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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D7CDB it is the complementary color #D28324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D7CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D7CDB shade: #327CD6, #438EE9, #54A0FC, #65B2FF and #76C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D7CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D7CDB shade: #2D7CDB, #1C6AC8, #0B58B5, #0046A2 and #00348F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D7CDB shade: #2E7DDC, #2E4EDC, #3D2EDC, #6B2EDC and #9A2EDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D7CDB shade: #2E7DDC, #2E4EDC and #2E2EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D7CDB shade matches the following richer shades: #2E7DDC and #1A7BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D7CDB shade: #2E7DDC, #427EC8, #5580B4, #6982A0 and #7D848C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D7CDB shade: #2EDCDC, #2EADDC, #2E7FDC, #2E50DC and #392EDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D7CDB shade: #1A559C, #2069BF, #2E7DDC, #5193E1 and #74A9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D7CDB shade: #2D7CDB, #AD2EDC and #C4DC2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D7CDB shade: #2D7CDB, #DC2E7F and #7FDC2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D7CDB shade: #2D7CDB, #AD2EDC, #DC8A2E and #5CDC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D7CDB shade: #2D7CDB, #DC2ED6, #DC8A2E and #2EDC33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 43 / 0 / 14

HEX #2D7CDB

RGB 45 124 219

HSL 212.76, 0.71%, 0.52%

LAB 51.94, 9.81, -55.31

 

Complementary color

CMYK 0 / 38 / 83 / 18

HEX #D28324

RGB 210 131 36

HSL 32.76, 0.71%, 0.48%

LAB 61.71, 23.48, 59.49

 

CMYK 77 / 42 / 0 / 16

HEX #327CD6

RGB 50 124 214

HSL 212.93, 0.67%, 0.52%

LAB 51.78, 8.48, -52.73

 

CMYK 71 / 39 / 0 / 9

HEX #438EE9

RGB 67 142 233

HSL 212.89, 0.79%, 0.59%

LAB 58.44, 6.6, -52.72

 

CMYK 67 / 37 / 0 / 1

HEX #54A0FC

RGB 84 160 252

HSL 212.86, 0.97%, 0.66%

LAB 65.01, 5.07, -52.7

 

CMYK 60 / 30 / 0 / 0

HEX #65B2FF

RGB 101 178 255

HSL 210, 1%, 0.7%

LAB 70.75, -1.32, -45.23

 

CMYK 54 / 23 / 0 / 0

HEX #76C4FF

RGB 118 196 255

HSL 205.84, 1%, 0.73%

LAB 76.41, -7.85, -36.36

 

CMYK 79 / 43 / 0 / 14

HEX #2D7CDB

RGB 45 124 219

HSL 212.76, 0.71%, 0.52%

LAB 51.94, 9.81, -55.31

 

CMYK 86 / 47 / 0 / 22

HEX #1C6AC8

RGB 28 106 200

HSL 212.79, 0.75%, 0.45%

LAB 45.26, 12.38, -55.24

 

CMYK 94 / 51 / 0 / 29

HEX #0B58B5

RGB 11 88 181

HSL 212.82, 0.89%, 0.38%

LAB 38.53, 15.58, -55.06

 

CMYK 100 / 57 / 0 / 36

HEX #0046A2

RGB 0 70 162

HSL 214.07, 1%, 0.32%

LAB 31.78, 19.48, -54.72

 

CMYK 100 / 64 / 0 / 44

HEX #00348F

RGB 0 52 143

HSL 218.18, 1%, 0.28%

LAB 25.07, 24.08, -54.08

 

CMYK 79 / 43 / 0 / 14

HEX #2E7DDC

RGB 46 125 220

HSL 212.76, 0.71%, 0.52%

LAB 52.3, 9.66, -55.28

 

CMYK 79 / 65 / 0 / 14

HEX #2E4EDC

RGB 46 78 220

HSL 228.97, 0.71%, 0.52%

LAB 39.91, 39.44, -75.38

 

CMYK 72 / 79 / 0 / 14

HEX #3D2EDC

RGB 61 46 220

HSL 245.17, 0.71%, 0.52%

LAB 34.22, 58.58, -84.74

 

CMYK 51 / 79 / 0 / 14

HEX #6B2EDC

RGB 107 46 220

HSL 261.03, 0.71%, 0.52%

LAB 38.28, 63.21, -77.9

 

CMYK 30 / 79 / 0 / 14

HEX #9A2EDC

RGB 154 46 220

HSL 277.24, 0.71%, 0.52%

LAB 44.22, 70.01, -67.94

 

CMYK 79 / 43 / 0 / 14

HEX #2E7DDC

RGB 46 125 220

HSL 212.76, 0.71%, 0.52%

LAB 52.3, 9.66, -55.28

 

CMYK 79 / 65 / 0 / 14

HEX #2E4EDC

RGB 46 78 220

HSL 228.97, 0.71%, 0.52%

LAB 39.91, 39.44, -75.38

 

CMYK 79 / 79 / 0 / 14

HEX #2E2EDC

RGB 46 46 220

HSL 240, 0.71%, 0.52%

LAB 33.35, 57.6, -86.2

 

CMYK 79 / 43 / 0 / 14

HEX #2E7DDC

RGB 46 125 220

HSL 212.76, 0.71%, 0.52%

LAB 52.3, 9.66, -55.28

 

CMYK 89 / 49 / 0 / 6

HEX #1A7BEF

RGB 26 123 239

HSL 212.68, 0.87%, 0.52%

LAB 52.53, 16.6, -65.59

 

CMYK 79 / 43 / 0 / 14

HEX #2E7DDC

RGB 46 125 220

HSL 212.76, 0.71%, 0.52%

LAB 52.3, 9.66, -55.28

 

