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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FA4A8 it is the complementary color #D05B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FA4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FA4A8 shade: #34A4A3, #45B6B6, #56C8C9, #67DADC and #78ECEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FA4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FA4A8 shade: #2FA4A8, #1E9295, #0D8082, #006E6F and #005C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FA4A8 shade: #2FA3A7, #2F83A7, #2F62A7, #2F42A7 and #3D2FA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FA4A8 shade: #2FA3A7, #2F83A7, #2F62A7, #2F42A7 and #2F2FA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FA4A8 shade matches the following richer shades: #2FA3A7, #1EB3B8 and #0CC3CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FA4A8 shade: #2FA3A7, #409396, #528384, #637373 and #746262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FA4A8 shade: #2FA769, #2FA789, #2FA5A7, #2F85A7 and #2F65A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FA4A8 shade: #1D6467, #268487, #2FA3A7, #38C2C7 and #59CCD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FA4A8 shade: #2FA4A8, #492FA7 and #A7792F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FA4A8 shade: #2FA4A8, #A72FA5 and #A5A72F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FA4A8 shade: #2FA4A8, #492FA7, #A7312F and #8DA72F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FA4A8 shade: #2FA4A8, #6D2FA7, #A7312F and #69A72F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 2 / 0 / 34

HEX #2FA4A8

RGB 47 164 168

HSL 181.98, 0.56%, 0.42%

LAB 61.64, -29.93, -11.38

 

Complementary color

CMYK 0 / 56 / 58 / 18

HEX #D05B57

RGB 208 91 87

HSL 1.98, 0.56%, 0.58%

LAB 53.58, 46.01, 25.36

 

CMYK 68 / 0 / 1 / 36

HEX #34A4A3

RGB 52 164 163

HSL 179.46, 0.52%, 0.42%

LAB 61.59, -30.72, -8.63

 

CMYK 62 / 0 / 0 / 29

HEX #45B6B6

RGB 69 182 182

HSL 180, 0.45%, 0.49%

LAB 68.09, -31.27, -9.47

 

CMYK 57 / 0 / 0 / 21

HEX #56C8C9

RGB 86 200 201

HSL 180.52, 0.52%, 0.56%

LAB 74.51, -31.63, -10.23

 

CMYK 53 / 1 / 0 / 14

HEX #67DADC

RGB 103 218 220

HSL 181.03, 0.63%, 0.63%

LAB 80.85, -31.88, -10.94

 

CMYK 50 / 1 / 0 / 6

HEX #78ECEF

RGB 120 236 239

HSL 181.51, 0.79%, 0.7%

LAB 87.1, -32.03, -11.59

 

CMYK 72 / 2 / 0 / 34

HEX #2FA4A8

RGB 47 164 168

HSL 181.98, 0.56%, 0.42%

LAB 61.64, -29.93, -11.38

 

CMYK 80 / 2 / 0 / 42

HEX #1E9295

RGB 30 146 149

HSL 181.51, 0.66%, 0.35%

LAB 55.08, -28.92, -10.45

 

CMYK 90 / 2 / 0 / 49

HEX #0D8082

RGB 13 128 130

HSL 181.03, 0.82%, 0.28%

LAB 48.43, -27.48, -9.39

 

CMYK 100 / 1 / 0 / 56

HEX #006E6F

RGB 0 110 111

HSL 180.54, 1%, 0.22%

LAB 41.69, -25.54, -8.16

 

CMYK 100 / 0 / 0 / 64

HEX #005C5C

RGB 0 92 92

HSL 180, 1%, 0.18%

LAB 34.86, -22.83, -6.71

 

CMYK 72 / 2 / 0 / 35

HEX #2FA3A7

RGB 47 163 167

HSL 182, 0.56%, 0.42%

LAB 61.3, -29.74, -11.33

 

CMYK 72 / 22 / 0 / 35

HEX #2F83A7

RGB 47 131 167

HSL 198, 0.56%, 0.42%

LAB 51.41, -12.99, -26.4

 

