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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B7EC3 it is the complementary color #D4813C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B7EC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B7EC3 shade: #307EBE, #4190D1, #52A2E4, #63B4F7 and #74C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B7EC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B7EC3 shade: #2B7EC3, #1A6CB0, #095A9D, #00488A and #003677

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B7EC3 shade: #2B7FC5, #2B56C5, #2B2CC5, #532BC5 and #7D2BC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B7EC3 shade: #2B7FC5, #2B56C5, #2B2CC5 and #2B2BC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B7EC3 shade matches the following richer shades: #2B7FC5, #1881D8 and #0482EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B7EC3 shade: #2B7FC5, #3F7DB1, #527B9E, #657A8A and #797877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B7EC3 shade: #2BC5B8, #2BA8C5, #2B80C5, #2B57C5 and #2B2EC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B7EC3 shade: #1C5381, #2469A3, #2B7FC5, #4393D6 and #65A7DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B7EC3 shade: #2B7EC3, #8F2BC5 and #BDC52B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B7EC3 shade: #2B7EC3, #C52B80 and #80C52B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B7EC3 shade: #2B7EC3, #8F2BC5, #C5702B and #61C52B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B7EC3 shade: #2B7EC3, #BD2BC5, #C5702B and #33C52B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 35 / 0 / 24

HEX #2B7EC3

RGB 43 126 195

HSL 207.24, 0.64%, 0.47%

LAB 51.12, -0.57, -42.97

 

Complementary color

CMYK 0 / 39 / 72 / 17

HEX #D4813C

RGB 212 129 60

HSL 27.24, 0.64%, 0.53%

LAB 61.67, 26.35, 49.52

 

CMYK 75 / 34 / 0 / 25

HEX #307EBE

RGB 48 126 190

HSL 207.04, 0.6%, 0.47%

LAB 51, -1.8, -40.3

 

CMYK 69 / 31 / 0 / 18

HEX #4190D1

RGB 65 144 209

HSL 207.08, 0.61%, 0.54%

LAB 57.73, -3.25, -40.45

 

CMYK 64 / 29 / 0 / 11

HEX #52A2E4

RGB 82 162 228

HSL 207.12, 0.73%, 0.61%

LAB 64.35, -4.39, -40.58

 

CMYK 60 / 27 / 0 / 3

HEX #63B4F7

RGB 99 180 247

HSL 207.16, 0.9%, 0.68%

LAB 70.88, -5.31, -40.71

 

CMYK 55 / 22 / 0 / 0

HEX #74C6FF

RGB 116 198 255

HSL 204.6, 1%, 0.73%

LAB 76.87, -9.33, -35.64

 

CMYK 78 / 35 / 0 / 24

HEX #2B7EC3

RGB 43 126 195

HSL 207.24, 0.64%, 0.47%

LAB 51.12, -0.57, -42.97

 

CMYK 85 / 39 / 0 / 31

HEX #1A6CB0

RGB 26 108 176

HSL 207.2, 0.74%, 0.4%

LAB 44.35, 1.57, -42.77

 

CMYK 94 / 43 / 0 / 38

HEX #095A9D

RGB 9 90 157

HSL 207.16, 0.89%, 0.33%

LAB 37.49, 4.33, -42.49

 

CMYK 100 / 48 / 0 / 46

HEX #00488A

RGB 0 72 138

HSL 208.7, 1%, 0.27%

LAB 30.57, 7.91, -42.06

 

CMYK 100 / 55 / 0 / 53

HEX #003677

RGB 0 54 119

HSL 212.77, 1%, 0.23%

LAB 23.57, 12.28, -41.48

 

CMYK 78 / 36 / 0 / 23

HEX #2B7FC5

RGB 43 127 197

HSL 207.27, 0.64%, 0.47%

LAB 51.52, -0.43, -43.48

 

CMYK 78 / 56 / 0 / 23

HEX #2B56C5

RGB 43 86 197

HSL 223.25, 0.64%, 0.47%

LAB 39.92, 25.55, -62.12

 

