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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #214E43 it is the complementary color #DEB1BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #214E43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #214E43: #264E3E, #376051, #487264, #598477 and #6A968A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #214E43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #214E43: #214E43, #103C30, #002A1D, #00180A and #000600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

Complementary color

CMYK 0 / 20 / 15 / 13

HEX #DEB1BC

RGB 222 177 188

HSL 345.33, 0.41%, 0.78%

LAB 76.44, 18.02, 0.63

 

CMYK 51 / 0 / 21 / 69

HEX #264E3E

RGB 38 78 62

HSL 156, 0.34%, 0.23%

LAB 29.93, -18.55, 5.15

 

CMYK 43 / 0 / 16 / 62

HEX #376051

RGB 55 96 81

HSL 158.05, 0.27%, 0.3%

LAB 37.43, -18.32, 4.08

 

CMYK 37 / 0 / 12 / 55

HEX #487264

RGB 72 114 100

HSL 160, 0.23%, 0.36%

LAB 44.71, -18.07, 3.14

 

CMYK 33 / 0 / 10 / 48

HEX #598477

RGB 89 132 119

HSL 161.86, 0.19%, 0.43%

LAB 51.79, -17.85, 2.29

 

CMYK 29 / 0 / 8 / 41

HEX #6A968A

RGB 106 150 138

HSL 163.64, 0.17%, 0.5%

LAB 58.71, -17.65, 1.51

 

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

CMYK 73 / 0 / 20 / 76

HEX #103C30

RGB 16 60 48

HSL 163.64, 0.58%, 0.15%

LAB 22.14, -18.48, 3.04

 

CMYK 100 / 0 / 31 / 84

HEX #002A1D

RGB 0 42 29

HSL 161.43, 1%, 0.08%

LAB 14.09, -18.33, 4.53

 

CMYK 100 / 0 / 58 / 91

HEX #00180A

RGB 0 24 10

HSL 145, 1%, 0.05%

LAB 6.1, -10.66, 4.83

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

CMYK 58 / 0 / 5 / 69

HEX #214F4B

RGB 33 79 75

HSL 174.78, 0.41%, 0.22%

LAB 30.46, -16.81, -2.43

 

CMYK 58 / 5 / 0 / 69

HEX #214B4F

RGB 33 75 79

HSL 185.22, 0.41%, 0.22%

LAB 29.21, -13.26, -6.85

 

CMYK 58 / 15 / 0 / 69

HEX #21434F

RGB 33 67 79

HSL 195.65, 0.41%, 0.22%

LAB 26.45, -8.42, -11.02

 

CMYK 58 / 25 / 0 / 69

HEX #213B4F

RGB 33 59 79

HSL 206.09, 0.41%, 0.22%

LAB 23.72, -3.27, -15.22

 

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

CMYK 57 / 0 / 14 / 49

HEX #37816F

RGB 55 129 111

HSL 165.41, 0.4%, 0.36%

LAB 49.08, -27.65, 2.85

 

CMYK 58 / 0 / 14 / 29

HEX #4CB49B

RGB 76 180 155

HSL 165.58, 0.41%, 0.5%

LAB 66.93, -36.19, 3.76

 

CMYK 58 / 0 / 14 / 9

HEX #62E7C6

RGB 98 231 198

HSL 165.11, 0.73%, 0.65%

LAB 83.87, -44.28, 5.16

 

CMYK 59 / 0 / 15 / 89

HEX #0B1B17

RGB 11 27 23

HSL 165, 0.42%, 0.07%

LAB 8.28, -7.64, 0.66

 

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

CMYK 58 / 56 / 0 / 69

HEX #21234F

RGB 33 35 79

HSL 237.39, 0.41%, 0.22%

LAB 15.95, 13.69, -27.48

 

CMYK 0 / 38 / 58 / 69

HEX #4F3121

RGB 79 49 33

HSL 20.87, 0.41%, 0.22%

LAB 23.57, 11.63, 15.78

 

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

CMYK 15 / 58 / 0 / 69

HEX #43214F

RGB 67 33 79

HSL 284.35, 0.41%, 0.22%

LAB 19.41, 25.1, -21.72

 

CMYK 0 / 15 / 58 / 69

HEX #4F4321

RGB 79 67 33

HSL 44.35, 0.41%, 0.22%

LAB 28.87, 0.07, 22.35

 

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

CMYK 58 / 56 / 0 / 69

HEX #21234F

RGB 33 35 79

HSL 237.39, 0.41%, 0.22%

LAB 15.95, 13.69, -27.48

 

CMYK 0 / 58 / 44 / 69

HEX #4F212C

RGB 79 33 44

HSL 345.65, 0.41%, 0.22%

LAB 19.77, 22.91, 3.16

 

CMYK 0 / 4 / 58 / 69

HEX #4F4C21

RGB 79 76 33

HSL 56.09, 0.41%, 0.22%

LAB 31.67, -5.48, 25.67

 

CMYK 58 / 0 / 14 / 69

HEX #214E43

RGB 33 78 67

HSL 165.33, 0.41%, 0.22%

LAB 29.86, -18.6, 1.82

 

CMYK 44 / 58 / 0 / 69

HEX #2C214F

RGB 44 33 79

HSL 254.35, 0.41%, 0.22%

LAB 16.44, 18.07, -26.63

 

CMYK 0 / 58 / 44 / 69

HEX #4F212C

RGB 79 33 44

HSL 345.65, 0.41%, 0.22%

LAB 19.77, 22.91, 3.16

 

CMYK 15 / 0 / 58 / 69

HEX #434F21

RGB 67 79 33

HSL 75.65, 0.41%, 0.22%

LAB 31.57, -12.99, 25.27

 

Description

Color code: HEX #214E43 | qconv.com Color code: HEX #214E43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 78 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 78 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 14 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 14% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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