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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #232346 it is the complementary color #DCDCB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #232346. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #232346: #282341, #393554, #4A4767, #5B597A and #6C6B8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #232346. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #232346: #232346, #121133, #010020, #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

Complementary color

CMYK 0 / 0 / 16 / 14

HEX #DCDCB9

RGB 220 220 185

HSL 60, 0.33%, 0.79%

LAB 86.95, -5.81, 17.23

 

CMYK 38 / 46 / 0 / 75

HEX #282341

RGB 40 35 65

HSL 250, 0.3%, 0.2%

LAB 15.67, 10.8, -18.26

 

CMYK 32 / 37 / 0 / 67

HEX #393554

RGB 57 53 84

HSL 247.74, 0.23%, 0.27%

LAB 23.86, 9.9, -18.18

 

CMYK 28 / 31 / 0 / 60

HEX #4A4767

RGB 74 71 103

HSL 245.63, 0.18%, 0.34%

LAB 31.67, 9.21, -18.21

 

CMYK 25 / 27 / 0 / 52

HEX #5B597A

RGB 91 89 122

HSL 243.64, 0.16%, 0.41%

LAB 39.2, 8.66, -18.32

 

CMYK 23 / 24 / 0 / 45

HEX #6C6B8D

RGB 108 107 141

HSL 241.76, 0.14%, 0.49%

LAB 46.48, 8.19, -18.48

 

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

CMYK 65 / 67 / 0 / 80

HEX #121133

RGB 18 17 51

HSL 241.76, 0.5%, 0.13%

LAB 6.94, 12.38, -22.33

 

CMYK 97 / 100 / 0 / 87

HEX #010020

RGB 1 0 32

HSL 241.88, 1%, 0.06%

LAB 1, 6.88, -17.25

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

CMYK 42 / 51 / 0 / 72

HEX #292347

RGB 41 35 71

HSL 250, 0.34%, 0.21%

LAB 16.15, 13.1, -21.65

 

CMYK 34 / 51 / 0 / 72

HEX #2F2347

RGB 47 35 71

HSL 260, 0.34%, 0.21%

LAB 16.8, 15.04, -20.57

 

CMYK 25 / 51 / 0 / 72

HEX #352347

RGB 53 35 71

HSL 270, 0.34%, 0.21%

LAB 17.52, 17.06, -19.38

 

CMYK 17 / 51 / 0 / 72

HEX #3B2347

RGB 59 35 71

HSL 280, 0.34%, 0.21%

LAB 18.31, 19.14, -18.1

 

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

CMYK 50 / 50 / 0 / 53

HEX #3D3D79

RGB 61 61 121

HSL 240, 0.33%, 0.36%

LAB 28.67, 17.49, -34.39

 

CMYK 50 / 50 / 0 / 33

HEX #5656AC

RGB 86 86 172

HSL 240, 0.34%, 0.51%

LAB 40.59, 23.91, -46.26

 

CMYK 50 / 50 / 0 / 13

HEX #7070DF

RGB 112 112 223

HSL 240, 0.63%, 0.66%

LAB 52.24, 29.57, -56.89

 

CMYK 47 / 47 / 0 / 93

HEX #0A0A13

RGB 10 10 19

HSL 240, 0.31%, 0.06%

LAB 2.97, 1.59, -4.34

 

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

CMYK 0 / 51 / 10 / 72

HEX #472340

RGB 71 35 64

HSL 311.67, 0.34%, 0.21%

LAB 19.69, 21.89, -11.01

 

CMYK 30 / 0 / 51 / 72

HEX #324723

RGB 50 71 35

HSL 95, 0.34%, 0.21%

LAB 27.59, -15.84, 19

 

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

CMYK 0 / 51 / 51 / 72

HEX #472323

RGB 71 35 35

HSL 0, 0.34%, 0.21%

LAB 18.64, 17.08, 7.67

 

CMYK 51 / 0 / 51 / 72

HEX #234723

RGB 35 71 35

HSL 120, 0.34%, 0.21%

LAB 26.69, -21.74, 17.68

 

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

CMYK 0 / 51 / 10 / 72

HEX #472340

RGB 71 35 64

HSL 311.67, 0.34%, 0.21%

LAB 19.69, 21.89, -11.01

 

CMYK 0 / 0 / 51 / 72

HEX #474723

RGB 71 71 35

HSL 60, 0.34%, 0.21%

LAB 29.33, -6.12, 21.54

 

CMYK 51 / 0 / 41 / 72

HEX #23472A

RGB 35 71 42

HSL 131.67, 0.34%, 0.21%

LAB 26.82, -20.41, 13.53

 

CMYK 50 / 50 / 0 / 73

HEX #232346

RGB 35 35 70

HSL 240, 0.33%, 0.21%

LAB 15.5, 10.92, -22.03

 

CMYK 0 / 51 / 25 / 72

HEX #472335

RGB 71 35 53

HSL 330, 0.34%, 0.21%

LAB 19.22, 19.79, -4.09

 

CMYK 0 / 0 / 51 / 72

HEX #474723

RGB 71 71 35

HSL 60, 0.34%, 0.21%

LAB 29.33, -6.12, 21.54

 

CMYK 51 / 0 / 25 / 72

HEX #234735

RGB 35 71 53

HSL 150, 0.34%, 0.21%

LAB 27.08, -17.93, 6.87

 

Description

Color code: HEX #232346 | qconv.com Color code: HEX #232346 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 35 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 35 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 50 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 50% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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