CMYK 78 / 78 / 0 / 23

HEX #2B2CC5

RGB 43 44 197

HSL 239.61, 0.64%, 0.47%

LAB 30.27, 51.22, -77.96

 

CMYK 58 / 78 / 0 / 23

HEX #532BC5

RGB 83 43 197

HSL 255.58, 0.64%, 0.47%

LAB 33.13, 55.45, -73.14

 

CMYK 37 / 78 / 0 / 23

HEX #7D2BC5

RGB 125 43 197

HSL 271.95, 0.64%, 0.47%

LAB 38.06, 61.39, -64.87

 

CMYK 78 / 36 / 0 / 23

HEX #2B7FC5

RGB 43 127 197

HSL 207.27, 0.64%, 0.47%

LAB 51.52, -0.43, -43.48

 

CMYK 78 / 56 / 0 / 23

HEX #2B56C5

RGB 43 86 197

HSL 223.25, 0.64%, 0.47%

LAB 39.92, 25.55, -62.12

 

CMYK 78 / 78 / 0 / 23

HEX #2B2CC5

RGB 43 44 197

HSL 239.61, 0.64%, 0.47%

LAB 30.27, 51.22, -77.96

 

CMYK 78 / 78 / 0 / 23

HEX #2B2BC5

RGB 43 43 197

HSL 240, 0.64%, 0.47%

LAB 30.09, 51.74, -78.26

 

CMYK 78 / 36 / 0 / 23

HEX #2B7FC5

RGB 43 127 197

HSL 207.27, 0.64%, 0.47%

LAB 51.52, -0.43, -43.48

 

CMYK 89 / 40 / 0 / 15

HEX #1881D8

RGB 24 129 216

HSL 207.19, 0.8%, 0.47%

LAB 52.79, 3.95, -52.27

 

CMYK 98 / 45 / 0 / 8

HEX #0482EB

RGB 4 130 235

HSL 207.27, 0.97%, 0.47%

LAB 54.02, 9.91, -60.97

 

CMYK 78 / 36 / 0 / 23

HEX #2B7FC5

RGB 43 127 197

HSL 207.27, 0.64%, 0.47%

LAB 51.52, -0.43, -43.48

 

CMYK 64 / 29 / 0 / 31

HEX #3F7DB1

RGB 63 125 177

HSL 207.37, 0.48%, 0.47%

LAB 50.57, -3.47, -33.46

 

CMYK 48 / 22 / 0 / 38

HEX #527B9E

RGB 82 123 158

HSL 207.63, 0.32%, 0.47%

LAB 50.01, -4.3, -23.22

 

CMYK 27 / 12 / 0 / 46

HEX #657A8A

RGB 101 122 138

HSL 205.95, 0.15%, 0.47%

LAB 50.12, -3.77, -11.22

 

CMYK 0 / 1 / 2 / 53

HEX #797877

RGB 121 120 119

HSL 30, 0.01%, 0.47%

LAB 50.49, 0.18, 0.68

 

CMYK 78 / 0 / 7 / 23

HEX #2BC5B8

RGB 43 197 184

HSL 174.94, 0.64%, 0.47%

LAB 72.17, -41.06, -4.58

 

CMYK 78 / 15 / 0 / 23

HEX #2BA8C5

RGB 43 168 197

HSL 191.3, 0.64%, 0.47%

LAB 63.79, -23.26, -24.35

 

CMYK 78 / 35 / 0 / 23

HEX #2B80C5

RGB 43 128 197

HSL 206.88, 0.64%, 0.47%

LAB 51.82, -1.03, -43.02

 

CMYK 78 / 56 / 0 / 23

HEX #2B57C5

RGB 43 87 197

HSL 222.86, 0.64%, 0.47%

LAB 40.18, 24.89, -61.69

 

CMYK 78 / 77 / 0 / 23

HEX #2B2EC5

RGB 43 46 197

HSL 238.83, 0.64%, 0.47%

LAB 30.64, 50.17, -77.35

 

