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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EC7A8 it is the complementary color #E13857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EC7A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EC7A8 shade: #23C7A3, #34D9B6, #45EBC9, #56FDDC and #67FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EC7A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EC7A8 shade: #1EC7A8, #0DB595, #00A382, #00916F and #007F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EC7A8 shade: #1EC8A9, #1EC87B, #1EC84D, #1EC81F and #4AC81E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EC7A8 shade: #1EC8A9, #1EB9C8, #1E8BC8, #1E5DC8 and #1E30C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EC7A8 shade matches the following richer shades: #1EC8A9 and #0BDAB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EC7A8 shade: #1EC8A9, #30B59D, #43A391, #569085 and #687D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EC7A8 shade: #1EC84B, #1EC878, #1EC8A6, #1EBCC8 and #1E8FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EC7A8 shade: #13806C, #18A48A, #1EC8A9, #2FE0BF and #53E5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EC7A8 shade: #1EC7A8, #1E1EC8 and #C8621E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EC7A8 shade: #1EC7A8, #A61EC8 and #C8A61E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EC7A8 shade: #1EC7A8, #1E1EC8, #C81E40 and #C8C81E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EC7A8 shade: #1EC7A8, #511EC8, #C81E40 and #95C81E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 16 / 22

HEX #1EC7A8

RGB 30 199 168

HSL 168.99, 0.74%, 0.45%

LAB 72.2, -47.35, 4.14

 

Complementary color

CMYK 0 / 75 / 61 / 12

HEX #E13857

RGB 225 56 87

HSL 348.99, 0.74%, 0.55%

LAB 51.29, 65.52, 22.92

 

CMYK 82 / 0 / 18 / 22

HEX #23C7A3

RGB 35 199 163

HSL 166.83, 0.7%, 0.46%

LAB 72.13, -48.25, 6.76

 

CMYK 76 / 0 / 16 / 15

HEX #34D9B6

RGB 52 217 182

HSL 167.27, 0.68%, 0.53%

LAB 78.31, -49.23, 5.47

 

CMYK 71 / 0 / 14 / 8

HEX #45EBC9

RGB 69 235 201

HSL 167.71, 0.81%, 0.6%

LAB 84.43, -49.94, 4.3

 

CMYK 66 / 0 / 13 / 1

HEX #56FDDC

RGB 86 253 220

HSL 168.14, 0.98%, 0.66%

LAB 90.5, -50.44, 3.22

 

CMYK 60 / 0 / 6 / 0

HEX #67FFEF

RGB 103 255 239

HSL 173.68, 1%, 0.7%

LAB 91.97, -43.9, -4.44

 

CMYK 85 / 0 / 16 / 22

HEX #1EC7A8

RGB 30 199 168

HSL 168.99, 0.74%, 0.45%

LAB 72.2, -47.35, 4.14

 

CMYK 93 / 0 / 18 / 29

HEX #0DB595

RGB 13 181 149

HSL 168.57, 0.87%, 0.38%

LAB 65.98, -45.85, 5.56

 

CMYK 100 / 0 / 20 / 36

HEX #00A382

RGB 0 163 130

HSL 167.85, 1%, 0.32%

LAB 59.71, -43.94, 7.13

 

CMYK 100 / 0 / 23 / 43

HEX #00916F

RGB 0 145 111

HSL 165.93, 1%, 0.28%

LAB 53.38, -41.48, 8.88

 

CMYK 100 / 0 / 28 / 50

HEX #007F5C

RGB 0 127 92

HSL 163.46, 1%, 0.25%

LAB 46.91, -38.95, 10.74

 

CMYK 85 / 0 / 16 / 22

HEX #1EC8A9

RGB 30 200 169

HSL 169.06, 0.74%, 0.45%

LAB 72.53, -47.51, 4.08

 

CMYK 85 / 0 / 39 / 22

HEX #1EC87B

RGB 30 200 123

HSL 152.82, 0.74%, 0.45%

LAB 71.56, -58.08, 27.32

 

