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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1590C9 it is the complementary color #EA6F36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1590C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1590C9: #1A90C4, #2BA2D7, #3CB4EA, #4DC6FD and #5ED8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1590C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1590C9: #1590C9, #047EB6, #006CA3, #005A90 and #00487D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

Complementary color

CMYK 0 / 53 / 77 / 8

HEX #EA6F36

RGB 234 111 54

HSL 19, 0.81%, 0.56%

LAB 60.89, 44.13, 52.5

 

CMYK 87 / 27 / 0 / 23

HEX #1A90C4

RGB 26 144 196

HSL 198.35, 0.77%, 0.44%

LAB 56.24, -12.19, -35.51

 

CMYK 80 / 25 / 0 / 16

HEX #2BA2D7

RGB 43 162 215

HSL 198.49, 0.68%, 0.51%

LAB 62.73, -14.01, -36.01

 

CMYK 74 / 23 / 0 / 8

HEX #3CB4EA

RGB 60 180 234

HSL 198.62, 0.81%, 0.58%

LAB 69.14, -15.45, -36.44

 

CMYK 70 / 22 / 0 / 1

HEX #4DC6FD

RGB 77 198 253

HSL 198.75, 0.98%, 0.65%

LAB 75.49, -16.6, -36.82

 

CMYK 63 / 15 / 0 / 0

HEX #5ED8FF

RGB 94 216 255

HSL 194.53, 1%, 0.68%

LAB 81.13, -22.67, -29.15

 

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

CMYK 98 / 31 / 0 / 29

HEX #047EB6

RGB 4 126 182

HSL 198.88, 0.96%, 0.36%

LAB 49.89, -8.18, -37.5

 

CMYK 100 / 34 / 0 / 36

HEX #006CA3

RGB 0 108 163

HSL 200.25, 1%, 0.32%

LAB 43.31, -5.02, -36.79

 

CMYK 100 / 38 / 0 / 44

HEX #005A90

RGB 0 90 144

HSL 202.5, 1%, 0.28%

LAB 36.6, -1.49, -36.07

 

CMYK 100 / 42 / 0 / 51

HEX #00487D

RGB 0 72 125

HSL 205.44, 1%, 0.25%

LAB 29.7, 2.31, -35.39

 

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

CMYK 90 / 43 / 0 / 20

HEX #1573CB

RGB 21 115 203

HSL 209.01, 0.81%, 0.44%

LAB 47.92, 7.4, -52.68

 

CMYK 90 / 59 / 0 / 20

HEX #1554CB

RGB 21 84 203

HSL 219.23, 0.81%, 0.44%

LAB 39.26, 27.48, -66.69

 

CMYK 90 / 73 / 0 / 20

HEX #1536CB

RGB 21 54 203

HSL 229.12, 0.81%, 0.44%

LAB 32.06, 46.51, -78.54

 

CMYK 90 / 88 / 0 / 20

HEX #1518CB

RGB 21 24 203

HSL 239.01, 0.81%, 0.44%

LAB 27.09, 60.97, -86.8

 

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

CMYK 90 / 28 / 0 / 1

HEX #1AB5FC

RGB 26 181 252

HSL 198.85, 0.97%, 0.55%

LAB 69.68, -12.57, -45.41

 

CMYK 90 / 29 / 0 / 81

HEX #052230

RGB 5 34 48

HSL 199.53, 0.81%, 0.1%

LAB 11.89, -4.83, -12.34

 

CMYK 90 / 28 / 0 / 61

HEX #0A4763

RGB 10 71 99

HSL 198.88, 0.82%, 0.21%

LAB 28.04, -7.21, -21.58

 

CMYK 89 / 29 / 0 / 41

HEX #106B96

RGB 16 107 150

HSL 199.25, 0.81%, 0.33%

LAB 42.5, -8.68, -30.35

 

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

CMYK 43 / 90 / 0 / 20

HEX #7315CB

RGB 115 21 203

HSL 270.99, 0.81%, 0.44%

LAB 34.99, 67.98, -73.45

 

CMYK 0 / 8 / 90 / 20

HEX #CBBB15

RGB 203 187 21

HSL 54.73, 0.81%, 0.44%

LAB 75.01, -9.83, 73.89

 

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

CMYK 0 / 90 / 29 / 20

HEX #CB1591

RGB 203 21 145

HSL 319.12, 0.81%, 0.44%

LAB 46.01, 73.17, -20.5

 

CMYK 29 / 0 / 90 / 20

HEX #91CB15

RGB 145 203 21

HSL 79.12, 0.81%, 0.44%

LAB 75.32, -41.59, 72.38

 

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

CMYK 43 / 90 / 0 / 20

HEX #7315CB

RGB 115 21 203

HSL 270.99, 0.81%, 0.44%

LAB 34.99, 67.98, -73.45

 

CMYK 0 / 62 / 90 / 20

HEX #CB4E15

RGB 203 78 21

HSL 18.79, 0.81%, 0.44%

LAB 49.74, 47.3, 54.49

 

CMYK 46 / 0 / 90 / 20

HEX #6DCB15

RGB 109 203 21

HSL 90.99, 0.81%, 0.44%

LAB 73.56, -54.13, 70.2

 

CMYK 90 / 28 / 0 / 21

HEX #1590C9

RGB 21 144 201

HSL 199, 0.81%, 0.44%

LAB 56.41, -10.68, -38.07

 

CMYK 17 / 90 / 0 / 20

HEX #A915CB

RGB 169 21 203

HSL 288.79, 0.81%, 0.44%

LAB 43.19, 75.22, -59.72

 

CMYK 0 / 62 / 90 / 20

HEX #CB4E15

RGB 203 78 21

HSL 18.79, 0.81%, 0.44%

LAB 49.74, 47.3, 54.49

 

CMYK 73 / 0 / 90 / 20

HEX #36CB15

RGB 54 203 21

HSL 109.12, 0.81%, 0.44%

LAB 71.93, -67.36, 68.17

 

Description

Color code: HEX #1590C9 | qconv.com Color code: HEX #1590C9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 144 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 144 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 28 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 28% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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