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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E2DEB it is the complementary color #E1D214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E2DEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E2DEB shade: #232DE6, #343FF9, #4551FF, #5663FF and #6775FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E2DEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E2DEB shade: #1E2DEB, #0D1BD8, #0009C5, #0000B2 and #00009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E2DEB shade: #1E2DEB, #461EEB, #7E1EEB, #B51EEB and #EB1EEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E2DEB shade: #1E2DEB and #1E1EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E2DEB shade matches the following richer shades: #1E2DEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E2DEB shade: #1E2DEB, #323ED8, #454FC4, #5960B0 and #6D709C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E2DEB shade: #1E9DEB, #1E66EB, #1E2FEB, #431EEB and #7A1EEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E2DEB shade: #0F1AA8, #1220CE, #1E2DEB, #4450EF and #6A74F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E2DEB shade: #1E2DEB, #EB1ED3 and #81EB1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E2DEB shade: #1E2DEB, #EB1E2F and #2FEB1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E2DEB shade: #1E2DEB, #EB1ED3, #EBDA1E and #1EEB36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E2DEB shade: #1E2DEB, #EB1E96, #EBDA1E and #1EEB73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

Complementary color

CMYK 0 / 7 / 91 / 12

HEX #E1D214

RGB 225 210 20

HSL 55.61, 0.84%, 0.48%

LAB 82.99, -12.01, 81.05

 

CMYK 85 / 80 / 0 / 10

HEX #232DE6

RGB 35 45 230

HSL 236.92, 0.8%, 0.52%

LAB 33.87, 60.62, -91.08

 

CMYK 79 / 75 / 0 / 2

HEX #343FF9

RGB 52 63 249

HSL 236.65, 0.94%, 0.59%

LAB 39.79, 58.37, -91.99

 

CMYK 73 / 68 / 0 / 0

HEX #4551FF

RGB 69 81 255

HSL 236.13, 1%, 0.64%

LAB 44.76, 51.69, -87.12

 

CMYK 66 / 61 / 0 / 0

HEX #5663FF

RGB 86 99 255

HSL 235.38, 1%, 0.67%

LAB 49.64, 43.08, -79.08

 

CMYK 60 / 54 / 0 / 0

HEX #6775FF

RGB 103 117 255

HSL 234.47, 1%, 0.7%

LAB 54.89, 34.88, -70.5

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 94 / 88 / 0 / 15

HEX #0D1BD8

RGB 13 27 216

HSL 235.86, 0.89%, 0.45%

LAB 28.97, 63.45, -91.21

 

CMYK 100 / 95 / 0 / 23

HEX #0009C5

RGB 0 9 197

HSL 237.26, 1%, 0.39%

LAB 24.41, 63.25, -87.76

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 100 / 100 / 0 / 38

HEX #00009F

RGB 0 0 159

HSL 240, 1%, 0.31%

LAB 17.93, 55.64, -75.78

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 70 / 87 / 0 / 8

HEX #461EEB

RGB 70 30 235

HSL 251.71, 0.84%, 0.52%

LAB 34.45, 69.58, -92.9

 

CMYK 46 / 87 / 0 / 8

HEX #7E1EEB

RGB 126 30 235

HSL 268.1, 0.84%, 0.52%

LAB 40.18, 74.14, -83.24

 

CMYK 23 / 87 / 0 / 8

HEX #B51EEB

RGB 181 30 235

HSL 284.2, 0.84%, 0.52%

LAB 47.94, 81.1, -70.23

 

CMYK 0 / 87 / 0 / 8

HEX #EB1EEA

RGB 235 30 234

HSL 300.29, 0.84%, 0.52%

LAB 56.62, 89.49, -55.24

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 87 / 87 / 0 / 8

HEX #1E1EEB

RGB 30 30 235

HSL 240, 0.84%, 0.52%

LAB 32.26, 68.01, -96.61

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 77 / 71 / 0 / 15

HEX #323ED8

RGB 50 62 216

HSL 235.66, 0.68%, 0.52%

LAB 36.14, 48.03, -79.28

 

CMYK 65 / 60 / 0 / 23

HEX #454FC4

RGB 69 79 196

HSL 235.28, 0.52%, 0.52%

LAB 39.31, 33.06, -62.47

 

CMYK 49 / 45 / 0 / 31

HEX #5960B0

RGB 89 96 176

HSL 235.17, 0.36%, 0.52%

LAB 43.69, 19.59, -43.66

 