CMYK 72 / 41 / 0 / 35

HEX #2F62A7

RGB 47 98 167

HSL 214.5, 0.56%, 0.42%

LAB 41.42, 6.86, -42.11

 

CMYK 72 / 60 / 0 / 35

HEX #2F42A7

RGB 47 66 167

HSL 230.5, 0.56%, 0.42%

LAB 32.46, 27.91, -56.56

 

CMYK 63 / 72 / 0 / 35

HEX #3D2FA7

RGB 61 47 167

HSL 247, 0.56%, 0.42%

LAB 28.94, 41.67, -62.28

 

CMYK 72 / 2 / 0 / 35

HEX #2FA3A7

RGB 47 163 167

HSL 182, 0.56%, 0.42%

LAB 61.3, -29.74, -11.33

 

CMYK 72 / 22 / 0 / 35

HEX #2F83A7

RGB 47 131 167

HSL 198, 0.56%, 0.42%

LAB 51.41, -12.99, -26.4

 

CMYK 72 / 41 / 0 / 35

HEX #2F62A7

RGB 47 98 167

HSL 214.5, 0.56%, 0.42%

LAB 41.42, 6.86, -42.11

 

CMYK 72 / 60 / 0 / 35

HEX #2F42A7

RGB 47 66 167

HSL 230.5, 0.56%, 0.42%

LAB 32.46, 27.91, -56.56

 

CMYK 72 / 72 / 0 / 35

HEX #2F2FA7

RGB 47 47 167

HSL 240, 0.56%, 0.42%

LAB 27.92, 39.96, -64

 

CMYK 72 / 2 / 0 / 35

HEX #2FA3A7

RGB 47 163 167

HSL 182, 0.56%, 0.42%

LAB 61.3, -29.74, -11.33

 

CMYK 84 / 3 / 0 / 28

HEX #1EB3B8

RGB 30 179 184

HSL 181.95, 0.72%, 0.42%

LAB 66.5, -33.95, -13.03

 

CMYK 94 / 3 / 0 / 21

HEX #0CC3CA

RGB 12 195 202

HSL 182.21, 0.89%, 0.42%

LAB 71.81, -36.81, -14.96

 

CMYK 72 / 2 / 0 / 35

HEX #2FA3A7

RGB 47 163 167

HSL 182, 0.56%, 0.42%

LAB 61.3, -29.74, -11.33

 

CMYK 57 / 2 / 0 / 41

HEX #409396

RGB 64 147 150

HSL 182.09, 0.4%, 0.42%

LAB 56.25, -24, -9.19

 

CMYK 38 / 1 / 0 / 48

HEX #528384

RGB 82 131 132

HSL 181.2, 0.23%, 0.42%

LAB 51.49, -16.2, -5.78

 

CMYK 14 / 0 / 0 / 55

HEX #637373

RGB 99 115 115

HSL 180, 0.07%, 0.42%

LAB 47.17, -5.93, -2.01

 

CMYK 0 / 16 / 16 / 55

HEX #746262

RGB 116 98 98

HSL 0, 0.08%, 0.42%

LAB 43.26, 7.22, 2.68

 

CMYK 72 / 0 / 37 / 35

HEX #2FA769

RGB 47 167 105

HSL 149, 0.56%, 0.42%

LAB 61.01, -47.28, 22.83

 

CMYK 72 / 0 / 18 / 35

HEX #2FA789

RGB 47 167 137

HSL 165, 0.56%, 0.42%

LAB 61.7, -39.97, 6.11

 

CMYK 72 / 1 / 0 / 35

HEX #2FA5A7

RGB 47 165 167

HSL 181, 0.56%, 0.42%

LAB 61.92, -30.71, -10.4

 

CMYK 72 / 20 / 0 / 35

HEX #2F85A7

RGB 47 133 167

HSL 197, 0.56%, 0.42%

LAB 52.03, -14.11, -25.45

 