CMYK 85 / 0 / 62 / 22

HEX #1EC84D

RGB 30 200 77

HSL 136.59, 0.74%, 0.45%

LAB 70.95, -65.36, 49.06

 

CMYK 85 / 0 / 85 / 22

HEX #1EC81F

RGB 30 200 31

HSL 120.35, 0.74%, 0.45%

LAB 70.65, -69.15, 64.9

 

CMYK 63 / 0 / 85 / 22

HEX #4AC81E

RGB 74 200 30

HSL 104.47, 0.74%, 0.45%

LAB 71.46, -62.21, 66.16

 

CMYK 85 / 0 / 16 / 22

HEX #1EC8A9

RGB 30 200 169

HSL 169.06, 0.74%, 0.45%

LAB 72.53, -47.51, 4.08

 

CMYK 85 / 8 / 0 / 22

HEX #1EB9C8

RGB 30 185 200

HSL 185.29, 0.74%, 0.45%

LAB 68.86, -31.84, -18.31

 

CMYK 85 / 31 / 0 / 22

HEX #1E8BC8

RGB 30 139 200

HSL 201.53, 0.74%, 0.45%

LAB 54.98, -7.6, -39.75

 

CMYK 85 / 54 / 0 / 22

HEX #1E5DC8

RGB 30 93 200

HSL 217.76, 0.74%, 0.45%

LAB 41.65, 20.96, -61.06

 

CMYK 85 / 76 / 0 / 22

HEX #1E30C8

RGB 30 48 200

HSL 233.65, 0.74%, 0.45%

LAB 30.78, 49.3, -78.89

 

CMYK 85 / 0 / 16 / 22

HEX #1EC8A9

RGB 30 200 169

HSL 169.06, 0.74%, 0.45%

LAB 72.53, -47.51, 4.08

 

CMYK 95 / 0 / 17 / 15

HEX #0BDAB4

RGB 11 218 180

HSL 168.99, 0.9%, 0.45%

LAB 78.17, -52.92, 6.29

 

CMYK 85 / 0 / 16 / 22

HEX #1EC8A9

RGB 30 200 169

HSL 169.06, 0.74%, 0.45%

LAB 72.53, -47.51, 4.08

 

CMYK 73 / 0 / 13 / 29

HEX #30B59D

RGB 48 181 157

HSL 169.17, 0.58%, 0.45%

LAB 66.6, -40.78, 2.09

 

CMYK 59 / 0 / 11 / 36

HEX #43A391

RGB 67 163 145

HSL 168.75, 0.42%, 0.45%

LAB 61.16, -32.63, 0.92

 

CMYK 40 / 0 / 8 / 44

HEX #569085

RGB 86 144 133

HSL 168.62, 0.25%, 0.45%

LAB 55.7, -21.7, -0.13

 

CMYK 17 / 0 / 3 / 51

HEX #687D79

RGB 104 125 121

HSL 168.57, 0.09%, 0.45%

LAB 50.68, -8.51, -0.38

 

CMYK 85 / 0 / 63 / 22

HEX #1EC84B

RGB 30 200 75

HSL 135.88, 0.74%, 0.45%

LAB 70.93, -65.6, 49.92

 

CMYK 85 / 0 / 40 / 22

HEX #1EC878

RGB 30 200 120

HSL 151.76, 0.74%, 0.45%

LAB 71.51, -58.66, 28.81

 

CMYK 85 / 0 / 17 / 22

HEX #1EC8A6

RGB 30 200 166

HSL 168, 0.74%, 0.45%

LAB 72.45, -48.29, 5.6

 

CMYK 85 / 6 / 0 / 22

HEX #1EBCC8

RGB 30 188 200

HSL 184.24, 0.74%, 0.45%

LAB 69.76, -33.28, -16.93

 

CMYK 85 / 29 / 0 / 22

HEX #1E8FC8

RGB 30 143 200

HSL 200.12, 0.74%, 0.45%

LAB 56.18, -9.89, -37.86

 

