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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #210E6F it is the complementary color #DEF190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #210E6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #210E6F: #260E6A, #37207D, #483290, #5944A3 and #6A56B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #210E6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #210E6F: #210E6F, #10005C, #000049, #000036 and #000023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

Complementary color

CMYK 8 / 0 / 40 / 5

HEX #DEF190

RGB 222 241 144

HSL 71.75, 0.78%, 0.75%

LAB 91.89, -20.9, 44.71

 

CMYK 64 / 87 / 0 / 58

HEX #260E6A

RGB 38 14 106

HSL 255.65, 0.77%, 0.24%

LAB 14.21, 37.03, -48.35

 

CMYK 56 / 74 / 0 / 51

HEX #37207D

RGB 55 32 125

HSL 254.84, 0.59%, 0.31%

LAB 21.3, 35.98, -48.87

 

CMYK 50 / 65 / 0 / 44

HEX #483290

RGB 72 50 144

HSL 254.04, 0.48%, 0.38%

LAB 28.57, 34.48, -48.83

 

CMYK 45 / 58 / 0 / 36

HEX #5944A3

RGB 89 68 163

HSL 253.26, 0.41%, 0.45%

LAB 35.8, 33.02, -48.6

 

CMYK 42 / 53 / 0 / 29

HEX #6A56B6

RGB 106 86 182

HSL 252.5, 0.4%, 0.53%

LAB 42.91, 31.69, -48.34

 

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

CMYK 83 / 100 / 0 / 64

HEX #10005C

RGB 16 0 92

HSL 250.43, 1%, 0.18%

LAB 7.97, 37.97, -49.45

 

CMYK 100 / 100 / 0 / 71

HEX #000049

RGB 0 0 73

HSL 240, 1%, 0.14%

LAB 4.35, 28.82, -42.41

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 100 / 100 / 0 / 86

HEX #000023

RGB 0 0 35

HSL 240, 1%, 0.07%

LAB 1.1, 7.7, -19.49

 

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

CMYK 58 / 88 / 0 / 56

HEX #300E71

RGB 48 14 113

HSL 260.61, 0.78%, 0.25%

LAB 16.18, 40.24, -49.63

 

CMYK 42 / 88 / 0 / 56

HEX #410E71

RGB 65 14 113

HSL 270.91, 0.78%, 0.25%

LAB 18.5, 42.54, -45.73

 

CMYK 28 / 88 / 0 / 56

HEX #510E71

RGB 81 14 113

HSL 280.61, 0.78%, 0.25%

LAB 21.04, 45.14, -41.47

 

CMYK 13 / 88 / 0 / 56

HEX #620E71

RGB 98 14 113

HSL 290.91, 0.78%, 0.25%

LAB 24.01, 48.25, -36.52

 

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

CMYK 70 / 88 / 0 / 36

HEX #3014A2

RGB 48 20 162

HSL 251.83, 0.78%, 0.36%

LAB 22.78, 51.87, -69.46

 

CMYK 70 / 87 / 0 / 16

HEX #3F1BD5

RGB 63 27 213

HSL 251.61, 0.78%, 0.47%

LAB 30.98, 64.35, -86.06

 

CMYK 67 / 89 / 0 / 96

HEX #030109

RGB 3 1 9

HSL 255, 0.8%, 0.02%

LAB 0.55, 1.64, -2.84

 

CMYK 70 / 87 / 0 / 76

HEX #12083C

RGB 18 8 60

HSL 251.54, 0.76%, 0.13%

LAB 5.68, 21.41, -30.92

 

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

CMYK 0 / 88 / 34 / 56

HEX #710E4B

RGB 113 14 75

HSL 323.03, 0.78%, 0.25%

LAB 24.74, 45.65, -10.1

 

CMYK 69 / 0 / 88 / 56

HEX #23710E

RGB 35 113 14

HSL 107.27, 0.78%, 0.25%

LAB 41.53, -41.66, 42.97

 

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

CMYK 0 / 72 / 88 / 56

HEX #71200E

RGB 113 32 14

HSL 10.91, 0.78%, 0.25%

LAB 25.49, 34.72, 30.96

 

CMYK 88 / 0 / 72 / 56

HEX #0E7120

RGB 14 113 32

HSL 130.91, 0.78%, 0.25%

LAB 41.23, -43.82, 36

 

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

CMYK 0 / 88 / 34 / 56

HEX #710E4B

RGB 113 14 75

HSL 323.03, 0.78%, 0.25%

LAB 24.74, 45.65, -10.1

 

CMYK 16 / 0 / 88 / 56

HEX #5F710E

RGB 95 113 14

HSL 70.91, 0.78%, 0.25%

LAB 44.62, -19.86, 46.88

 

CMYK 88 / 0 / 54 / 56

HEX #0E7134

RGB 14 113 52

HSL 143.03, 0.78%, 0.25%

LAB 41.46, -41.05, 26.31

 

CMYK 70 / 87 / 0 / 56

HEX #210E6F

RGB 33 14 111

HSL 251.75, 0.78%, 0.25%

LAB 14.32, 38.07, -51.46

 

CMYK 0 / 88 / 60 / 56

HEX #710E2D

RGB 113 14 45

HSL 341.21, 0.78%, 0.25%

LAB 23.72, 42.69, 8.99

 

CMYK 16 / 0 / 88 / 56

HEX #5F710E

RGB 95 113 14

HSL 70.91, 0.78%, 0.25%

LAB 44.62, -19.86, 46.88

 

CMYK 88 / 0 / 28 / 56

HEX #0E7151

RGB 14 113 81

HSL 160.61, 0.78%, 0.25%

LAB 42, -34.85, 10.37

 

Description

Color code: HEX #210E6F | qconv.com Color code: HEX #210E6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 14 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 14 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 87 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 87% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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