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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18C92D it is the complementary color #E736D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18C92D shade: #1DC928, #2EDB3B, #3FED4E, #50FF61 and #61FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18C92D shade: #18C92D, #07B71A, #00A507, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18C92D shade: #18C92D, #32C918, #62C918, #92C918 and #C2C918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18C92D shade: #18C92D, #18C95C, #18C98C, #18C9BC and #18A6C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18C92D shade matches the following richer shades: #18C92D and #05DB1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18C92D shade: #18C92D, #2AB73A, #3CA548, #4E9256 and #608064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18C92D shade: #61C918, #32C918, #18C92C, #18C95C and #18C98B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18C92D shade: #0F7F1C, #13A424, #18C92D, #24E53B and #49EA5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18C92D shade: #18C92D, #1891C9 and #C9184A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18C92D shade: #18C92D, #2C18C9 and #C92C18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18C92D shade: #18C92D, #1891C9, #C918B4 and #C95018

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18C92D shade: #18C92D, #185CC9, #C918B4 and #C98518

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

Complementary color

CMYK 0 / 77 / 9 / 9

HEX #E736D2

RGB 231 54 210

HSL 307.12, 0.79%, 0.56%

LAB 56.37, 80.37, -42.1

 

CMYK 86 / 0 / 80 / 21

HEX #1DC928

RGB 29 201 40

HSL 123.84, 0.75%, 0.45%

LAB 71, -69.05, 62.87

 

CMYK 79 / 0 / 73 / 14

HEX #2EDB3B

RGB 46 219 59

HSL 124.51, 0.71%, 0.52%

LAB 77.02, -71.25, 62.77

 

CMYK 73 / 0 / 67 / 7

HEX #3FED4E

RGB 63 237 78

HSL 125.17, 0.83%, 0.59%

LAB 83.01, -72.83, 62.1

 

CMYK 69 / 0 / 62 / 0

HEX #50FF61

RGB 80 255 97

HSL 125.83, 1%, 0.66%

LAB 88.96, -73.95, 61.11

 

CMYK 62 / 0 / 55 / 0

HEX #61FF74

RGB 97 255 116

HSL 127.22, 1%, 0.69%

LAB 89.54, -68.6, 53.66

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 96 / 0 / 86 / 28

HEX #07B71A

RGB 7 183 26

HSL 126.48, 0.93%, 0.37%

LAB 64.95, -66.08, 60.89

 

CMYK 100 / 0 / 96 / 35

HEX #00A507

RGB 0 165 7

HSL 122.55, 1%, 0.32%

LAB 58.91, -62.03, 59.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 75 / 0 / 88 / 21

HEX #32C918

RGB 50 201 24

HSL 111.19, 0.79%, 0.44%

LAB 71.23, -67.28, 67

 

CMYK 51 / 0 / 88 / 21

HEX #62C918

RGB 98 201 24

HSL 94.92, 0.79%, 0.44%

LAB 72.52, -56.6, 68.62

 

CMYK 27 / 0 / 88 / 21

HEX #92C918

RGB 146 201 24

HSL 78.64, 0.79%, 0.44%

LAB 74.79, -40.27, 71.45

 

CMYK 3 / 0 / 88 / 21

HEX #C2C918

RGB 194 201 24

HSL 62.37, 0.79%, 0.44%

LAB 78.06, -20.69, 75.46

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 88 / 0 / 54 / 21

HEX #18C95C

RGB 24 201 92

HSL 143.05, 0.79%, 0.44%

LAB 71.38, -64.17, 42.64

 

CMYK 88 / 0 / 30 / 21

HEX #18C98C

RGB 24 201 140

HSL 159.32, 0.79%, 0.44%

LAB 72.14, -55.33, 19.11

 

CMYK 88 / 0 / 6 / 21

HEX #18C9BC

RGB 24 201 188

HSL 175.59, 0.79%, 0.44%

LAB 73.28, -43.13, -5.13

 

CMYK 88 / 17 / 0 / 21

HEX #18A6C9

RGB 24 166 201

HSL 191.86, 0.79%, 0.44%

LAB 63.08, -22.42, -27.7

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 98 / 0 / 86 / 14

HEX #05DB1F

RGB 5 219 31

HSL 127.29, 0.96%, 0.44%

LAB 76.55, -75.86, 70.1

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 77 / 0 / 68 / 28

HEX #2AB73A

RGB 42 183 58

HSL 126.81, 0.63%, 0.44%

LAB 65.49, -60.68, 51.14

 

