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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1822DA it is the complementary color #E7DD25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1822DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1822DA shade: #1D22D5, #2E34E8, #3F46FB, #5058FF and #616AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1822DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1822DA shade: #1822DA, #0710C7, #0000B4, #0000A1 and #00008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1822DA shade: #1822D8, #4218D8, #7618D8, #A918D8 and #D818D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1822DA shade: #1822D8 and #1818D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1822DA shade matches the following richer shades: #1822D8 and #0510EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1822DA shade: #1822D8, #2B33C4, #3F45B1, #52569E and #66678A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1822DA shade: #188BD8, #1858D8, #1825D8, #3E18D8 and #7118D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1822DA shade: #10168D, #141CB3, #1822D8, #313AE8 and #565EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1822DA shade: #1822DA, #D818BE and #71D818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1822DA shade: #1822DA, #D81825 and #25D818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1822DA shade: #1822DA, #D818BE, #D8CB18 and #18D832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1822DA shade: #1822DA, #D81885, #D8CB18 and #18D86B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 84 / 0 / 15

HEX #1822DA

RGB 24 34 218

HSL 236.91, 0.8%, 0.47%

LAB 30.4, 61.54, -89.98

 

Complementary color

CMYK 0 / 4 / 84 / 9

HEX #E7DD25

RGB 231 221 37

HSL 56.91, 0.8%, 0.53%

LAB 86.42, -14.6, 80.92

 

CMYK 86 / 84 / 0 / 16

HEX #1D22D5

RGB 29 34 213

HSL 238.37, 0.76%, 0.47%

LAB 29.93, 60.21, -87.86

 

CMYK 80 / 78 / 0 / 9

HEX #2E34E8

RGB 46 52 232

HSL 238.06, 0.8%, 0.55%

LAB 35.72, 58.34, -89.14

 

CMYK 75 / 72 / 0 / 2

HEX #3F46FB

RGB 63 70 251

HSL 237.77, 0.96%, 0.62%

LAB 41.85, 56.03, -89.69

 

CMYK 69 / 65 / 0 / 0

HEX #5058FF

RGB 80 88 255

HSL 237.26, 1%, 0.66%

LAB 46.85, 48.81, -83.66

 

CMYK 62 / 58 / 0 / 0

HEX #616AFF

RGB 97 106 255

HSL 236.58, 1%, 0.69%

LAB 51.92, 40.48, -75.35

 

CMYK 89 / 84 / 0 / 15

HEX #1822DA

RGB 24 34 218

HSL 236.91, 0.8%, 0.47%

LAB 30.4, 61.54, -89.98

 

CMYK 96 / 92 / 0 / 22

HEX #0710C7

RGB 7 16 199

HSL 237.19, 0.93%, 0.4%

LAB 25.38, 62.17, -87.31

 

CMYK 100 / 100 / 0 / 29

HEX #0000B4

RGB 0 0 180

HSL 240, 1%, 0.35%

LAB 21.19, 60.98, -83.05

 

CMYK 100 / 100 / 0 / 37

HEX #0000A1

RGB 0 0 161

HSL 240, 1%, 0.32%

LAB 18.25, 56.15, -76.48

 

CMYK 100 / 100 / 0 / 44

HEX #00008E

RGB 0 0 142

HSL 240, 1%, 0.28%

LAB 15.24, 51.22, -69.76

 

CMYK 89 / 84 / 0 / 15

HEX #1822D8

RGB 24 34 216

HSL 236.88, 0.8%, 0.47%

LAB 30.15, 60.95, -89.25

 

CMYK 69 / 89 / 0 / 15

HEX #4218D8

RGB 66 24 216

HSL 253.13, 0.8%, 0.47%

LAB 31.28, 66.23, -87.31

 

CMYK 45 / 89 / 0 / 15

HEX #7618D8

RGB 118 24 216

HSL 269.38, 0.8%, 0.47%

LAB 36.86, 70.5, -77.89

 

CMYK 22 / 89 / 0 / 15

HEX #A918D8

RGB 169 24 216

HSL 285.31, 0.8%, 0.47%

LAB 44.3, 77.02, -65.42

 

CMYK 0 / 89 / 2 / 15

HEX #D818D3

RGB 216 24 211

HSL 301.56, 0.8%, 0.47%

LAB 51.79, 83.77, -50.09

 

CMYK 89 / 84 / 0 / 15

HEX #1822D8

RGB 24 34 216

HSL 236.88, 0.8%, 0.47%

LAB 30.15, 60.95, -89.25

 

CMYK 89 / 89 / 0 / 15

HEX #1818D8

RGB 24 24 216

HSL 240, 0.8%, 0.47%

LAB 28.92, 64.66, -91.3

 

CMYK 89 / 84 / 0 / 15

HEX #1822D8

RGB 24 34 216

HSL 236.88, 0.8%, 0.47%

LAB 30.15, 60.95, -89.25

 

CMYK 98 / 93 / 0 / 8

HEX #0510EB

RGB 5 16 235

HSL 237.13, 0.96%, 0.47%

LAB 30.4, 71.64, -99.73

 

CMYK 89 / 84 / 0 / 15

HEX #1822D8

RGB 24 34 216

HSL 236.88, 0.8%, 0.47%

LAB 30.15, 60.95, -89.25

 

CMYK 78 / 74 / 0 / 23

HEX #2B33C4

RGB 43 51 196

HSL 236.86, 0.64%, 0.47%

LAB 31.5, 47.08, -75.34

 

