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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #248578 it is the complementary color #DB7A87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #248578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #248578: #298573, #3A9786, #4BA999, #5CBBAC and #6DCDBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #248578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #248578: #248578, #137365, #026152, #004F3F and #003D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

Complementary color

CMYK 0 / 44 / 38 / 14

HEX #DB7A87

RGB 219 122 135

HSL 351.96, 0.57%, 0.67%

LAB 62.28, 38.99, 9.75

 

CMYK 69 / 0 / 14 / 48

HEX #298573

RGB 41 133 115

HSL 168.26, 0.53%, 0.34%

LAB 50.08, -31.25, 1.9

 

CMYK 62 / 0 / 11 / 41

HEX #3A9786

RGB 58 151 134

HSL 169.03, 0.44%, 0.41%

LAB 56.83, -31.6, 0.82

 

CMYK 56 / 0 / 9 / 34

HEX #4BA999

RGB 75 169 153

HSL 169.79, 0.39%, 0.48%

LAB 63.48, -31.75, -0.15

 

CMYK 51 / 0 / 8 / 27

HEX #5CBBAC

RGB 92 187 172

HSL 170.53, 0.41%, 0.55%

LAB 70.03, -31.8, -1.02

 

CMYK 47 / 0 / 7 / 20

HEX #6DCDBF

RGB 109 205 191

HSL 171.25, 0.49%, 0.62%

LAB 76.48, -31.77, -1.82

 

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

CMYK 83 / 0 / 12 / 55

HEX #137365

RGB 19 115 101

HSL 171.25, 0.72%, 0.26%

LAB 43.27, -29.72, 0.23

 

CMYK 98 / 0 / 15 / 62

HEX #026152

RGB 2 97 82

HSL 170.53, 0.96%, 0.19%

LAB 36.31, -28.38, 1.66

 

CMYK 100 / 0 / 20 / 69

HEX #004F3F

RGB 0 79 63

HSL 167.85, 1%, 0.15%

LAB 29.29, -25.86, 3.46

 

CMYK 100 / 0 / 28 / 76

HEX #003D2C

RGB 0 61 44

HSL 163.28, 1%, 0.12%

LAB 22.01, -23.03, 5.47

 

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

CMYK 73 / 2 / 0 / 48

HEX #248284

RGB 36 130 132

HSL 181.25, 0.57%, 0.33%

LAB 49.5, -25.56, -8.92

 

CMYK 73 / 14 / 0 / 48

HEX #247284

RGB 36 114 132

HSL 191.25, 0.57%, 0.33%

LAB 44.34, -17.1, -16.73

 

CMYK 73 / 26 / 0 / 48

HEX #246284

RGB 36 98 132

HSL 201.25, 0.57%, 0.33%

LAB 39.2, -7.87, -24.66

 

CMYK 73 / 38 / 0 / 48

HEX #245284

RGB 36 82 132

HSL 211.25, 0.57%, 0.33%

LAB 34.14, 2.18, -32.61

 

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

CMYK 73 / 0 / 10 / 28

HEX #32B8A6

RGB 50 184 166

HSL 171.94, 0.57%, 0.46%

LAB 67.81, -39.44, -1.11

 

CMYK 73 / 0 / 10 / 8

HEX #40EBD4

RGB 64 235 212

HSL 171.93, 0.81%, 0.59%

LAB 84.62, -47.77, -1.23

 

CMYK 74 / 0 / 10 / 88

HEX #081F1C

RGB 8 31 28

HSL 172.17, 0.59%, 0.08%

LAB 9.92, -9.99, -0.69

 

CMYK 73 / 0 / 10 / 68

HEX #16524A

RGB 22 82 74

HSL 172, 0.58%, 0.2%

LAB 31.11, -21.07, -0.86

 

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

CMYK 70 / 73 / 0 / 48

HEX #282484

RGB 40 36 132

HSL 242.5, 0.57%, 0.33%

LAB 21.5, 33.73, -53.03

 

CMYK 0 / 40 / 73 / 48

HEX #844F24

RGB 132 79 36

HSL 26.88, 0.57%, 0.33%

LAB 38.94, 18.33, 33.96

 

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

CMYK 11 / 73 / 0 / 48

HEX #752484

RGB 117 36 132

HSL 290.63, 0.57%, 0.33%

LAB 31.14, 48.57, -36.95

 

CMYK 0 / 11 / 73 / 48

HEX #847524

RGB 132 117 36

HSL 50.63, 0.57%, 0.33%

LAB 49.2, -3.83, 44.61

 

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

CMYK 70 / 73 / 0 / 48

HEX #282484

RGB 40 36 132

HSL 242.5, 0.57%, 0.33%

LAB 21.5, 33.73, -53.03

 

CMYK 0 / 73 / 62 / 48

HEX #842432

RGB 132 36 50

HSL 351.25, 0.57%, 0.33%

LAB 30.39, 41.62, 15.28

 

CMYK 4 / 0 / 73 / 48

HEX #7F8424

RGB 127 132 36

HSL 63.13, 0.57%, 0.33%

LAB 53.1, -14.38, 48.31

 

CMYK 73 / 0 / 10 / 48

HEX #248578

RGB 36 133 120

HSL 171.96, 0.57%, 0.33%

LAB 50.1, -30.63, -0.99

 

CMYK 48 / 73 / 0 / 48

HEX #452484

RGB 69 36 132

HSL 260.63, 0.57%, 0.33%

LAB 24.3, 38.35, -48.33

 

CMYK 0 / 73 / 62 / 48

HEX #842432

RGB 132 36 50

HSL 351.25, 0.57%, 0.33%

LAB 30.39, 41.62, 15.28

 

CMYK 26 / 0 / 73 / 48

HEX #628424

RGB 98 132 36

HSL 81.25, 0.57%, 0.33%

LAB 50.95, -27.02, 45.46

 

Description

Color code: HEX #248578 | qconv.com Color code: HEX #248578 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 133 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 133 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 10 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 10% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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