CMYK 30 / 28 / 0 / 39

HEX #6D709C

RGB 109 112 156

HSL 236.17, 0.19%, 0.52%

LAB 48.56, 9.39, -24.14

 

CMYK 87 / 33 / 0 / 8

HEX #1E9DEB

RGB 30 157 235

HSL 202.83, 0.84%, 0.52%

LAB 61.99, -5.1, -48.24

 

CMYK 87 / 57 / 0 / 8

HEX #1E66EB

RGB 30 102 235

HSL 218.93, 0.84%, 0.52%

LAB 46.68, 28.61, -72.83

 

CMYK 87 / 80 / 0 / 8

HEX #1E2FEB

RGB 30 47 235

HSL 235.02, 0.84%, 0.52%

LAB 34.61, 61.02, -92.7

 

CMYK 71 / 87 / 0 / 8

HEX #431EEB

RGB 67 30 235

HSL 250.83, 0.84%, 0.52%

LAB 34.23, 69.41, -93.28

 

CMYK 48 / 87 / 0 / 8

HEX #7A1EEB

RGB 122 30 235

HSL 266.93, 0.84%, 0.52%

LAB 39.69, 73.72, -84.08

 

CMYK 91 / 85 / 0 / 34

HEX #0F1AA8

RGB 15 26 168

HSL 235.69, 0.84%, 0.36%

LAB 22.54, 49.61, -73.56

 

CMYK 91 / 84 / 0 / 19

HEX #1220CE

RGB 18 32 206

HSL 235.53, 0.84%, 0.44%

LAB 28.43, 58.68, -86.32

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 72 / 67 / 0 / 6

HEX #4450EF

RGB 68 80 239

HSL 235.79, 0.84%, 0.6%

LAB 43.06, 46.89, -80.95

 

CMYK 56 / 52 / 0 / 5

HEX #6A74F2

RGB 106 116 242

HSL 235.59, 0.84%, 0.68%

LAB 53.99, 31.86, -64.74

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 0 / 87 / 10 / 8

HEX #EB1ED3

RGB 235 30 211

HSL 307.02, 0.84%, 0.52%

LAB 55.37, 86.29, -44.19

 

CMYK 45 / 0 / 87 / 8

HEX #81EB1E

RGB 129 235 30

HSL 91.02, 0.84%, 0.52%

LAB 84.06, -59.75, 77.81

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 0 / 87 / 80 / 8

HEX #EB1E2F

RGB 235 30 47

HSL 355.02, 0.84%, 0.52%

LAB 50.45, 72.78, 45.62

 

CMYK 80 / 0 / 87 / 8

HEX #2FEB1E

RGB 47 235 30

HSL 115.02, 0.84%, 0.52%

LAB 81.9, -77.39, 75.11

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 0 / 87 / 10 / 8

HEX #EB1ED3

RGB 235 30 211

HSL 307.02, 0.84%, 0.52%

LAB 55.37, 86.29, -44.19

 

CMYK 0 / 7 / 87 / 8

HEX #EBDA1E

RGB 235 218 30

HSL 55.02, 0.84%, 0.52%

LAB 85.96, -11.58, 82.09

 

CMYK 87 / 0 / 77 / 8

HEX #1EEB36

RGB 30 235 54

HSL 127.02, 0.84%, 0.52%

LAB 81.82, -77.78, 69.08

 

CMYK 87 / 81 / 0 / 8

HEX #1E2DEB

RGB 30 45 235

HSL 235.61, 0.84%, 0.52%

LAB 34.3, 61.96, -93.23

 

CMYK 0 / 87 / 36 / 8

HEX #EB1E96

RGB 235 30 150

HSL 324.88, 0.84%, 0.52%

LAB 52.72, 79.2, -12.73

 

CMYK 0 / 7 / 87 / 8

HEX #EBDA1E

RGB 235 218 30

HSL 55.02, 0.84%, 0.52%

LAB 85.96, -11.58, 82.09

 

CMYK 87 / 0 / 51 / 8

HEX #1EEB73

RGB 30 235 115

HSL 144.88, 0.84%, 0.52%

LAB 82.34, -71.27, 45.12

 

Description

Color code: HEX #1E2DEB | qconv.com Color code: HEX #1E2DEB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 45 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 45 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 81 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 81% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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