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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254D91 it is the complementary color #DAB26E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254D91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #254D91: #2A4D8C, #3B5F9F, #4C71B2, #5D83C5 and #6E95D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254D91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #254D91: #254D91, #143B7E, #03296B, #001758 and #000545

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

Complementary color

CMYK 0 / 18 / 50 / 15

HEX #DAB26E

RGB 218 178 110

HSL 37.78, 0.59%, 0.64%

LAB 74.74, 6.06, 40.03

 

CMYK 70 / 45 / 0 / 45

HEX #2A4D8C

RGB 42 77 140

HSL 218.57, 0.54%, 0.36%

LAB 33.34, 9.55, -38.79

 

CMYK 63 / 40 / 0 / 38

HEX #3B5F9F

RGB 59 95 159

HSL 218.4, 0.46%, 0.43%

LAB 40.6, 7.93, -38.63

 

CMYK 57 / 37 / 0 / 30

HEX #4C71B2

RGB 76 113 178

HSL 218.24, 0.4%, 0.5%

LAB 47.7, 6.7, -38.51

 

CMYK 53 / 34 / 0 / 23

HEX #5D83C5

RGB 93 131 197

HSL 218.08, 0.47%, 0.57%

LAB 54.65, 5.74, -38.42

 

CMYK 49 / 31 / 0 / 15

HEX #6E95D8

RGB 110 149 216

HSL 217.92, 0.58%, 0.64%

LAB 61.45, 4.96, -38.37

 

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

CMYK 84 / 53 / 0 / 51

HEX #143B7E

RGB 20 59 126

HSL 217.92, 0.73%, 0.29%

LAB 26.11, 13.27, -41.78

 

CMYK 97 / 62 / 0 / 58

HEX #03296B

RGB 3 41 107

HSL 218.08, 0.95%, 0.22%

LAB 18.66, 16.72, -41.77

 

CMYK 100 / 74 / 0 / 65

HEX #001758

RGB 0 23 88

HSL 224.32, 1%, 0.17%

LAB 11.4, 21.49, -41.09

 

CMYK 100 / 93 / 0 / 73

HEX #000545

RGB 0 5 69

HSL 235.65, 1%, 0.14%

LAB 4.86, 24.14, -38.74

 

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

CMYK 74 / 58 / 0 / 43

HEX #253D91

RGB 37 61 145

HSL 226.67, 0.59%, 0.36%

LAB 28.84, 21.6, -49.12

 

CMYK 74 / 70 / 0 / 43

HEX #252B91

RGB 37 43 145

HSL 236.67, 0.59%, 0.36%

LAB 24.21, 33.61, -56.69

 

CMYK 66 / 74 / 0 / 43

HEX #322591

RGB 50 37 145

HSL 247.22, 0.59%, 0.36%

LAB 23.82, 38.81, -57.3

 

CMYK 53 / 74 / 0 / 43

HEX #442591

RGB 68 37 145

HSL 257.22, 0.59%, 0.36%

LAB 25.55, 41.43, -54.39

 

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

CMYK 74 / 47 / 0 / 23

HEX #3268C4

RGB 50 104 196

HSL 217.81, 0.59%, 0.48%

LAB 45.03, 14.32, -53.26

 

CMYK 74 / 47 / 0 / 3

HEX #3F83F7

RGB 63 131 247

HSL 217.83, 0.92%, 0.61%

LAB 56.09, 17.76, -64.24

 

CMYK 74 / 47 / 0 / 83

HEX #0B172B

RGB 11 23 43

HSL 217.5, 0.59%, 0.11%

LAB 7.75, 2.62, -15.16

 

CMYK 74 / 47 / 0 / 63

HEX #18325E

RGB 24 50 94

HSL 217.71, 0.59%, 0.23%

LAB 21.15, 6.83, -29.21

 

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

CMYK 13 / 74 / 0 / 43

HEX #7E2591

RGB 126 37 145

HSL 289.44, 0.59%, 0.36%

LAB 33.57, 52.74, -41.01

 

CMYK 16 / 0 / 74 / 43

HEX #7A9125

RGB 122 145 37

HSL 72.78, 0.59%, 0.36%

LAB 56.61, -23.27, 51.21

 

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

CMYK 0 / 74 / 46 / 43

HEX #91254F

RGB 145 37 79

HSL 336.67, 0.59%, 0.36%

LAB 33.79, 47.87, 1.39

 

CMYK 46 / 0 / 74 / 43

HEX #4F9125

RGB 79 145 37

HSL 96.67, 0.59%, 0.36%

LAB 54.08, -40, 47.87

 

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

CMYK 13 / 74 / 0 / 43

HEX #7E2591

RGB 126 37 145

HSL 289.44, 0.59%, 0.36%

LAB 33.57, 52.74, -41.01

 

CMYK 0 / 28 / 74 / 43

HEX #916825

RGB 145 104 37

HSL 37.22, 0.59%, 0.36%

LAB 47.05, 9.75, 42.46

 

CMYK 61 / 0 / 74 / 43

HEX #399125

RGB 57 145 37

HSL 108.89, 0.59%, 0.36%

LAB 53.23, -46.54, 46.74

 

CMYK 74 / 47 / 0 / 43

HEX #254D91

RGB 37 77 145

HSL 217.78, 0.59%, 0.36%

LAB 33.45, 10.7, -41.68

 

CMYK 0 / 74 / 8 / 43

HEX #912585

RGB 145 37 133

HSL 306.67, 0.59%, 0.36%

LAB 36.05, 54.96, -29.47

 

CMYK 0 / 28 / 74 / 43

HEX #916825

RGB 145 104 37

HSL 37.22, 0.59%, 0.36%

LAB 47.05, 9.75, 42.46

 

CMYK 74 / 0 / 66 / 43

HEX #259132

RGB 37 145 50

HSL 127.22, 0.59%, 0.36%

LAB 52.81, -49.56, 40.71

 

Description

Color code: HEX #254D91 | qconv.com Color code: HEX #254D91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 77 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 77 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 47 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 47% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

88% - 株式会社ウィズ・ワン ホームページ
Link: http://www.withone.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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