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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2784C0 it is the complementary color #D87B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2784C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2784C0: #2C84BB, #3D96CE, #4EA8E1, #5FBAF4 and #70CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2784C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2784C0: #2784C0, #1672AD, #05609A, #004E87 and #003C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

Complementary color

CMYK 0 / 43 / 71 / 15

HEX #D87B3F

RGB 216 123 63

HSL 23.53, 0.66%, 0.55%

LAB 60.89, 31.34, 47.39

 

CMYK 76 / 29 / 0 / 27

HEX #2C84BB

RGB 44 132 187

HSL 203.08, 0.62%, 0.45%

LAB 52.54, -6.91, -36.17

 

CMYK 70 / 27 / 0 / 19

HEX #3D96CE

RGB 61 150 206

HSL 203.17, 0.6%, 0.52%

LAB 59.22, -8.3, -36.44

 

CMYK 65 / 25 / 0 / 12

HEX #4EA8E1

RGB 78 168 225

HSL 203.27, 0.71%, 0.59%

LAB 65.8, -9.38, -36.68

 

CMYK 61 / 24 / 0 / 4

HEX #5FBAF4

RGB 95 186 244

HSL 203.36, 0.87%, 0.66%

LAB 72.28, -10.24, -36.91

 

CMYK 56 / 20 / 0 / 0

HEX #70CCFF

RGB 112 204 255

HSL 201.4, 1%, 0.72%

LAB 78.37, -13.3, -33.34

 

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

CMYK 87 / 34 / 0 / 32

HEX #1672AD

RGB 22 114 173

HSL 203.44, 0.77%, 0.38%

LAB 45.94, -3.6, -38.5

 

CMYK 97 / 38 / 0 / 40

HEX #05609A

RGB 5 96 154

HSL 203.36, 0.94%, 0.31%

LAB 39.12, -0.95, -38.09

 

CMYK 100 / 42 / 0 / 47

HEX #004E87

RGB 0 78 135

HSL 205.33, 1%, 0.26%

LAB 32.25, 2.56, -37.51

 

CMYK 100 / 48 / 0 / 55

HEX #003C74

RGB 0 60 116

HSL 208.97, 1%, 0.23%

LAB 25.24, 6.66, -36.89

 

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

CMYK 79 / 44 / 0 / 25

HEX #276BBE

RGB 39 107 190

HSL 212.98, 0.66%, 0.45%

LAB 45.17, 8.85, -49.58

 

CMYK 79 / 57 / 0 / 25

HEX #2751BE

RGB 39 81 190

HSL 223.31, 0.66%, 0.45%

LAB 37.9, 25.76, -61.33

 

CMYK 79 / 71 / 0 / 25

HEX #2738BE

RGB 39 56 190

HSL 233.25, 0.66%, 0.45%

LAB 31.76, 41.78, -71.4

 

CMYK 76 / 79 / 0 / 25

HEX #2E27BE

RGB 46 39 190

HSL 242.78, 0.66%, 0.45%

LAB 28.77, 51.76, -76.32

 

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

CMYK 80 / 31 / 0 / 5

HEX #31A7F3

RGB 49 167 243

HSL 203.51, 0.89%, 0.57%

LAB 65.56, -6.42, -46.97

 

CMYK 79 / 31 / 0 / 85

HEX #081B27

RGB 8 27 39

HSL 203.23, 0.66%, 0.09%

LAB 8.84, -2.95, -10.5

 

CMYK 80 / 31 / 0 / 65

HEX #123E5A

RGB 18 62 90

HSL 203.33, 0.67%, 0.21%

LAB 24.68, -4.1, -21.01

 

CMYK 79 / 31 / 0 / 45

HEX #1D618D

RGB 29 97 141

HSL 203.57, 0.66%, 0.33%

LAB 39.13, -4.86, -30.24

 

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

CMYK 33 / 79 / 0 / 25

HEX #7F27BE

RGB 127 39 190

HSL 274.97, 0.66%, 0.45%

LAB 37.26, 61.6, -62.05

 

CMYK 0 / 2 / 79 / 25

HEX #BEBB27

RGB 190 187 39

HSL 58.81, 0.66%, 0.45%

LAB 73.96, -15.02, 68.47

 

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

CMYK 0 / 79 / 31 / 25

HEX #BE2784

RGB 190 39 132

HSL 323.05, 0.66%, 0.45%

LAB 44.32, 65.08, -15.39

 

CMYK 31 / 0 / 79 / 25

HEX #84BE27

RGB 132 190 39

HSL 83.05, 0.66%, 0.45%

LAB 70.79, -40.23, 64.12

 

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

CMYK 33 / 79 / 0 / 25

HEX #7F27BE

RGB 127 39 190

HSL 274.97, 0.66%, 0.45%

LAB 37.26, 61.6, -62.05

 

CMYK 0 / 49 / 79 / 25

HEX #BE6127

RGB 190 97 39

HSL 23.05, 0.66%, 0.45%

LAB 51.43, 33.41, 47.9

 

CMYK 46 / 0 / 79 / 25

HEX #66BE27

RGB 102 190 39

HSL 94.97, 0.66%, 0.45%

LAB 69.33, -50.62, 62.23

 

CMYK 80 / 31 / 0 / 25

HEX #2784C0

RGB 39 132 192

HSL 203.53, 0.66%, 0.45%

LAB 52.66, -5.66, -38.83

 

CMYK 9 / 79 / 0 / 25

HEX #AC27BE

RGB 172 39 190

HSL 292.85, 0.66%, 0.45%

LAB 44.15, 69.57, -50.58

 

CMYK 0 / 49 / 79 / 25

HEX #BE6127

RGB 190 97 39

HSL 23.05, 0.66%, 0.45%

LAB 51.43, 33.41, 47.9

 

CMYK 71 / 0 / 79 / 25

HEX #38BE27

RGB 56 190 39

HSL 113.25, 0.66%, 0.45%

LAB 67.88, -62.15, 60.36

 

Description

Color code: HEX #2784C0 | qconv.com Color code: HEX #2784C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 132 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 132 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 31 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 31% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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