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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ABC9C it is the complementary color #E54363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ABC9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1ABC9C: #1FBC97, #30CEAA, #41E0BD, #52F2D0 and #63FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ABC9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1ABC9C: #1ABC9C, #09AA89, #009876, #008663 and #007450

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

Complementary color

CMYK 0 / 71 / 57 / 10

HEX #E54363

RGB 229 67 99

HSL 348.15, 0.76%, 0.58%

LAB 53.57, 63.79, 18.91

 

CMYK 84 / 0 / 20 / 26

HEX #1FBC97

RGB 31 188 151

HSL 165.86, 0.72%, 0.43%

LAB 68.38, -47.1, 7.92

 

CMYK 77 / 0 / 17 / 19

HEX #30CEAA

RGB 48 206 170

HSL 166.33, 0.62%, 0.5%

LAB 74.62, -48.11, 6.58

 

CMYK 71 / 0 / 16 / 12

HEX #41E0BD

RGB 65 224 189

HSL 166.79, 0.72%, 0.57%

LAB 80.8, -48.83, 5.37

 

CMYK 66 / 0 / 14 / 5

HEX #52F2D0

RGB 82 242 208

HSL 167.25, 0.86%, 0.64%

LAB 86.92, -49.33, 4.27

 

CMYK 61 / 0 / 11 / 0

HEX #63FFE3

RGB 99 255 227

HSL 169.23, 1%, 0.69%

LAB 91.56, -47.54, 1.17

 

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

CMYK 95 / 0 / 19 / 33

HEX #09AA89

RGB 9 170 137

HSL 167.7, 0.9%, 0.35%

LAB 62.18, -44.62, 6.75

 

CMYK 100 / 0 / 22 / 40

HEX #009876

RGB 0 152 118

HSL 166.58, 1%, 0.3%

LAB 55.85, -42.55, 8.4

 

CMYK 100 / 0 / 26 / 47

HEX #008663

RGB 0 134 99

HSL 164.33, 1%, 0.26%

LAB 49.44, -40.05, 10.22

 

CMYK 100 / 0 / 31 / 55

HEX #007450

RGB 0 116 80

HSL 161.38, 1%, 0.23%

LAB 42.87, -37.46, 12.15

 

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

CMYK 87 / 0 / 3 / 26

HEX #19BCB7

RGB 25 188 183

HSL 178.16, 0.77%, 0.42%

LAB 69.18, -38.74, -8.49

 

CMYK 87 / 12 / 0 / 26

HEX #19A6BC

RGB 25 166 188

HSL 188.1, 0.77%, 0.42%

LAB 62.6, -26.7, -21.18

 

CMYK 87 / 26 / 0 / 26

HEX #198BBC

RGB 25 139 188

HSL 198.04, 0.77%, 0.42%

LAB 54.35, -12.36, -33.93

 

CMYK 87 / 40 / 0 / 26

HEX #1970BC

RGB 25 112 188

HSL 207.98, 0.77%, 0.42%

LAB 46.21, 3.67, -46.78

 

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

CMYK 86 / 0 / 17 / 6

HEX #21EFC6

RGB 33 239 198

HSL 168.06, 0.87%, 0.53%

LAB 85.06, -55.73, 6.72

 

CMYK 86 / 0 / 17 / 86

HEX #05231D

RGB 5 35 29

HSL 168, 0.75%, 0.08%

LAB 11.44, -13.05, 0.77

 

CMYK 86 / 0 / 17 / 66

HEX #0C5647

RGB 12 86 71

HSL 167.84, 0.76%, 0.19%

LAB 32.23, -25.47, 2.64

 

CMYK 86 / 0 / 17 / 46

HEX #138972

RGB 19 137 114

HSL 168.31, 0.76%, 0.31%

LAB 50.97, -36.1, 3.73

 

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

CMYK 87 / 87 / 0 / 26

HEX #1919BC

RGB 25 25 188

HSL 240, 0.77%, 0.42%

LAB 25.36, 56.39, -80.83

 

CMYK 0 / 52 / 87 / 26

HEX #BC5A19

RGB 188 90 25

HSL 23.93, 0.77%, 0.42%

LAB 49.59, 35.82, 51.92

 

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

CMYK 18 / 87 / 0 / 26

HEX #9B19BC

RGB 155 25 188

HSL 287.85, 0.77%, 0.42%

LAB 40.07, 69.63, -56.12

 

CMYK 0 / 18 / 87 / 26

HEX #BC9B19

RGB 188 155 25

HSL 47.85, 0.77%, 0.42%

LAB 65.12, 0.45, 64.61

 

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

CMYK 87 / 87 / 0 / 26

HEX #1919BC

RGB 25 25 188

HSL 240, 0.77%, 0.42%

LAB 25.36, 56.39, -80.83

 

CMYK 0 / 87 / 69 / 26

HEX #BC193A

RGB 188 25 58

HSL 347.85, 0.77%, 0.42%

LAB 40.72, 61.8, 25.66

 

CMYK 0 / 0 / 87 / 26

HEX #BCBC19

RGB 188 188 25

HSL 60, 0.77%, 0.42%

LAB 74.02, -16.78, 71.82

 

CMYK 86 / 0 / 17 / 26

HEX #1ABC9C

RGB 26 188 156

HSL 168.15, 0.76%, 0.42%

LAB 68.45, -46.19, 5.27

 

CMYK 61 / 87 / 0 / 26

HEX #4A19BC

RGB 74 25 188

HSL 258.04, 0.77%, 0.42%

LAB 28.86, 59.21, -74.93

 

CMYK 0 / 87 / 69 / 26

HEX #BC193A

RGB 188 25 58

HSL 347.85, 0.77%, 0.42%

LAB 40.72, 61.8, 25.66

 

CMYK 26 / 0 / 87 / 26

HEX #8BBC19

RGB 139 188 25

HSL 78.04, 0.77%, 0.42%

LAB 70.54, -37.17, 67.53

 

Description

Color code: HEX #1ABC9C | qconv.com Color code: HEX #1ABC9C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 188 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 188 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 17 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 17% 26% C M Y K



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