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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B34EE it is the complementary color #D4CB11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B34EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2B34EE: #3034E9, #4146FC, #5258FF, #636AFF and #747CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B34EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2B34EE: #2B34EE, #1A22DB, #0910C8, #0000B5 and #0000A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

Complementary color

CMYK 0 / 4 / 92 / 17

HEX #D4CB11

RGB 212 203 17

HSL 57.23, 0.85%, 0.45%

LAB 80.04, -14.11, 78.71

 

CMYK 79 / 78 / 0 / 9

HEX #3034E9

RGB 48 52 233

HSL 238.7, 0.81%, 0.55%

LAB 35.92, 58.77, -89.37

 

CMYK 74 / 72 / 0 / 1

HEX #4146FC

RGB 65 70 252

HSL 238.4, 0.97%, 0.62%

LAB 42.05, 56.5, -89.92

 

CMYK 68 / 65 / 0 / 0

HEX #5258FF

RGB 82 88 255

HSL 237.92, 1%, 0.66%

LAB 46.97, 49.04, -83.47

 

CMYK 61 / 58 / 0 / 0

HEX #636AFF

RGB 99 106 255

HSL 237.31, 1%, 0.69%

LAB 52.04, 40.79, -75.14

 

CMYK 55 / 51 / 0 / 0

HEX #747CFF

RGB 116 124 255

HSL 236.55, 1%, 0.73%

LAB 57.41, 33.06, -66.39

 

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

CMYK 88 / 84 / 0 / 14

HEX #1A22DB

RGB 26 34 219

HSL 237.51, 0.79%, 0.48%

LAB 30.59, 61.88, -90.24

 

CMYK 96 / 92 / 0 / 22

HEX #0910C8

RGB 9 16 200

HSL 237.8, 0.91%, 0.41%

LAB 25.56, 62.46, -87.59

 

CMYK 100 / 100 / 0 / 29

HEX #0000B5

RGB 0 0 181

HSL 240, 1%, 0.35%

LAB 21.34, 61.23, -83.39

 

CMYK 100 / 100 / 0 / 36

HEX #0000A2

RGB 0 0 162

HSL 240, 1%, 0.32%

LAB 18.4, 56.41, -76.82

 

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

CMYK 73 / 82 / 0 / 7

HEX #412AED

RGB 65 42 237

HSL 247.08, 0.84%, 0.55%

LAB 35.78, 65.5, -91.85

 

CMYK 59 / 82 / 0 / 7

HEX #612AED

RGB 97 42 237

HSL 256.92, 0.84%, 0.55%

LAB 38.4, 68.01, -87.43

 

CMYK 45 / 82 / 0 / 7

HEX #822AED

RGB 130 42 237

HSL 267.08, 0.84%, 0.55%

LAB 42.03, 71.61, -81.33

 

CMYK 31 / 82 / 0 / 7

HEX #A32AED

RGB 163 42 237

HSL 277.23, 0.84%, 0.55%

LAB 46.39, 76.07, -74.01

 

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

CMYK 82 / 79 / 0 / 87

HEX #060722

RGB 6 7 34

HSL 237.86, 0.7%, 0.08%

LAB 2.77, 6.1, -16.11

 

CMYK 82 / 78 / 0 / 67

HEX #0F1355

RGB 15 19 85

HSL 236.57, 0.7%, 0.2%

LAB 10.73, 24.42, -40.13

 

CMYK 82 / 78 / 0 / 47

HEX #191E88

RGB 25 30 136

HSL 237.3, 0.69%, 0.32%

LAB 19.69, 37.29, -58.56

 

CMYK 82 / 78 / 0 / 27

HEX #2229BB

RGB 34 41 187

HSL 237.25, 0.69%, 0.43%

LAB 28.15, 49.01, -75.59

 

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 45 / 0 / 82 / 7

HEX #82ED2A

RGB 130 237 42

HSL 92.92, 0.84%, 0.55%

LAB 84.73, -59.78, 75.89

 

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

CMYK 0 / 82 / 78 / 7

HEX #ED2A34

RGB 237 42 52

HSL 356.92, 0.84%, 0.55%

LAB 51.73, 71.05, 44.34

 

CMYK 78 / 0 / 82 / 7

HEX #34ED2A

RGB 52 237 42

HSL 116.92, 0.84%, 0.55%

LAB 82.63, -76.86, 73.21

 

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 0 / 4 / 82 / 7

HEX #EDE42A

RGB 237 228 42

HSL 57.23, 0.84%, 0.55%

LAB 88.76, -15.41, 81.93

 

CMYK 82 / 0 / 70 / 7

HEX #2AED47

RGB 42 237 71

HSL 128.92, 0.84%, 0.55%

LAB 82.66, -76.04, 64.27

 

CMYK 82 / 78 / 0 / 7

HEX #2B34EE

RGB 43 52 238

HSL 237.23, 0.85%, 0.55%

LAB 36.26, 60.05, -91.66

 

CMYK 0 / 82 / 37 / 7

HEX #ED2A96

RGB 237 42 150

HSL 326.77, 0.84%, 0.55%

LAB 53.88, 77.37, -10.95

 

CMYK 0 / 4 / 82 / 7

HEX #EDE42A

RGB 237 228 42

HSL 57.23, 0.84%, 0.55%

LAB 88.76, -15.41, 81.93

 

CMYK 82 / 0 / 45 / 7

HEX #2AED82

RGB 42 237 130

HSL 147.08, 0.84%, 0.55%

LAB 83.27, -68.59, 39.08

 

Description

Color code: HEX #2B34EE | qconv.com Color code: HEX #2B34EE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 52 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 52 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 78 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 78% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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