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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13963E it is the complementary color #EC69C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13963E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13963E shade: #189639, #29A84C, #3ABA5F, #4BCC72 and #5CDE85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13963E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13963E shade: #13963E, #02842B, #007218, #006005 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13963E shade: #13963E, #13961A, #2E9613, #529613 and #759613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13963E shade: #13963E, #139661, #139684, #138496 and #136096

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13963E shade matches the following richer shades: #13963E and #05A339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13963E shade: #13963E, #208842, #2E7B47, #3B6D4C and #495F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13963E shade: #2F9613, #139619, #13963C, #13965F and #139682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13963E shade: #094C1F, #0E712E, #13963E, #17BB4D and #1CDF5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13963E shade: #13963E, #135296 and #96131D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13963E shade: #13963E, #3C1396 and #963C13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13963E shade: #13963E, #135296, #96136C and #965613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13963E shade: #13963E, #132B96, #96136C and #967E13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

Complementary color

CMYK 0 / 56 / 18 / 7

HEX #EC69C1

RGB 236 105 193

HSL 319.69, 0.78%, 0.67%

LAB 63.17, 60.42, -21.81

 

CMYK 84 / 0 / 62 / 41

HEX #189639

RGB 24 150 57

HSL 135.71, 0.72%, 0.34%

LAB 54.35, -52.23, 39.15

 

CMYK 76 / 0 / 55 / 34

HEX #29A84C

RGB 41 168 76

HSL 136.54, 0.61%, 0.41%

LAB 60.78, -53.6, 37.62

 

CMYK 69 / 0 / 49 / 27

HEX #3ABA5F

RGB 58 186 95

HSL 137.34, 0.52%, 0.48%

LAB 67.16, -54.41, 36.08

 

CMYK 63 / 0 / 44 / 20

HEX #4BCC72

RGB 75 204 114

HSL 138.14, 0.56%, 0.55%

LAB 73.48, -54.85, 34.6

 

CMYK 59 / 0 / 40 / 13

HEX #5CDE85

RGB 92 222 133

HSL 138.92, 0.66%, 0.62%

LAB 79.73, -55.06, 33.19

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 98 / 0 / 67 / 48

HEX #02842B

RGB 2 132 43

HSL 138.92, 0.97%, 0.26%

LAB 47.87, -49.85, 38.27

 

CMYK 100 / 0 / 79 / 55

HEX #007218

RGB 0 114 24

HSL 132.63, 1%, 0.22%

LAB 41.38, -46.23, 39.37

 

CMYK 100 / 0 / 95 / 62

HEX #006005

RGB 0 96 5

HSL 123.13, 1%, 0.19%

LAB 34.76, -41.86, 39.16

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 87 / 0 / 83 / 41

HEX #13961A

RGB 19 150 26

HSL 123.21, 0.78%, 0.33%

LAB 54.05, -55.66, 50.98

 

CMYK 69 / 0 / 87 / 41

HEX #2E9613

RGB 46 150 19

HSL 107.63, 0.78%, 0.33%

LAB 54.49, -51.96, 53.39

 

CMYK 45 / 0 / 87 / 41

HEX #529613

RGB 82 150 19

HSL 91.15, 0.78%, 0.33%

LAB 55.74, -42.03, 54.97

 

CMYK 22 / 0 / 87 / 41

HEX #759613

RGB 117 150 19

HSL 75.11, 0.78%, 0.33%

LAB 57.7, -28.62, 57.42

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 87 / 0 / 35 / 41

HEX #139661

RGB 19 150 97

HSL 155.73, 0.78%, 0.33%

LAB 54.88, -45.73, 18.89

 

CMYK 87 / 0 / 12 / 41

HEX #139684

RGB 19 150 132

HSL 171.76, 0.78%, 0.33%

LAB 55.7, -36.84, 0.22

 

CMYK 87 / 12 / 0 / 41

HEX #138496

RGB 19 132 150

HSL 188.24, 0.78%, 0.33%

LAB 50.5, -22.44, -17.97

 

CMYK 87 / 36 / 0 / 41

HEX #136096

RGB 19 96 150

HSL 204.73, 0.78%, 0.33%

LAB 39.08, -1.72, -35.74

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 97 / 0 / 65 / 36

HEX #05A339

RGB 5 163 57

HSL 139.75, 0.94%, 0.33%

LAB 58.53, -57.83, 43.84

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 76 / 0 / 51 / 47

HEX #208842

RGB 32 136 66

HSL 139.62, 0.62%, 0.33%

LAB 49.87, -44.9, 29.31

 