CMYK 72 / 40 / 0 / 35

HEX #2F65A7

RGB 47 101 167

HSL 213, 0.56%, 0.42%

LAB 42.31, 4.96, -40.69

 

CMYK 72 / 3 / 0 / 60

HEX #1D6467

RGB 29 100 103

HSL 182.43, 0.56%, 0.26%

LAB 38.47, -20.22, -8.06

 

CMYK 72 / 2 / 0 / 47

HEX #268487

RGB 38 132 135

HSL 181.86, 0.56%, 0.34%

LAB 50.29, -25.36, -9.49

 

CMYK 72 / 2 / 0 / 35

HEX #2FA3A7

RGB 47 163 167

HSL 182, 0.56%, 0.42%

LAB 61.3, -29.74, -11.33

 

CMYK 72 / 3 / 0 / 22

HEX #38C2C7

RGB 56 194 199

HSL 182.1, 0.56%, 0.5%

LAB 71.93, -33.96, -13.09

 

CMYK 57 / 2 / 0 / 18

HEX #59CCD0

RGB 89 204 208

HSL 182.02, 0.56%, 0.58%

LAB 75.99, -31.09, -11.81

 

CMYK 72 / 2 / 0 / 34

HEX #2FA4A8

RGB 47 164 168

HSL 181.98, 0.56%, 0.42%

LAB 61.64, -29.93, -11.38

 

CMYK 56 / 72 / 0 / 35

HEX #492FA7

RGB 73 47 167

HSL 253, 0.56%, 0.42%

LAB 30.01, 43.41, -60.49

 

CMYK 0 / 28 / 72 / 35

HEX #A7792F

RGB 167 121 47

HSL 37, 0.56%, 0.42%

LAB 54.13, 10.59, 45.98

 

CMYK 72 / 2 / 0 / 34

HEX #2FA4A8

RGB 47 164 168

HSL 181.98, 0.56%, 0.42%

LAB 61.64, -29.93, -11.38

 

CMYK 0 / 72 / 1 / 35

HEX #A72FA5

RGB 167 47 165

HSL 301, 0.56%, 0.42%

LAB 42.71, 61.84, -38.15

 

CMYK 1 / 0 / 72 / 35

HEX #A5A72F

RGB 165 167 47

HSL 61, 0.56%, 0.42%

LAB 66.4, -15.31, 58.18

 

CMYK 72 / 2 / 0 / 34

HEX #2FA4A8

RGB 47 164 168

HSL 181.98, 0.56%, 0.42%

LAB 61.64, -29.93, -11.38

 

CMYK 56 / 72 / 0 / 35

HEX #492FA7

RGB 73 47 167

HSL 253, 0.56%, 0.42%

LAB 30.01, 43.41, -60.49

 

CMYK 0 / 71 / 72 / 35

HEX #A7312F

RGB 167 49 47

HSL 1, 0.56%, 0.42%

LAB 38.93, 47.95, 29.27

 

CMYK 16 / 0 / 72 / 35

HEX #8DA72F

RGB 141 167 47

HSL 73, 0.56%, 0.42%

LAB 64.57, -25.57, 55.77

 

CMYK 72 / 2 / 0 / 34

HEX #2FA4A8

RGB 47 164 168

HSL 181.98, 0.56%, 0.42%

LAB 61.64, -29.93, -11.38

 

CMYK 35 / 72 / 0 / 35

HEX #6D2FA7

RGB 109 47 167

HSL 271, 0.56%, 0.42%

LAB 34.14, 49.81, -53.58

 

CMYK 0 / 71 / 72 / 35

HEX #A7312F

RGB 167 49 47

HSL 1, 0.56%, 0.42%

LAB 38.93, 47.95, 29.27

 

CMYK 37 / 0 / 72 / 35

HEX #69A72F

RGB 105 167 47

HSL 91, 0.56%, 0.42%

LAB 62.38, -39.66, 52.86

 

Description

Color code: HEX #2FA4A8 | qconv.com Color code: HEX #2FA4A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 164 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 164 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 2 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 2% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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