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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #272470 it is the complementary color #D8DB8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #272470. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #272470: #2C246B, #3D367E, #4E4891, #5F5AA4 and #706CB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #272470. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #272470: #272470, #16125D, #05004A, #000037 and #000024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

Complementary color

CMYK 1 / 0 / 35 / 14

HEX #D8DB8F

RGB 216 219 143

HSL 62.37, 0.51%, 0.71%

LAB 85.63, -12.47, 37.08

 

CMYK 59 / 66 / 0 / 58

HEX #2C246B

RGB 44 36 107

HSL 246.76, 0.5%, 0.28%

LAB 19.47, 25.6, -40.35

 

CMYK 52 / 57 / 0 / 51

HEX #3D367E

RGB 61 54 126

HSL 245.83, 0.4%, 0.35%

LAB 27.12, 23.81, -40.02

 

CMYK 46 / 50 / 0 / 43

HEX #4E4891

RGB 78 72 145

HSL 244.93, 0.34%, 0.43%

LAB 34.6, 22.35, -39.69

 

CMYK 42 / 45 / 0 / 36

HEX #5F5AA4

RGB 95 90 164

HSL 244.05, 0.29%, 0.5%

LAB 41.88, 21.16, -39.42

 

CMYK 39 / 41 / 0 / 28

HEX #706CB7

RGB 112 108 183

HSL 243.2, 0.34%, 0.57%

LAB 48.99, 20.16, -39.21

 

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

CMYK 76 / 81 / 0 / 64

HEX #16125D

RGB 22 18 93

HSL 243.2, 0.68%, 0.22%

LAB 11.91, 28.83, -43.56

 

CMYK 93 / 100 / 0 / 71

HEX #05004A

RGB 5 0 74

HSL 244.05, 1%, 0.15%

LAB 4.76, 30.06, -42.42

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 100 / 100 / 0 / 86

HEX #000024

RGB 0 0 36

HSL 240, 1%, 0.07%

LAB 1.15, 8.09, -20.19

 

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

CMYK 54 / 68 / 0 / 56

HEX #33246F

RGB 51 36 111

HSL 252, 0.51%, 0.29%

LAB 20.49, 28.36, -41.25

 

CMYK 43 / 68 / 0 / 56

HEX #3F246F

RGB 63 36 111

HSL 261.6, 0.51%, 0.29%

LAB 21.82, 30.95, -39.03

 

CMYK 32 / 68 / 0 / 56

HEX #4C246F

RGB 76 36 111

HSL 272, 0.51%, 0.29%

LAB 23.49, 34.04, -36.25

 

CMYK 20 / 68 / 0 / 56

HEX #59246F

RGB 89 36 111

HSL 282.4, 0.51%, 0.29%

LAB 25.36, 37.31, -33.14

 

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

CMYK 65 / 68 / 0 / 36

HEX #3934A3

RGB 57 52 163

HSL 242.7, 0.52%, 0.42%

LAB 29.34, 36.84, -59.23

 

CMYK 65 / 68 / 0 / 16

HEX #4B45D6

RGB 75 69 214

HSL 242.48, 0.64%, 0.55%

LAB 38.91, 45.95, -73.52

 

CMYK 70 / 70 / 0 / 96

HEX #03030A

RGB 3 3 10

HSL 240, 0.54%, 0.03%

LAB 0.96, 0.97, -2.65

 

CMYK 66 / 67 / 0 / 76

HEX #15143D

RGB 21 20 61

HSL 241.46, 0.51%, 0.16%

LAB 8.96, 15.01, -26.28

 

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

CMYK 0 / 68 / 15 / 56

HEX #6F245E

RGB 111 36 94

HSL 313.6, 0.51%, 0.29%

LAB 27.98, 40.07, -17.76

 

CMYK 43 / 0 / 68 / 56

HEX #3F6F24

RGB 63 111 36

HSL 98.4, 0.51%, 0.29%

LAB 42.08, -30.75, 35.55

 

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

CMYK 0 / 66 / 68 / 56

HEX #6F2624

RGB 111 38 36

HSL 1.6, 0.51%, 0.29%

LAB 26.43, 32.22, 18.56

 

CMYK 68 / 0 / 66 / 56

HEX #246F26

RGB 36 111 38

HSL 121.6, 0.51%, 0.29%

LAB 41.03, -38.64, 33.14

 

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

CMYK 0 / 68 / 15 / 56

HEX #6F245E

RGB 111 36 94

HSL 313.6, 0.51%, 0.29%

LAB 27.98, 40.07, -17.76

 

CMYK 2 / 0 / 68 / 56

HEX #6D6F24

RGB 109 111 36

HSL 61.6, 0.51%, 0.29%

LAB 45.29, -11.19, 39.93

 

CMYK 68 / 0 / 52 / 56

HEX #246F35

RGB 36 111 53

HSL 133.6, 0.51%, 0.29%

LAB 41.22, -36.5, 25.57

 

CMYK 65 / 68 / 0 / 56

HEX #272470

RGB 39 36 112

HSL 242.37, 0.51%, 0.29%

LAB 19.49, 26.47, -43.58

 

CMYK 0 / 68 / 36 / 56

HEX #6F2447

RGB 111 36 71

HSL 332, 0.51%, 0.29%

LAB 27.01, 36.66, -4.04

 

CMYK 2 / 0 / 68 / 56

HEX #6D6F24

RGB 109 111 36

HSL 61.6, 0.51%, 0.29%

LAB 45.29, -11.19, 39.93

 

CMYK 68 / 0 / 32 / 56

HEX #246F4C

RGB 36 111 76

HSL 152, 0.51%, 0.29%

LAB 41.64, -31.93, 12.91

 

Description

Color code: HEX #272470 | qconv.com Color code: HEX #272470 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 36 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 36 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 68 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 68% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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