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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5A73 it is the complementary color #E1A58C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5A73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1E5A73: #235A6E, #346C81, #457E94, #5690A7 and #67A2BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5A73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1E5A73: #1E5A73, #0D4860, #00364D, #00243A and #001227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

Complementary color

CMYK 0 / 27 / 38 / 12

HEX #E1A58C

RGB 225 165 140

HSL 17.65, 0.59%, 0.72%

LAB 72.77, 18.95, 21.67

 

CMYK 68 / 18 / 0 / 57

HEX #235A6E

RGB 35 90 110

HSL 196, 0.52%, 0.28%

LAB 35.59, -11.15, -16.75

 

CMYK 60 / 16 / 0 / 49

HEX #346C81

RGB 52 108 129

HSL 196.36, 0.43%, 0.35%

LAB 42.82, -11.81, -17.21

 

CMYK 53 / 15 / 0 / 42

HEX #457E94

RGB 69 126 148

HSL 196.71, 0.36%, 0.43%

LAB 49.89, -12.24, -17.62

 

CMYK 49 / 14 / 0 / 35

HEX #5690A7

RGB 86 144 167

HSL 197.04, 0.32%, 0.5%

LAB 56.8, -12.54, -18.01

 

CMYK 45 / 13 / 0 / 27

HEX #67A2BA

RGB 103 162 186

HSL 197.35, 0.38%, 0.57%

LAB 63.56, -12.75, -18.38

 

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

CMYK 86 / 25 / 0 / 62

HEX #0D4860

RGB 13 72 96

HSL 197.35, 0.76%, 0.21%

LAB 28.29, -8.75, -19.26

 

CMYK 100 / 30 / 0 / 70

HEX #00364D

RGB 0 54 77

HSL 197.92, 1%, 0.15%

LAB 20.73, -6.53, -18.64

 

CMYK 100 / 38 / 0 / 77

HEX #00243A

RGB 0 36 58

HSL 202.76, 1%, 0.11%

LAB 13.03, -2.72, -17.7

 

CMYK 100 / 54 / 0 / 85

HEX #001227

RGB 0 18 39

HSL 212.31, 1%, 0.08%

LAB 5.23, 1.32, -16.17

 

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

CMYK 74 / 34 / 0 / 56

HEX #1D4B71

RGB 29 75 113

HSL 207.14, 0.59%, 0.28%

LAB 30.61, -1.76, -26.4

 

CMYK 74 / 46 / 0 / 56

HEX #1D3D71

RGB 29 61 113

HSL 217.14, 0.59%, 0.28%

LAB 26.13, 7.68, -33.5

 

CMYK 74 / 58 / 0 / 56

HEX #1D2F71

RGB 29 47 113

HSL 227.14, 0.59%, 0.28%

LAB 21.9, 17.59, -40.33

 

CMYK 74 / 71 / 0 / 56

HEX #1D2171

RGB 29 33 113

HSL 237.14, 0.59%, 0.28%

LAB 18.1, 27.37, -46.52

 

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

CMYK 74 / 22 / 0 / 35

HEX #2B82A6

RGB 43 130 166

HSL 197.56, 0.59%, 0.41%

LAB 50.96, -13.33, -26.53

 

CMYK 74 / 22 / 0 / 15

HEX #39AAD9

RGB 57 170 217

HSL 197.63, 0.68%, 0.54%

LAB 65.46, -16.12, -32.84

 

CMYK 77 / 23 / 0 / 95

HEX #030A0D

RGB 3 10 13

HSL 198, 0.63%, 0.03%

LAB 2.4, -1.38, -1.88

 

CMYK 73 / 22 / 0 / 75

HEX #113240

RGB 17 50 64

HSL 197.87, 0.58%, 0.16%

LAB 19.1, -6.73, -12.34

 

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

CMYK 39 / 74 / 0 / 56

HEX #451D71

RGB 69 29 113

HSL 268.57, 0.59%, 0.28%

LAB 21.34, 36.72, -41.06

 

CMYK 0 / 9 / 74 / 56

HEX #71671D

RGB 113 103 29

HSL 52.86, 0.59%, 0.28%

LAB 43.21, -5.21, 41

 

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

CMYK 0 / 74 / 21 / 56

HEX #711D59

RGB 113 29 89

HSL 317.14, 0.59%, 0.28%

LAB 27.05, 42.79, -15.9

 

CMYK 21 / 0 / 74 / 56

HEX #59711D

RGB 89 113 29

HSL 77.14, 0.59%, 0.28%

LAB 44.27, -21.8, 41.37

 

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

CMYK 39 / 74 / 0 / 56

HEX #451D71

RGB 69 29 113

HSL 268.57, 0.59%, 0.28%

LAB 21.34, 36.72, -41.06

 

CMYK 0 / 53 / 74 / 56

HEX #71351D

RGB 113 53 29

HSL 17.14, 0.59%, 0.28%

LAB 29.78, 24.56, 26.95

 

CMYK 36 / 0 / 74 / 56

HEX #48711D

RGB 72 113 29

HSL 89.29, 0.59%, 0.28%

LAB 43.18, -28.88, 39.92

 

CMYK 74 / 22 / 0 / 55

HEX #1E5A73

RGB 30 90 115

HSL 197.65, 0.59%, 0.28%

LAB 35.65, -10.22, -19.77

 

CMYK 16 / 74 / 0 / 56

HEX #5F1D71

RGB 95 29 113

HSL 287.14, 0.59%, 0.28%

LAB 25.27, 42.49, -34.52

 

CMYK 0 / 53 / 74 / 56

HEX #71351D

RGB 113 53 29

HSL 17.14, 0.59%, 0.28%

LAB 29.78, 24.56, 26.95

 

CMYK 58 / 0 / 74 / 56

HEX #2F711D

RGB 47 113 29

HSL 107.14, 0.59%, 0.28%

LAB 42.01, -37.49, 38.35

 

Description

Color code: HEX #1E5A73 | qconv.com Color code: HEX #1E5A73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 90 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 90 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 22 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 22% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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