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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #213969 it is the complementary color #DEC696. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #213969. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #213969: #263964, #374B77, #485D8A, #596F9D and #6A81B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #213969. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #213969: #213969, #102756, #001543, #000330 and #00001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

Complementary color

CMYK 0 / 11 / 32 / 13

HEX #DEC696

RGB 222 198 150

HSL 40, 0.52%, 0.73%

LAB 80.81, 1.46, 27.18

 

CMYK 62 / 43 / 0 / 61

HEX #263964

RGB 38 57 100

HSL 221.61, 0.45%, 0.27%

LAB 24.51, 7.11, -27.72

 

CMYK 54 / 37 / 0 / 53

HEX #374B77

RGB 55 75 119

HSL 221.25, 0.37%, 0.34%

LAB 32.2, 5.93, -27.55

 

CMYK 48 / 33 / 0 / 46

HEX #485D8A

RGB 72 93 138

HSL 220.91, 0.31%, 0.41%

LAB 39.65, 5.07, -27.47

 

CMYK 43 / 29 / 0 / 38

HEX #596F9D

RGB 89 111 157

HSL 220.59, 0.28%, 0.48%

LAB 46.88, 4.41, -27.45

 

CMYK 40 / 27 / 0 / 31

HEX #6A81B0

RGB 106 129 176

HSL 220.29, 0.31%, 0.55%

LAB 53.92, 3.89, -27.49

 

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

CMYK 81 / 55 / 0 / 66

HEX #102756

RGB 16 39 86

HSL 220.29, 0.69%, 0.2%

LAB 16.67, 10.22, -31.11

 

CMYK 100 / 69 / 0 / 74

HEX #001543

RGB 0 21 67

HSL 221.19, 1%, 0.13%

LAB 8.49, 13.42, -31.36

 

CMYK 100 / 94 / 0 / 81

HEX #000330

RGB 0 3 48

HSL 236.25, 1%, 0.09%

LAB 2.52, 12.34, -27.25

 

CMYK 100 / 100 / 0 / 89

HEX #00001D

RGB 0 0 29

HSL 240, 1%, 0.06%

LAB 0.8, 5.63, -15.14

 

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

CMYK 68 / 58 / 0 / 59

HEX #212C68

RGB 33 44 104

HSL 230.7, 0.52%, 0.27%

LAB 20.53, 16.83, -36.71

 

CMYK 68 / 68 / 0 / 59

HEX #212168

RGB 33 33 104

HSL 240, 0.52%, 0.27%

LAB 17.51, 24.56, -41.63

 

CMYK 58 / 68 / 0 / 59

HEX #2C2168

RGB 44 33 104

HSL 249.3, 0.52%, 0.27%

LAB 18.46, 26.53, -40.03

 

CMYK 46 / 68 / 0 / 59

HEX #382168

RGB 56 33 104

HSL 259.44, 0.52%, 0.27%

LAB 19.75, 29.07, -37.88

 

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

CMYK 69 / 46 / 0 / 39

HEX #31559C

RGB 49 85 156

HSL 219.81, 0.52%, 0.4%

LAB 37.02, 11.49, -42.57

 

CMYK 69 / 46 / 0 / 19

HEX #4170CF

RGB 65 112 207

HSL 220.14, 0.6%, 0.53%

LAB 48.53, 15.4, -53.92

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 69 / 46 / 0 / 79

HEX #111D36

RGB 17 29 54

HSL 220.54, 0.52%, 0.14%

LAB 11.02, 4.2, -17.98

 

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

CMYK 9 / 68 / 0 / 59

HEX #5F2168

RGB 95 33 104

HSL 292.39, 0.52%, 0.27%

LAB 25.32, 38.82, -28.63

 

CMYK 18 / 0 / 68 / 59

HEX #556821

RGB 85 104 33

HSL 76.06, 0.52%, 0.27%

LAB 41.12, -18.57, 36.32

 

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

CMYK 0 / 68 / 46 / 59

HEX #682138

RGB 104 33 56

HSL 340.56, 0.52%, 0.27%

LAB 24.69, 33.86, 2.54

 

CMYK 46 / 0 / 68 / 59

HEX #386821

RGB 56 104 33

HSL 100.56, 0.52%, 0.27%

LAB 39.33, -30.35, 33.85

 

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

CMYK 9 / 68 / 0 / 59

HEX #5F2168

RGB 95 33 104

HSL 292.39, 0.52%, 0.27%

LAB 25.32, 38.82, -28.63

 

CMYK 0 / 23 / 68 / 59

HEX #685021

RGB 104 80 33

HSL 39.72, 0.52%, 0.27%

LAB 35.58, 4.33, 30.83

 

CMYK 60 / 0 / 68 / 59

HEX #2A6821

RGB 42 104 33

HSL 112.39, 0.52%, 0.27%

LAB 38.73, -34.85, 33.03

 

CMYK 69 / 46 / 0 / 59

HEX #213969

RGB 33 57 105

HSL 220, 0.52%, 0.27%

LAB 24.54, 7.99, -30.91

 

CMYK 0 / 68 / 12 / 59

HEX #68215C

RGB 104 33 92

HSL 310.14, 0.52%, 0.27%

LAB 26.17, 39.04, -19.36

 

CMYK 0 / 23 / 68 / 59

HEX #685021

RGB 104 80 33

HSL 39.72, 0.52%, 0.27%

LAB 35.58, 4.33, 30.83

 

CMYK 68 / 0 / 58 / 59

HEX #21682C

RGB 33 104 44

HSL 129.3, 0.52%, 0.27%

LAB 38.56, -35.74, 27.18

 

Description

Color code: HEX #213969 | qconv.com Color code: HEX #213969 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 57 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 57 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 46 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 46% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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