, 0.66%

LAB 89.26, -52.99, 9.71

 

CMYK 60 / 0 / 13 / 0

HEX #67FFDF

RGB 103 255 223

HSL 167.37, 1%, 0.7%

LAB 91.56, -47.81, 3.26

 

CMYK 53 / 0 / 5 / 0

HEX #78FFF2

RGB 120 255 242

HSL 174.22, 1%, 0.74%

LAB 92.54, -40.05, -5.09

 

CMYK 78 / 0 / 20 / 16

HEX #2FD6AB

RGB 47 214 171

HSL 164.55, 0.67%, 0.51%

LAB 77.06, -51.25, 9.54

 

CMYK 85 / 0 / 22 / 23

HEX #1EC498

RGB 30 196 152

HSL 164.1, 0.73%, 0.44%

LAB 70.89, -50.17, 10.93

 

CMYK 93 / 0 / 25 / 30

HEX #0DB285

RGB 13 178 133

HSL 163.64, 0.86%, 0.37%

LAB 64.66, -48.7, 12.48

 

CMYK 100 / 0 / 29 / 37

HEX #00A072

RGB 0 160 114

HSL 162.75, 1%, 0.31%

LAB 58.37, -46.77, 14.19

 

CMYK 100 / 0 / 33 / 44

HEX #008E5F

RGB 0 142 95

HSL 160.14, 1%, 0.28%

LAB 52.03, -44.24, 16.11

 

CMYK 79 / 0 / 20 / 16

HEX #2ED6AB

RGB 46 214 171

HSL 164.64, 0.67%, 0.51%

LAB 77.05, -51.35, 9.52

 

CMYK 79 / 0 / 41 / 16

HEX #2ED67E

RGB 46 214 126

HSL 148.57, 0.67%, 0.51%

LAB 76.18, -60.96, 31.9

 

CMYK 79 / 0 / 63 / 16

HEX #2ED650

RGB 46 214 80

HSL 132.14, 0.67%, 0.51%

LAB 75.61, -67.72, 53.08

 

CMYK 73 / 0 / 79 / 16

HEX #39D62E

RGB 57 214 46

HSL 116.07, 0.67%, 0.51%

LAB 75.55, -69.1, 65.58

 

CMYK 52 / 0 / 79 / 16

HEX #67D62E

RGB 103 214 46

HSL 99.64, 0.67%, 0.51%

LAB 76.78, -59, 67.18

 

CMYK 79 / 0 / 20 / 16

HEX #2ED6AB

RGB 46 214 171

HSL 164.64, 0.67%, 0.51%

LAB 77.05, -51.35, 9.52

 

CMYK 79 / 1 / 0 / 16

HEX #2ED4D6

RGB 46 212 214

HSL 180.71, 0.67%, 0.51%

LAB 77.59, -38.97, -12.73

 

CMYK 79 / 22 / 0 / 16

HEX #2EA7D6

RGB 46 167 214

HSL 196.79, 0.67%, 0.51%

LAB 64.22, -16.76, -33.12

 

CMYK 79 / 43 / 0 / 16

HEX #2E79D6

RGB 46 121 214

HSL 213.21, 0.67%, 0.51%

LAB 50.82, 9.9, -54.27

 

CMYK 79 / 64 / 0 / 16

HEX #2E4CD6

RGB 46 76 214

HSL 229.29, 0.67%, 0.51%

LAB 38.91, 38.54, -73.59

 

CMYK 79 / 0 / 20 / 16

HEX #2ED6AB

RGB 46 214 171

HSL 164.64, 0.67%, 0.51%

LAB 77.05, -51.35, 9.52

 

CMYK 89 / 0 / 23 / 8

HEX #1AEAB4

RGB 26 234 180

HSL 164.42, 0.83%, 0.51%

LAB 83.1, -58.55, 13.34

 

CMYK 98 / 0 / 25 / 0

HEX #06FEBE

RGB 6 254 190

HSL 164.52, 0.99%, 0.51%

LAB 89.22, -64.4, 16.76

 

CMYK 79 / 0 / 20 / 16

HEX #2ED6AB

RGB 46 214 171

HSL 164.64, 0.67%, 0.51%

LAB 77.05, -51.35, 9.52

 

CMYK 65 / 0 / 17 / 24

HEX #43C2A1

RGB 67 194 161

HSL 164.41, 0.51%, 0.51%

LAB 71.11, -42.63, 6.46

 

CMYK 50 / 0 / 13 / 32

HEX #57AD97

RGB 87 173 151

HSL 164.65, 0.34%, 0.51%

LAB 65.08, -31.45, 3.34

 

CMYK 30 / 0 / 8 / 40

HEX #6B998D

RGB 107 153 141

HSL 164.35, 0.18%, 0.51%

LAB 59.74, -18.24, 1.31

 

CMYK 5 / 0 / 2 / 48

HEX #7F8583

RGB 127 133 131

HSL 160, 0.02%, 0.51%

LAB 55, -2.61, 0.3

 

