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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21A19A it is the complementary color #DE5E65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21A19A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #21A19A: #26A195, #37B3A8, #48C5BB, #59D7CE and #6AE9E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21A19A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #21A19A: #21A19A, #108F87, #007D74, #006B61 and #00594E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

Complementary color

CMYK 0 / 58 / 55 / 13

HEX #DE5E65

RGB 222 94 101

HSL 356.72, 0.66%, 0.62%

LAB 56.56, 50.59, 21.55

 

CMYK 76 / 0 / 7 / 37

HEX #26A195

RGB 38 161 149

HSL 174.15, 0.62%, 0.39%

LAB 59.95, -35.19, -3.19

 

CMYK 69 / 0 / 6 / 30

HEX #37B3A8

RGB 55 179 168

HSL 174.68, 0.53%, 0.46%

LAB 66.43, -35.95, -4.24

 

CMYK 63 / 0 / 5 / 23

HEX #48C5BB

RGB 72 197 187

HSL 175.2, 0.52%, 0.53%

LAB 72.82, -36.45, -5.18

 

CMYK 59 / 0 / 4 / 16

HEX #59D7CE

RGB 89 215 206

HSL 175.71, 0.61%, 0.6%

LAB 79.15, -36.79, -6.03

 

CMYK 55 / 0 / 3 / 9

HEX #6AE9E1

RGB 106 233 225

HSL 176.22, 0.74%, 0.66%

LAB 85.39, -37.01, -6.82

 

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

CMYK 89 / 0 / 6 / 44

HEX #108F87

RGB 16 143 135

HSL 176.22, 0.8%, 0.31%

LAB 53.5, -32.95, -4.75

 

CMYK 100 / 0 / 7 / 51

HEX #007D74

RGB 0 125 116

HSL 175.68, 1%, 0.25%

LAB 46.88, -31.23, -3.44

 

CMYK 100 / 0 / 9 / 58

HEX #006B61

RGB 0 107 97

HSL 174.39, 1%, 0.21%

LAB 40.21, -28.64, -1.86

 

CMYK 100 / 0 / 12 / 65

HEX #00594E

RGB 0 89 78

HSL 172.58, 1%, 0.17%

LAB 33.34, -25.98, -0.18

 

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

CMYK 80 / 7 / 0 / 37

HEX #2094A0

RGB 32 148 160

HSL 185.63, 0.67%, 0.38%

LAB 56.11, -26.22, -15.2

 

CMYK 80 / 21 / 0 / 37

HEX #207EA0

RGB 32 126 160

HSL 195.94, 0.67%, 0.38%

LAB 49.21, -14.53, -25.77

 

CMYK 80 / 34 / 0 / 37

HEX #2069A0

RGB 32 105 160

HSL 205.78, 0.67%, 0.38%

LAB 42.69, -2.17, -35.99

 

CMYK 80 / 48 / 0 / 37

HEX #2054A0

RGB 32 84 160

HSL 215.63, 0.67%, 0.38%

LAB 36.34, 11.31, -46.1

 

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

CMYK 80 / 0 / 4 / 17

HEX #2BD4CB

RGB 43 212 203

HSL 176.8, 0.66%, 0.5%

LAB 77.23, -42.38, -7.37

 

CMYK 75 / 0 / 0 / 97

HEX #020808

RGB 2 8 8

HSL 180, 0.6%, 0.02%

LAB 1.84, -1.57, -0.55

 

CMYK 80 / 0 / 5 / 77

HEX #0C3B38

RGB 12 59 56

HSL 176.17, 0.66%, 0.14%

LAB 21.91, -16.14, -2.67

 

CMYK 79 / 0 / 5 / 57

HEX #176E69

RGB 23 110 105

HSL 176.55, 0.65%, 0.26%

LAB 41.77, -25.61, -4.37

 

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

CMYK 69 / 80 / 0 / 37

HEX #3220A0

RGB 50 32 160

HSL 248.44, 0.67%, 0.38%

LAB 24.48, 46.25, -65.42

 

CMYK 0 / 37 / 80 / 37

HEX #A06520

RGB 160 101 32

HSL 32.34, 0.67%, 0.38%

LAB 48.12, 18.09, 46.34

 

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

CMYK 5 / 80 / 0 / 37

HEX #9820A0

RGB 152 32 160

HSL 296.25, 0.67%, 0.38%

LAB 38.28, 62.48, -42.35

 

CMYK 0 / 5 / 80 / 37

HEX #A09820

RGB 160 152 32

HSL 56.25, 0.67%, 0.38%

LAB 61.68, -10.33, 58.71

 

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

CMYK 69 / 80 / 0 / 37

HEX #3220A0

RGB 50 32 160

HSL 248.44, 0.67%, 0.38%

LAB 24.48, 46.25, -65.42

 

CMYK 0 / 80 / 74 / 37

HEX #A02029

RGB 160 32 41

HSL 355.78, 0.67%, 0.38%

LAB 35.33, 51.4, 28.38

 

CMYK 11 / 0 / 80 / 37

HEX #8FA020

RGB 143 160 32

HSL 67.97, 0.67%, 0.38%

LAB 62.58, -21.98, 58.98

 

CMYK 80 / 0 / 4 / 37

HEX #21A19A

RGB 33 161 154

HSL 176.72, 0.66%, 0.38%

LAB 60.02, -34.27, -5.92

 

CMYK 45 / 80 / 0 / 37

HEX #5820A0

RGB 88 32 160

HSL 266.25, 0.67%, 0.38%

LAB 28.5, 51.01, -58.66

 

CMYK 0 / 80 / 74 / 37

HEX #A02029

RGB 160 32 41

HSL 355.78, 0.67%, 0.38%

LAB 35.33, 51.4, 28.38

 

CMYK 34 / 0 / 80 / 37

HEX #69A020

RGB 105 160 32

HSL 85.78, 0.67%, 0.38%

LAB 60.11, -37.49, 55.82

 

Description

Color code: HEX #21A19A | qconv.com Color code: HEX #21A19A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 161 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 161 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 4% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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