CMYK 64 / 61 / 0 / 31

HEX #3F45B1

RGB 63 69 177

HSL 236.84, 0.48%, 0.47%

LAB 34.98, 31.89, -58.38

 

CMYK 48 / 46 / 0 / 38

HEX #52569E

RGB 82 86 158

HSL 236.84, 0.32%, 0.47%

LAB 39.44, 18.5, -39.79

 

CMYK 26 / 25 / 0 / 46

HEX #66678A

RGB 102 103 138

HSL 238.33, 0.15%, 0.47%

LAB 44.75, 7.87, -19.39

 

CMYK 89 / 36 / 0 / 15

HEX #188BD8

RGB 24 139 216

HSL 204.06, 0.8%, 0.47%

LAB 55.7, -2.05, -47.63

 

CMYK 89 / 59 / 0 / 15

HEX #1858D8

RGB 24 88 216

HSL 220, 0.8%, 0.47%

LAB 41.42, 30.05, -70.64

 

CMYK 89 / 83 / 0 / 15

HEX #1825D8

RGB 24 37 216

HSL 235.94, 0.8%, 0.47%

LAB 30.58, 59.66, -88.53

 

CMYK 71 / 89 / 0 / 15

HEX #3E18D8

RGB 62 24 216

HSL 251.88, 0.8%, 0.47%

LAB 30.96, 66.01, -87.84

 

CMYK 48 / 89 / 0 / 15

HEX #7118D8

RGB 113 24 216

HSL 267.81, 0.8%, 0.47%

LAB 36.22, 69.98, -78.97

 

CMYK 89 / 84 / 0 / 45

HEX #10168D

RGB 16 22 141

HSL 237.12, 0.8%, 0.31%

LAB 18.4, 42.86, -63.85

 

CMYK 89 / 84 / 0 / 30

HEX #141CB3

RGB 20 28 179

HSL 236.98, 0.8%, 0.39%

LAB 24.43, 52.27, -77.03

 

CMYK 89 / 84 / 0 / 15

HEX #1822D8

RGB 24 34 216

HSL 236.88, 0.8%, 0.47%

LAB 30.15, 60.95, -89.25

 

CMYK 79 / 75 / 0 / 9

HEX #313AE8

RGB 49 58 232

HSL 237.05, 0.8%, 0.55%

LAB 36.94, 55.42, -87.11

 

CMYK 64 / 60 / 0 / 7

HEX #565EEC

RGB 86 94 236

HSL 236.8, 0.8%, 0.63%

LAB 47.03, 39.82, -72.73

 

CMYK 89 / 84 / 0 / 15

HEX #1822DA

RGB 24 34 218

HSL 236.91, 0.8%, 0.47%

LAB 30.4, 61.54, -89.98

 

CMYK 0 / 89 / 12 / 15

HEX #D818BE

RGB 216 24 190

HSL 308.13, 0.8%, 0.47%

LAB 50.65, 80.85, -39.77

 

CMYK 48 / 0 / 89 / 15

HEX #71D818

RGB 113 216 24

HSL 92.19, 0.8%, 0.47%

LAB 77.69, -57.71, 73.23

 

CMYK 89 / 84 / 0 / 15

HEX #1822DA

RGB 24 34 218

HSL 236.91, 0.8%, 0.47%

LAB 30.4, 61.54, -89.98

 

CMYK 0 / 89 / 83 / 15

HEX #D81825

RGB 216 24 37

HSL 355.94, 0.8%, 0.47%

LAB 46.16, 68.6, 45.5

 

CMYK 83 / 0 / 89 / 15

HEX #25D818

RGB 37 216 24

HSL 115.94, 0.8%, 0.47%

LAB 75.81, -73.3, 70.88

 

CMYK 89 / 84 / 0 / 15

HEX #1822DA

RGB 24 34 218

HSL 236.91, 0.8%, 0.47%

LAB 30.4, 61.54, -89.98

 

CMYK 0 / 89 / 12 / 15

HEX #D818BE

RGB 216 24 190

HSL 308.13, 0.8%, 0.47%

LAB 50.65, 80.85, -39.77

 

CMYK 0 / 6 / 89 / 15

HEX #D8CB18

RGB 216 203 24

HSL 55.94, 0.8%, 0.47%

LAB 80.39, -12.28, 78.07

 

CMYK 89 / 0 / 77 / 15

HEX #18D832

RGB 24 216 50

HSL 128.13, 0.8%, 0.47%

LAB 75.78, -73.1, 64.44

 

CMYK 89 / 84 / 0 / 15

HEX #1822DA

RGB 24 34 218

HSL 236.91, 0.8%, 0.47%

LAB 30.4, 61.54, -89.98

 

CMYK 0 / 89 / 38 / 15

HEX #D81885

RGB 216 24 133

HSL 325.94, 0.8%, 0.47%

LAB 48.19, 74.3, -9.68

 

CMYK 0 / 6 / 89 / 15

HEX #D8CB18

RGB 216 203 24

HSL 55.94, 0.8%, 0.47%

LAB 80.39, -12.28, 78.07

 

CMYK 89 / 0 / 50 / 15

HEX #18D86B

RGB 24 216 107

HSL 145.94, 0.8%, 0.47%

LAB 76.29, -66.77, 41.45

 

Description

Color code: HEX #1822DA | qconv.com Color code: HEX #1822DA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 34 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 34 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 84 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 84% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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