CMYK 78 / 36 / 0 / 49

HEX #1C5381

RGB 28 83 129

HSL 207.33, 0.64%, 0.31%

LAB 34.02, -0.82, -30.97

 

CMYK 78 / 36 / 0 / 36

HEX #2469A3

RGB 36 105 163

HSL 207.4, 0.64%, 0.39%

LAB 42.95, -0.56, -37.34

 

CMYK 78 / 36 / 0 / 23

HEX #2B7FC5

RGB 43 127 197

HSL 207.27, 0.64%, 0.47%

LAB 51.52, -0.43, -43.48

 

CMYK 69 / 31 / 0 / 16

HEX #4393D6

RGB 67 147 214

HSL 207.35, 0.64%, 0.55%

LAB 58.9, -2.96, -41.4

 

CMYK 54 / 24 / 0 / 13

HEX #65A7DD

RGB 101 167 221

HSL 207, 0.64%, 0.63%

LAB 66.23, -5.76, -33.73

 

CMYK 78 / 35 / 0 / 24

HEX #2B7EC3

RGB 43 126 195

HSL 207.24, 0.64%, 0.47%

LAB 51.12, -0.57, -42.97

 

CMYK 27 / 78 / 0 / 23

HEX #8F2BC5

RGB 143 43 197

HSL 278.96, 0.64%, 0.47%

LAB 40.57, 64.4, -60.66

 

CMYK 4 / 0 / 78 / 23

HEX #BDC52B

RGB 189 197 43

HSL 63.12, 0.64%, 0.47%

LAB 76.63, -20.3, 69.68

 

CMYK 78 / 35 / 0 / 24

HEX #2B7EC3

RGB 43 126 195

HSL 207.24, 0.64%, 0.47%

LAB 51.12, -0.57, -42.97

 

CMYK 0 / 78 / 35 / 23

HEX #C52B80

RGB 197 43 128

HSL 326.88, 0.64%, 0.47%

LAB 45.85, 65.26, -10.52

 

CMYK 35 / 0 / 78 / 23

HEX #80C52B

RGB 128 197 43

HSL 86.88, 0.64%, 0.47%

LAB 72.69, -44.51, 64.62

 

CMYK 78 / 35 / 0 / 24

HEX #2B7EC3

RGB 43 126 195

HSL 207.24, 0.64%, 0.47%

LAB 51.12, -0.57, -42.97

 

CMYK 27 / 78 / 0 / 23

HEX #8F2BC5

RGB 143 43 197

HSL 278.96, 0.64%, 0.47%

LAB 40.57, 64.4, -60.66

 

CMYK 0 / 43 / 78 / 23

HEX #C5702B

RGB 197 112 43

HSL 26.88, 0.64%, 0.47%

LAB 55.72, 28.46, 50.6

 

CMYK 51 / 0 / 78 / 23

HEX #61C52B

RGB 97 197 43

HSL 98.96, 0.64%, 0.47%

LAB 71.32, -54.59, 62.84

 

CMYK 78 / 35 / 0 / 24

HEX #2B7EC3

RGB 43 126 195

HSL 207.24, 0.64%, 0.47%

LAB 51.12, -0.57, -42.97

 

CMYK 4 / 78 / 0 / 23

HEX #BD2BC5

RGB 189 43 197

HSL 296.88, 0.64%, 0.47%

LAB 47.72, 72.9, -48.77

 

CMYK 0 / 43 / 78 / 23

HEX #C5702B

RGB 197 112 43

HSL 26.88, 0.64%, 0.47%

LAB 55.72, 28.46, 50.6

 

CMYK 74 / 0 / 78 / 23

HEX #33C52B

RGB 51 197 43

HSL 116.88, 0.64%, 0.47%

LAB 70.04, -64.97, 61.18

 

Description

Color code: HEX #2B7EC3 | qconv.com Color code: HEX #2B7EC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 126 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 126 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 35 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 35% 0% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Organisation for Eco...
Link: http://www.oecd.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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