CMYK 85 / 0 / 16 / 50

HEX #13806C

RGB 19 128 108

HSL 168.99, 0.74%, 0.29%

LAB 47.83, -33.74, 2.69

 

CMYK 85 / 0 / 16 / 36

HEX #18A48A

RGB 24 164 138

HSL 168.86, 0.74%, 0.37%

LAB 60.41, -40.95, 3.66

 

CMYK 85 / 0 / 16 / 22

HEX #1EC8A9

RGB 30 200 169

HSL 169.06, 0.74%, 0.45%

LAB 72.53, -47.51, 4.08

 

CMYK 79 / 0 / 15 / 12

HEX #2FE0BF

RGB 47 224 191

HSL 168.81, 0.74%, 0.53%

LAB 80.56, -50.36, 3.93

 

CMYK 64 / 0 / 12 / 10

HEX #53E5CA

RGB 83 229 202

HSL 168.9, 0.74%, 0.61%

LAB 82.99, -45.09, 1.71

 

CMYK 85 / 0 / 16 / 22

HEX #1EC7A8

RGB 30 199 168

HSL 168.99, 0.74%, 0.45%

LAB 72.2, -47.35, 4.14

 

CMYK 85 / 85 / 0 / 22

HEX #1E1EC8

RGB 30 30 200

HSL 240, 0.74%, 0.45%

LAB 27.78, 58.07, -83.88

 

CMYK 0 / 51 / 85 / 22

HEX #C8621E

RGB 200 98 30

HSL 24, 0.74%, 0.45%

LAB 53.07, 36.65, 53.7

 

CMYK 85 / 0 / 16 / 22

HEX #1EC7A8

RGB 30 199 168

HSL 168.99, 0.74%, 0.45%

LAB 72.2, -47.35, 4.14

 

CMYK 17 / 85 / 0 / 22

HEX #A61EC8

RGB 166 30 200

HSL 288, 0.74%, 0.45%

LAB 43.07, 72.5, -58.19

 

CMYK 0 / 17 / 85 / 22

HEX #C8A61E

RGB 200 166 30

HSL 48, 0.74%, 0.45%

LAB 69.22, 0.03, 67.21

 

CMYK 85 / 0 / 16 / 22

HEX #1EC7A8

RGB 30 199 168

HSL 168.99, 0.74%, 0.45%

LAB 72.2, -47.35, 4.14

 

CMYK 85 / 85 / 0 / 22

HEX #1E1EC8

RGB 30 30 200

HSL 240, 0.74%, 0.45%

LAB 27.78, 58.07, -83.88

 

CMYK 0 / 85 / 68 / 22

HEX #C81E40

RGB 200 30 64

HSL 348, 0.74%, 0.45%

LAB 43.62, 64.26, 26.09

 

CMYK 0 / 0 / 85 / 22

HEX #C8C81E

RGB 200 200 30

HSL 60, 0.74%, 0.45%

LAB 78.28, -17.51, 74.68

 

CMYK 85 / 0 / 16 / 22

HEX #1EC7A8

RGB 30 199 168

HSL 168.99, 0.74%, 0.45%

LAB 72.2, -47.35, 4.14

 

CMYK 60 / 85 / 0 / 22

HEX #511EC8

RGB 81 30 200

HSL 258, 0.74%, 0.45%

LAB 31.46, 61.26, -77.66

 

CMYK 0 / 85 / 68 / 22

HEX #C81E40

RGB 200 30 64

HSL 348, 0.74%, 0.45%

LAB 43.62, 64.26, 26.09

 

CMYK 26 / 0 / 85 / 22

HEX #95C81E

RGB 149 200 30

HSL 78, 0.74%, 0.45%

LAB 74.69, -38.5, 70.23

 

Description

Color code: HEX #1EC7A8 | qconv.com Color code: HEX #1EC7A8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 199 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 199 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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