CMYK 79 / 0 / 63 / 16

HEX #2ED650

RGB 46 214 80

HSL 132.14, 0.67%, 0.51%

LAB 75.61, -67.72, 53.08

 

CMYK 79 / 0 / 42 / 16

HEX #2ED67C

RGB 46 214 124

HSL 147.86, 0.67%, 0.51%

LAB 76.15, -61.32, 32.88

 

CMYK 79 / 0 / 21 / 16

HEX #2ED6A9

RGB 46 214 169

HSL 163.93, 0.67%, 0.51%

LAB 77, -51.84, 10.52

 

CMYK 79 / 0 / 0 / 16

HEX #2ED6D6

RGB 46 214 214

HSL 180, 0.67%, 0.51%

LAB 78.19, -39.87, -11.84

 

CMYK 79 / 21 / 0 / 16

HEX #2EA9D6

RGB 46 169 214

HSL 196.07, 0.67%, 0.51%

LAB 64.81, -17.82, -32.2

 

CMYK 80 / 0 / 20 / 42

HEX #1D9476

RGB 29 148 118

HSL 164.87, 0.67%, 0.35%

LAB 54.81, -38.88, 6.95

 

CMYK 80 / 0 / 21 / 28

HEX #24B791

RGB 36 183 145

HSL 164.49, 0.67%, 0.43%

LAB 66.74, -46.09, 8.87

 

CMYK 79 / 0 / 20 / 16

HEX #2ED6AB

RGB 46 214 171

HSL 164.64, 0.67%, 0.51%

LAB 77.05, -51.35, 9.52

 

CMYK 63 / 0 / 16 / 13

HEX #51DDB9

RGB 81 221 185

HSL 164.57, 0.67%, 0.59%

LAB 80.16, -46.12, 6.62

 

CMYK 49 / 0 / 12 / 11

HEX #73E3C7

RGB 115 227 199

HSL 165, 0.67%, 0.67%

LAB 83.29, -38.71, 3.85

 

CMYK 78 / 0 / 20 / 16

HEX #2FD6AB

RGB 47 214 171

HSL 164.55, 0.67%, 0.51%

LAB 77.06, -51.25, 9.54

 

CMYK 79 / 73 / 0 / 16

HEX #2E39D6

RGB 46 57 214

HSL 236.07, 0.67%, 0.51%

LAB 34.73, 49.91, -80.47

 

CMYK 0 / 52 / 79 / 16

HEX #D6662E

RGB 214 102 46

HSL 20, 0.67%, 0.51%

LAB 56.08, 40.63, 50.45

 

CMYK 78 / 0 / 20 / 16

HEX #2FD6AB

RGB 47 214 171

HSL 164.55, 0.67%, 0.51%

LAB 77.06, -51.25, 9.54

 

CMYK 21 / 79 / 0 / 16

HEX #A92ED6

RGB 169 46 214

HSL 283.93, 0.67%, 0.51%

LAB 45.97, 71.34, -61.57

 

CMYK 0 / 21 / 79 / 16

HEX #D6A92E

RGB 214 169 46

HSL 43.93, 0.67%, 0.51%

LAB 71.47, 5.07, 64.91

 

CMYK 78 / 0 / 20 / 16

HEX #2FD6AB

RGB 47 214 171

HSL 164.55, 0.67%, 0.51%

LAB 77.06, -51.25, 9.54

 

CMYK 79 / 73 / 0 / 16

HEX #2E39D6

RGB 46 57 214

HSL 236.07, 0.67%, 0.51%

LAB 34.73, 49.91, -80.47

 

CMYK 0 / 79 / 57 / 16

HEX #D62E5B

RGB 214 46 91

HSL 343.93, 0.67%, 0.51%

LAB 48.27, 65.66, 16.08

 

CMYK 0 / 5 / 79 / 16

HEX #D6CB2E

RGB 214 203 46

HSL 56.07, 0.67%, 0.51%

LAB 80.29, -12.57, 72.84

 

CMYK 78 / 0 / 20 / 16

HEX #2FD6AB

RGB 47 214 171

HSL 164.55, 0.67%, 0.51%

LAB 77.06, -51.25, 9.54

 

CMYK 60 / 79 / 0 / 16

HEX #552ED6

RGB 85 46 214

HSL 253.93, 0.67%, 0.51%

LAB 35.48, 59.05, -79.14

 

CMYK 0 / 79 / 57 / 16

HEX #D62E5B

RGB 214 46 91

HSL 343.93, 0.67%, 0.51%

LAB 48.27, 65.66, 16.08

 

CMYK 18 / 0 / 79 / 16

HEX #AFD62E

RGB 175 214 46

HSL 73.93, 0.67%, 0.51%

LAB 80.41, -34.05, 71.84

 

Description

Color code: HEX #2FD6AB | qconv.com Color code: HEX #2FD6AB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 214 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 214 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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