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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #299F4A it is the complementary color #D660B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #299F4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #299F4A: #2E9F45, #3FB158, #50C36B, #61D57E and #72E791

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #299F4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #299F4A: #299F4A, #188D37, #077B24, #006911 and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

Complementary color

CMYK 0 / 55 / 15 / 16

HEX #D660B5

RGB 214 96 181

HSL 316.78, 0.59%, 0.61%

LAB 58.04, 56.37, -23.09

 

CMYK 71 / 0 / 57 / 38

HEX #2E9F45

RGB 46 159 69

HSL 132.21, 0.55%, 0.4%

LAB 57.85, -50.56, 37.58

 

CMYK 64 / 0 / 50 / 31

HEX #3FB158

RGB 63 177 88

HSL 133.16, 0.48%, 0.47%

LAB 64.33, -51.17, 36.1

 

CMYK 59 / 0 / 45 / 24

HEX #50C36B

RGB 80 195 107

HSL 134.09, 0.49%, 0.54%

LAB 70.73, -51.46, 34.66

 

CMYK 54 / 0 / 41 / 16

HEX #61D57E

RGB 97 213 126

HSL 135, 0.58%, 0.61%

LAB 77.06, -51.53, 33.28

 

CMYK 51 / 0 / 37 / 9

HEX #72E791

RGB 114 231 145

HSL 135.9, 0.71%, 0.68%

LAB 83.32, -51.48, 31.98

 

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

CMYK 83 / 0 / 61 / 45

HEX #188D37

RGB 24 141 55

HSL 135.9, 0.71%, 0.32%

LAB 51.29, -49.44, 36.57

 

CMYK 94 / 0 / 71 / 52

HEX #077B24

RGB 7 123 36

HSL 135, 0.89%, 0.25%

LAB 44.71, -47.35, 37.96

 

CMYK 100 / 0 / 84 / 59

HEX #006911

RGB 0 105 17

HSL 129.71, 1%, 0.21%

LAB 38.1, -43.95, 38.66

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

CMYK 75 / 0 / 42 / 38

HEX #289E5B

RGB 40 158 91

HSL 145.93, 0.6%, 0.39%

LAB 57.71, -47.59, 26

 

CMYK 75 / 0 / 30 / 38

HEX #289E6F

RGB 40 158 111

HSL 156.1, 0.6%, 0.39%

LAB 58.09, -43.43, 15.53

 

CMYK 75 / 0 / 18 / 38

HEX #289E82

RGB 40 158 130

HSL 165.76, 0.6%, 0.39%

LAB 58.52, -38.79, 5.48

 

CMYK 75 / 0 / 5 / 38

HEX #289E96

RGB 40 158 150

HSL 175.93, 0.6%, 0.39%

LAB 59.07, -33.27, -5.05

 

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

CMYK 74 / 0 / 53 / 18

HEX #36D262

RGB 54 210 98

HSL 136.92, 0.63%, 0.52%

LAB 74.67, -63.07, 43.86

 

CMYK 67 / 0 / 50 / 98

HEX #020603

RGB 2 6 3

HSL 135, 0.5%, 0.02%

LAB 1.35, -1.46, 0.77

 

CMYK 74 / 0 / 53 / 78

HEX #0F391B

RGB 15 57 27

HSL 137.14, 0.58%, 0.14%

LAB 20.47, -22.5, 14.52

 

CMYK 74 / 0 / 54 / 58

HEX #1C6C32

RGB 28 108 50

HSL 136.5, 0.59%, 0.27%

LAB 39.92, -37.43, 25.56

 

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

CMYK 75 / 35 / 0 / 38

HEX #28679E

RGB 40 103 158

HSL 207.97, 0.6%, 0.39%

LAB 42.19, -0.69, -35.57

 

CMYK 0 / 75 / 65 / 38

HEX #9E2838

RGB 158 40 56

HSL 351.86, 0.6%, 0.39%

LAB 36.12, 48.93, 19.85

 

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

CMYK 54 / 75 / 0 / 38

HEX #48289E

RGB 72 40 158

HSL 256.27, 0.6%, 0.39%

LAB 27.75, 44.31, -58.75

 

CMYK 0 / 54 / 75 / 38

HEX #9E4828

RGB 158 72 40

HSL 16.27, 0.6%, 0.39%

LAB 41.31, 33.6, 35.52

 

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

CMYK 75 / 35 / 0 / 38

HEX #28679E

RGB 40 103 158

HSL 207.97, 0.6%, 0.39%

LAB 42.19, -0.69, -35.57

 

CMYK 0 / 75 / 20 / 38

HEX #9E287E

RGB 158 40 126

HSL 316.27, 0.6%, 0.39%

LAB 38.36, 56.09, -21.35

 

CMYK 0 / 40 / 75 / 38

HEX #9E5F28

RGB 158 95 40

HSL 27.97, 0.6%, 0.39%

LAB 46.45, 20.96, 40.97

 

CMYK 74 / 0 / 53 / 38

HEX #299F4A

RGB 41 159 74

HSL 136.78, 0.59%, 0.39%

LAB 57.81, -50.69, 35.01

 

CMYK 75 / 57 / 0 / 38

HEX #28449E

RGB 40 68 158

HSL 225.76, 0.6%, 0.39%

LAB 31.93, 22.26, -52.02

 

CMYK 0 / 75 / 20 / 38

HEX #9E287E

RGB 158 40 126

HSL 316.27, 0.6%, 0.39%

LAB 38.36, 56.09, -21.35

 

CMYK 0 / 18 / 75 / 38

HEX #9E8228

RGB 158 130 40

HSL 45.76, 0.6%, 0.39%

LAB 55.47, 1.09, 50.03

 

Description

Color code: HEX #299F4A | qconv.com Color code: HEX #299F4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 159 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 159 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 53 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 53% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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