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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E3A23 it is the complementary color #D1C5DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E3A23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2E3A23: #333A1E, #444C31, #555E44, #667057 and #77826A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E3A23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2E3A23: #2E3A23, #1D2810, #0C1600, #000400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

Complementary color

CMYK 5 / 10 / 0 / 14

HEX #D1C5DC

RGB 209 197 220

HSL 271.3, 0.25%, 0.82%

LAB 81.1, 8.41, -9.93

 

CMYK 12 / 0 / 48 / 77

HEX #333A1E

RGB 51 58 30

HSL 75, 0.32%, 0.17%

LAB 23.08, -8.48, 16.41

 

CMYK 11 / 0 / 36 / 70

HEX #444C31

RGB 68 76 49

HSL 77.78, 0.22%, 0.25%

LAB 30.92, -8.6, 15.02

 

CMYK 10 / 0 / 28 / 63

HEX #555E44

RGB 85 94 68

HSL 80.77, 0.16%, 0.32%

LAB 38.47, -8.66, 13.78

 

CMYK 9 / 0 / 22 / 56

HEX #667057

RGB 102 112 87

HSL 84, 0.13%, 0.39%

LAB 45.77, -8.69, 12.66

 

CMYK 8 / 0 / 18 / 49

HEX #77826A

RGB 119 130 106

HSL 87.5, 0.1%, 0.46%

LAB 52.87, -8.71, 11.65

 

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

RAL® 6020

CMYK 28 / 0 / 60 / 84

HEX #1D2810

RGB 29 40 16

HSL 87.5, 0.43%, 0.11%

LAB 14.49, -10.07, 13.98

 

CMYK 45 / 0 / 100 / 91

HEX #0C1600

RGB 12 22 0

HSL 87.27, 1%, 0.04%

LAB 5.89, -7.42, 8.68

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

RAL® 6020

CMYK 28 / 0 / 40 / 78

HEX #293922

RGB 41 57 34

HSL 101.74, 0.25%, 0.18%

LAB 21.99, -11.83, 12.29

 

CMYK 35 / 0 / 40 / 78

HEX #253922

RGB 37 57 34

HSL 112.17, 0.25%, 0.18%

LAB 21.71, -13.54, 11.86

 

CMYK 40 / 0 / 40 / 78

HEX #223922

RGB 34 57 34

HSL 120, 0.25%, 0.18%

LAB 21.51, -14.77, 11.57

 

CMYK 40 / 0 / 33 / 78

HEX #223926

RGB 34 57 38

HSL 130.43, 0.25%, 0.18%

LAB 21.6, -13.93, 9.06

 

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

RAL® 6020

CMYK 21 / 0 / 39 / 57

HEX #566D42

RGB 86 109 66

HSL 92.09, 0.25%, 0.34%

LAB 43.23, -16.98, 21.31

 

CMYK 21 / 0 / 39 / 37

HEX #7FA061

RGB 127 160 97

HSL 91.43, 0.25%, 0.5%

LAB 62.1, -22.89, 29.19

 

CMYK 21 / 0 / 40 / 17

HEX #A7D37F

RGB 167 211 127

HSL 91.43, 0.49%, 0.66%

LAB 79.8, -28.93, 36.97

 

CMYK 14 / 0 / 43 / 97

HEX #060704

RGB 6 7 4

HSL 80, 0.27%, 0.02%

LAB 1.8, -0.68, 1.04

 

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

RAL® 6020

CMYK 40 / 0 / 12 / 78

HEX #223932

RGB 34 57 50

HSL 161.74, 0.25%, 0.18%

LAB 21.93, -10.97, 1.51

 

CMYK 0 / 40 / 5 / 78

HEX #392236

RGB 57 34 54

HSL 307.83, 0.25%, 0.18%

LAB 16.89, 14.91, -8.51

 

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

RAL® 6020

CMYK 40 / 21 / 0 / 78

HEX #222D39

RGB 34 45 57

HSL 211.3, 0.25%, 0.18%

LAB 17.97, -1.05, -9.17

 

CMYK 0 / 40 / 21 / 78

HEX #39222D

RGB 57 34 45

HSL 331.3, 0.25%, 0.18%

LAB 16.52, 13.01, -2.71

 

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

RAL® 6020

CMYK 40 / 0 / 12 / 78

HEX #223932

RGB 34 57 50

HSL 161.74, 0.25%, 0.18%

LAB 21.93, -10.97, 1.51

 

CMYK 19 / 40 / 0 / 78

HEX #2E2239

RGB 46 34 57

HSL 271.3, 0.25%, 0.18%

LAB 15.59, 11.26, -12.74

 

CMYK 0 / 40 / 30 / 78

HEX #392228

RGB 57 34 40

HSL 344.35, 0.25%, 0.18%

LAB 16.34, 12.07, 0.58

 

CMYK 21 / 0 / 40 / 77

HEX #2E3A23

RGB 46 58 35

HSL 91.3, 0.25%, 0.18%

LAB 22.75, -10.02, 12.72

RAL® 6020

CMYK 40 / 2 / 0 / 78

HEX #223839

RGB 34 56 57

HSL 182.61, 0.25%, 0.18%

LAB 21.81, -8.34, -3.39

 

CMYK 19 / 40 / 0 / 78

HEX #2E2239

RGB 46 34 57

HSL 271.3, 0.25%, 0.18%

LAB 15.59, 11.26, -12.74

 

CMYK 0 / 40 / 40 / 78

HEX #392222

RGB 57 34 34

HSL 0, 0.25%, 0.18%

LAB 16.15, 11.06, 4.58

 

Description

Color code: HEX #2E3A23 | qconv.com Color code: HEX #2E3A23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 58 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 58 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 40 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 40% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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