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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2369D2 it is the complementary color #DC962D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2369D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2369D2: #2869CD, #397BE0, #4A8DF3, #5B9FFF and #6CB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2369D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2369D2: #2369D2, #1257BF, #0145AC, #003399 and #002186

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

Complementary color

CMYK 0 / 32 / 80 / 14

HEX #DC962D

RGB 220 150 45

HSL 36, 0.71%, 0.52%

LAB 67.44, 17.81, 61.84

 

CMYK 80 / 49 / 0 / 20

HEX #2869CD

RGB 40 105 205

HSL 216.36, 0.67%, 0.48%

LAB 45.58, 15.97, -57.57

 

CMYK 75 / 45 / 0 / 12

HEX #397BE0

RGB 57 123 224

HSL 216.29, 0.73%, 0.55%

LAB 52.31, 13.61, -57.51

 

CMYK 70 / 42 / 0 / 5

HEX #4A8DF3

RGB 74 141 243

HSL 216.21, 0.88%, 0.62%

LAB 58.95, 11.69, -57.42

 

CMYK 64 / 38 / 0 / 0

HEX #5B9FFF

RGB 91 159 255

HSL 215.12, 1%, 0.68%

LAB 65.15, 7.77, -54.09

 

CMYK 58 / 31 / 0 / 0

HEX #6CB1FF

RGB 108 177 255

HSL 211.84, 1%, 0.71%

LAB 70.77, 0.55, -45.18

 

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

CMYK 91 / 54 / 0 / 25

HEX #1257BF

RGB 18 87 191

HSL 216.07, 0.83%, 0.41%

LAB 39.08, 20.6, -60.02

 

CMYK 99 / 60 / 0 / 33

HEX #0145AC

RGB 1 69 172

HSL 216.14, 0.99%, 0.34%

LAB 32.35, 24.34, -59.78

 

CMYK 100 / 67 / 0 / 40

HEX #003399

RGB 0 51 153

HSL 220, 1%, 0.3%

LAB 25.77, 28.89, -59.1

 

CMYK 100 / 75 / 0 / 47

HEX #002186

RGB 0 33 134

HSL 225.22, 1%, 0.26%

LAB 19.26, 33.42, -58.04

 

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

CMYK 83 / 64 / 0 / 18

HEX #234CD1

RGB 35 76 209

HSL 225.86, 0.71%, 0.48%

LAB 38.07, 35.83, -72.09

 

CMYK 83 / 78 / 0 / 18

HEX #232FD1

RGB 35 47 209

HSL 235.86, 0.71%, 0.48%

LAB 31.79, 53.05, -82.45

 

CMYK 75 / 83 / 0 / 18

HEX #3423D1

RGB 52 35 209

HSL 245.86, 0.71%, 0.48%

LAB 30.73, 59.64, -84.2

 

CMYK 61 / 83 / 0 / 18

HEX #5123D1

RGB 81 35 209

HSL 255.86, 0.71%, 0.48%

LAB 33.04, 61.82, -80.29

 

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

CMYK 83 / 50 / 0 / 98

HEX #010306

RGB 1 3 6

HSL 216, 0.71%, 0.01%

LAB 0.77, -0.11, -1.32

 

CMYK 84 / 49 / 0 / 78

HEX #091D39

RGB 9 29 57

HSL 215, 0.73%, 0.13%

LAB 10.79, 3.8, -20.52

 

CMYK 83 / 50 / 0 / 58

HEX #12366C

RGB 18 54 108

HSL 216, 0.71%, 0.25%

LAB 23.17, 8.99, -35.08

 

CMYK 83 / 50 / 0 / 38

HEX #1B509F

RGB 27 80 159

HSL 215.91, 0.71%, 0.36%

LAB 34.95, 13.07, -47.75

 

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

CMYK 17 / 83 / 0 / 18

HEX #AE23D1

RGB 174 35 209

HSL 287.93, 0.71%, 0.48%

LAB 45.36, 74.28, -59.63

 

CMYK 17 / 0 / 83 / 18

HEX #AED123

RGB 174 209 35

HSL 72.07, 0.71%, 0.48%

LAB 78.88, -32.53, 73.31

 

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

CMYK 0 / 83 / 50 / 18

HEX #D12369

RGB 209 35 105

HSL 335.86, 0.71%, 0.48%

LAB 46.68, 68.14, 5.1

 

CMYK 50 / 0 / 83 / 18

HEX #69D123

RGB 105 209 35

HSL 95.86, 0.71%, 0.48%

LAB 75.28, -57.12, 68.77

 

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

CMYK 17 / 83 / 0 / 18

HEX #AE23D1

RGB 174 35 209

HSL 287.93, 0.71%, 0.48%

LAB 45.36, 74.28, -59.63

 

CMYK 0 / 33 / 83 / 18

HEX #D18B23

RGB 209 139 35

HSL 35.86, 0.71%, 0.48%

LAB 63.46, 18.69, 61.29

 

CMYK 67 / 0 / 83 / 18

HEX #46D123

RGB 70 209 35

HSL 107.93, 0.71%, 0.48%

LAB 74.21, -65.79, 67.4

 

CMYK 83 / 50 / 0 / 18

HEX #2369D2

RGB 35 105 210

HSL 216, 0.71%, 0.48%

LAB 45.79, 17.45, -60.1

 

CMYK 0 / 83 / 9 / 18

HEX #D123BF

RGB 209 35 191

HSL 306.21, 0.71%, 0.48%

LAB 50.12, 77.77, -41.27

 

CMYK 0 / 33 / 83 / 18

HEX #D18B23

RGB 209 139 35

HSL 35.86, 0.71%, 0.48%

LAB 63.46, 18.69, 61.29

 

CMYK 83 / 0 / 75 / 18

HEX #23D134

RGB 35 209 52

HSL 125.86, 0.71%, 0.48%

LAB 73.68, -70.02, 61.76

 

Description

Color code: HEX #2369D2 | qconv.com Color code: HEX #2369D2 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 105 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 105 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 50 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 50% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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