CMYK 63 / 0 / 42 / 52

HEX #2E7B47

RGB 46 123 71

HSL 139.48, 0.46%, 0.33%

LAB 45.91, -36.06, 21.59

 

CMYK 46 / 0 / 30 / 57

HEX #3B6D4C

RGB 59 109 76

HSL 140.4, 0.3%, 0.33%

LAB 41.83, -24.99, 13.31

 

CMYK 23 / 0 / 16 / 63

HEX #495F50

RGB 73 95 80

HSL 139.09, 0.13%, 0.33%

LAB 38.16, -11.74, 5.89

 

CMYK 69 / 0 / 87 / 41

HEX #2F9613

RGB 47 150 19

HSL 107.18, 0.78%, 0.33%

LAB 54.52, -51.76, 53.42

 

CMYK 87 / 0 / 83 / 41

HEX #139619

RGB 19 150 25

HSL 122.75, 0.78%, 0.33%

LAB 54.05, -55.72, 51.26

 

CMYK 87 / 0 / 60 / 41

HEX #13963C

RGB 19 150 60

HSL 138.78, 0.78%, 0.33%

LAB 54.32, -52.34, 37.67

 

CMYK 87 / 0 / 37 / 41

HEX #13965F

RGB 19 150 95

HSL 154.81, 0.78%, 0.33%

LAB 54.84, -46.16, 19.95

 

CMYK 87 / 0 / 13 / 41

HEX #139682

RGB 19 150 130

HSL 170.84, 0.78%, 0.33%

LAB 55.65, -37.4, 1.28

 

CMYK 88 / 0 / 59 / 70

HEX #094C1F

RGB 9 76 31

HSL 139.7, 0.79%, 0.17%

LAB 27.64, -31.09, 21.03

 

CMYK 88 / 0 / 59 / 56

HEX #0E712E

RGB 14 113 46

HSL 139.39, 0.78%, 0.25%

LAB 41.38, -42.01, 29.4

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 88 / 0 / 59 / 27

HEX #17BB4D

RGB 23 187 77

HSL 139.76, 0.78%, 0.41%

LAB 66.72, -61.83, 44.15

 

CMYK 87 / 0 / 59 / 13

HEX #1CDF5C

RGB 28 223 92

HSL 139.69, 0.78%, 0.49%

LAB 78.34, -70.82, 50.91

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 87 / 45 / 0 / 41

HEX #135296

RGB 19 82 150

HSL 211.15, 0.78%, 0.33%

LAB 34.75, 7.36, -42.65

 

CMYK 0 / 87 / 81 / 41

HEX #96131D

RGB 150 19 29

HSL 355.42, 0.78%, 0.33%

LAB 31.89, 51.39, 31.31

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 60 / 87 / 0 / 41

HEX #3C1396

RGB 60 19 150

HSL 258.78, 0.78%, 0.33%

LAB 22.4, 49.89, -62.69

 

CMYK 0 / 60 / 87 / 41

HEX #963C13

RGB 150 60 19

HSL 18.78, 0.78%, 0.33%

LAB 37.41, 35.77, 41.66

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 87 / 45 / 0 / 41

HEX #135296

RGB 19 82 150

HSL 211.15, 0.78%, 0.33%

LAB 34.75, 7.36, -42.65

 

CMYK 0 / 87 / 28 / 41

HEX #96136C

RGB 150 19 108

HSL 319.24, 0.78%, 0.33%

LAB 34.05, 57.54, -16.82

 

CMYK 0 / 43 / 87 / 41

HEX #965613

RGB 150 86 19

HSL 30.69, 0.78%, 0.33%

LAB 43.04, 21.71, 46.38

 

CMYK 87 / 0 / 59 / 41

HEX #13963E

RGB 19 150 62

HSL 139.69, 0.78%, 0.33%

LAB 54.34, -52.06, 36.73

 

CMYK 87 / 71 / 0 / 41

HEX #132B96

RGB 19 43 150

HSL 229.01, 0.78%, 0.33%

LAB 23.9, 33.94, -60.32

 

CMYK 0 / 87 / 28 / 41

HEX #96136C

RGB 150 19 108

HSL 319.24, 0.78%, 0.33%

LAB 34.05, 57.54, -16.82

 

CMYK 0 / 16 / 87 / 41

HEX #967E13

RGB 150 126 19

HSL 49.01, 0.78%, 0.33%

LAB 53.44, -1.15, 54.98

 

Description

Color code: HEX #13963E | qconv.com Color code: HEX #13963E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 150 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 150 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 59 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 59% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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