CMYK 64 / 0 / 56 / 35

HEX #3CA548

RGB 60 165 72

HSL 126.86, 0.47%, 0.44%

LAB 60.19, -49.56, 38.98

 

CMYK 47 / 0 / 41 / 43

HEX #4E9256

RGB 78 146 86

HSL 127.06, 0.3%, 0.44%

LAB 54.92, -34.87, 25.28

 

CMYK 25 / 0 / 22 / 50

HEX #608064

RGB 96 128 100

HSL 127.5, 0.14%, 0.44%

LAB 50.51, -17.41, 11.57

 

CMYK 52 / 0 / 88 / 21

HEX #61C918

RGB 97 201 24

HSL 95.25, 0.79%, 0.44%

LAB 72.48, -56.89, 68.58

 

CMYK 75 / 0 / 88 / 21

HEX #32C918

RGB 50 201 24

HSL 111.19, 0.79%, 0.44%

LAB 71.23, -67.28, 67

 

CMYK 88 / 0 / 78 / 21

HEX #18C92C

RGB 24 201 44

HSL 126.78, 0.79%, 0.44%

LAB 70.97, -69.21, 61.64

 

CMYK 88 / 0 / 54 / 21

HEX #18C95C

RGB 24 201 92

HSL 143.05, 0.79%, 0.44%

LAB 71.38, -64.17, 42.64

 

CMYK 88 / 0 / 31 / 21

HEX #18C98B

RGB 24 201 139

HSL 158.98, 0.79%, 0.44%

LAB 72.12, -55.55, 19.62

 

CMYK 88 / 0 / 78 / 50

HEX #0F7F1C

RGB 15 127 28

HSL 126.96, 0.79%, 0.28%

LAB 46.13, -48.71, 42.67

 

CMYK 88 / 0 / 78 / 36

HEX #13A424

RGB 19 164 36

HSL 127.03, 0.79%, 0.36%

LAB 58.8, -59.24, 52.38

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 84 / 0 / 74 / 10

HEX #24E53B

RGB 36 229 59

HSL 127.15, 0.79%, 0.52%

LAB 80.03, -75.24, 65.76

 

CMYK 69 / 0 / 61 / 8

HEX #49EA5C

RGB 73 234 92

HSL 127.08, 0.79%, 0.6%

LAB 82.4, -68.84, 55.76

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 88 / 28 / 0 / 21

HEX #1891C9

RGB 24 145 201

HSL 198.98, 0.79%, 0.44%

LAB 56.74, -11.07, -37.55

 

CMYK 0 / 88 / 63 / 21

HEX #C9184A

RGB 201 24 74

HSL 343.05, 0.79%, 0.44%

LAB 43.6, 66.2, 19.9

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 78 / 88 / 0 / 21

HEX #2C18C9

RGB 44 24 201

HSL 246.78, 0.79%, 0.44%

LAB 27.86, 61.13, -84.31

 

CMYK 0 / 78 / 88 / 21

HEX #C92C18

RGB 201 44 24

HSL 6.78, 0.79%, 0.44%

LAB 44.64, 59.64, 49.3

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 88 / 28 / 0 / 21

HEX #1891C9

RGB 24 145 201

HSL 198.98, 0.79%, 0.44%

LAB 56.74, -11.07, -37.55

 

CMYK 0 / 88 / 10 / 21

HEX #C918B4

RGB 201 24 180

HSL 307.12, 0.79%, 0.44%

LAB 47.45, 76.69, -39.15

 

CMYK 0 / 60 / 88 / 21

HEX #C95018

RGB 201 80 24

HSL 18.98, 0.79%, 0.44%

LAB 49.76, 45.71, 53.3

 

CMYK 88 / 0 / 78 / 21

HEX #18C92D

RGB 24 201 45

HSL 127.12, 0.79%, 0.44%

LAB 70.98, -69.14, 61.34

 

CMYK 88 / 54 / 0 / 21

HEX #185CC9

RGB 24 92 201

HSL 216.95, 0.79%, 0.44%

LAB 41.32, 21.6, -62.18

 

CMYK 0 / 88 / 10 / 21

HEX #C918B4

RGB 201 24 180

HSL 307.12, 0.79%, 0.44%

LAB 47.45, 76.69, -39.15

 

CMYK 0 / 34 / 88 / 21

HEX #C98518

RGB 201 133 24

HSL 36.95, 0.79%, 0.44%

LAB 61.01, 18.2, 62.17

 

Description

Color code: HEX #18C92D | qconv.com Color code: HEX #18C92D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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