CMYK 67 / 37 / 0 / 22

HEX #427EC8

RGB 66 126 200

HSL 213.13, 0.55%, 0.52%

LAB 52.12, 4.44, -44.2

 

CMYK 53 / 29 / 0 / 29

HEX #5580B4

RGB 85 128 180

HSL 212.84, 0.39%, 0.52%

LAB 52.58, 0.31, -31.97

 

CMYK 34 / 19 / 0 / 37

HEX #6982A0

RGB 105 130 160

HSL 212.73, 0.22%, 0.52%

LAB 53.5, -1.41, -18.91

 

CMYK 11 / 6 / 0 / 45

HEX #7D848C

RGB 125 132 140

HSL 212, 0.06%, 0.52%

LAB 54.82, -0.88, -5.19

 

CMYK 79 / 0 / 0 / 14

HEX #2EDCDC

RGB 46 220 220

HSL 180, 0.71%, 0.52%

LAB 80.14, -40.85, -12.12

 

CMYK 79 / 21 / 0 / 14

HEX #2EADDC

RGB 46 173 220

HSL 196.21, 0.71%, 0.52%

LAB 66.24, -17.92, -33.3

 

CMYK 79 / 42 / 0 / 14

HEX #2E7FDC

RGB 46 127 220

HSL 212.07, 0.71%, 0.52%

LAB 52.87, 8.43, -54.37

 

CMYK 79 / 64 / 0 / 14

HEX #2E50DC

RGB 46 80 220

HSL 228.28, 0.71%, 0.52%

LAB 40.39, 38.19, -74.6

 

CMYK 74 / 79 / 0 / 14

HEX #392EDC

RGB 57 46 220

HSL 243.79, 0.71%, 0.52%

LAB 33.96, 58.29, -85.17

 

CMYK 83 / 46 / 0 / 39

HEX #1A559C

RGB 26 85 156

HSL 212.77, 0.71%, 0.36%

LAB 36.21, 8.42, -43.92

 

CMYK 83 / 45 / 0 / 25

HEX #2069BF

RGB 32 105 191

HSL 212.45, 0.71%, 0.44%

LAB 44.48, 9.83, -51.28

 

CMYK 79 / 43 / 0 / 14

HEX #2E7DDC

RGB 46 125 220

HSL 212.76, 0.71%, 0.52%

LAB 52.3, 9.66, -55.28

 

CMYK 64 / 35 / 0 / 12

HEX #5193E1

RGB 81 147 225

HSL 212.5, 0.71%, 0.6%

LAB 59.94, 3.06, -45.86

 

CMYK 50 / 27 / 0 / 9

HEX #74A9E7

RGB 116 169 231

HSL 212.35, 0.71%, 0.68%

LAB 67.92, -0.57, -36.55

 

CMYK 79 / 43 / 0 / 14

HEX #2D7CDB

RGB 45 124 219

HSL 212.76, 0.71%, 0.52%

LAB 51.94, 9.81, -55.31

 

CMYK 21 / 79 / 0 / 14

HEX #AD2EDC

RGB 173 46 220

HSL 283.79, 0.71%, 0.52%

LAB 46.98, 73.18, -63.33

 

CMYK 11 / 0 / 79 / 14

HEX #C4DC2E

RGB 196 220 46

HSL 68.28, 0.71%, 0.52%

LAB 83.51, -28.39, 75.16

 

CMYK 79 / 43 / 0 / 14

HEX #2D7CDB

RGB 45 124 219

HSL 212.76, 0.71%, 0.52%

LAB 51.94, 9.81, -55.31

 

CMYK 0 / 79 / 42 / 14

HEX #DC2E7F

RGB 220 46 127

HSL 332.07, 0.71%, 0.52%

LAB 50.34, 70.12, -2.77

 

CMYK 42 / 0 / 79 / 14

HEX #7FDC2E

RGB 127 220 46

HSL 92.07, 0.71%, 0.52%

LAB 79.55, -54.04, 70.11

 

CMYK 79 / 43 / 0 / 14

HEX #2D7CDB

RGB 45 124 219

HSL 212.76, 0.71%, 0.52%

LAB 51.94, 9.81, -55.31

 

CMYK 21 / 79 / 0 / 14

HEX #AD2EDC

RGB 173 46 220

HSL 283.79, 0.71%, 0.52%

LAB 46.98, 73.18, -63.33

 

CMYK 0 / 37 / 79 / 14

HEX #DC8A2E

RGB 220 138 46

HSL 31.72, 0.71%, 0.52%

LAB 64.64, 24.29, 58.88

 

CMYK 58 / 0 / 79 / 14

HEX #5CDC2E

RGB 92 220 46

HSL 104.14, 0.71%, 0.52%

LAB 78.26, -63.99, 68.44

 

CMYK 79 / 43 / 0 / 14

HEX #2D7CDB

RGB 45 124 219

HSL 212.76, 0.71%, 0.52%

LAB 51.94, 9.81, -55.31

 

CMYK 0 / 79 / 3 / 14

HEX #DC2ED6

RGB 220 46 214

HSL 302.07, 0.71%, 0.52%

LAB 54.05, 80.78, -48.16

 

CMYK 0 / 37 / 79 / 14

HEX #DC8A2E

RGB 220 138 46

HSL 31.72, 0.71%, 0.52%

LAB 64.64, 24.29, 58.88

 

CMYK 79 / 0 / 77 / 14

HEX #2EDC33

RGB 46 220 51

HSL 121.72, 0.71%, 0.52%

LAB 77.28, -72.12, 65.67

 

Description

Color code: HEX #2D7CDB | qconv.com Color code: HEX #2D7CDB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 124 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 124 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 43 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 43% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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