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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #138045 it is the complementary color #EC7FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #138045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #138045 shade: #188040, #299253, #3AA466, #4BB679 and #5CC88C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #138045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #138045 shade: #138045, #026E32, #005C1F, #004A0C and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #138045 shade: #138145, #138128, #1C8113, #3A8113 and #578113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #138045 shade: #138145, #138163, #138180, #136381 and #134681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #138045 shade matches the following richer shades: #138145 and #078D44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #138045 shade: #138145, #1F7546, #2B6947, #375D48 and #435149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #138045 shade: #1C8113, #138127, #138144, #138162 and #13817F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #138045 shade: #08391F, #0E5D32, #138145, #19A559 and #1EC86C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #138045 shade: #138045, #133A81 and #811913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #138045 shade: #138045, #441381 and #814413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #138045 shade: #138045, #133A81, #81134F and #815A13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #138045 shade: #138045, #131981, #81134F and #817B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 46 / 50

HEX #138045

RGB 19 128 69

HSL 147.52, 0.74%, 0.29%

LAB 46.98, -43.06, 23.99

 

Complementary color

CMYK 0 / 46 / 21 / 7

HEX #EC7FBA

RGB 236 127 186

HSL 327.52, 0.74%, 0.71%

LAB 66.94, 48.9, -12.13

 

CMYK 81 / 0 / 50 / 50

HEX #188040

RGB 24 128 64

HSL 143.08, 0.68%, 0.3%

LAB 46.98, -43.38, 26.73

 

CMYK 72 / 0 / 43 / 43

HEX #299253

RGB 41 146 83

HSL 144, 0.56%, 0.37%

LAB 53.66, -44.26, 25.04

 

CMYK 65 / 0 / 38 / 36

HEX #3AA466

RGB 58 164 102

HSL 144.91, 0.48%, 0.44%

LAB 60.26, -44.69, 23.5

 

CMYK 59 / 0 / 34 / 29

HEX #4BB679

RGB 75 182 121

HSL 145.79, 0.42%, 0.5%

LAB 66.77, -44.84, 22.09

 

CMYK 54 / 0 / 30 / 22

HEX #5CC88C

RGB 92 200 140

HSL 146.67, 0.5%, 0.57%

LAB 73.21, -44.82, 20.8

 

CMYK 85 / 0 / 46 / 50

HEX #138045

RGB 19 128 69

HSL 147.52, 0.74%, 0.29%

LAB 46.98, -43.06, 23.99

 

CMYK 98 / 0 / 55 / 57

HEX #026E32

RGB 2 110 50

HSL 146.67, 0.96%, 0.22%

LAB 40.24, -41.38, 25.86

 

CMYK 100 / 0 / 66 / 64

HEX #005C1F

RGB 0 92 31

HSL 140.22, 1%, 0.18%

LAB 33.46, -38.21, 27.85

 

CMYK 100 / 0 / 84 / 71

HEX #004A0C

RGB 0 74 12

HSL 129.73, 1%, 0.15%

LAB 26.52, -34.27, 29.23

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 85 / 0 / 47 / 49

HEX #138145

RGB 19 129 69

HSL 147.27, 0.74%, 0.29%

LAB 47.32, -43.44, 24.43

 

CMYK 85 / 0 / 69 / 49

HEX #138128

RGB 19 129 40

HSL 131.45, 0.74%, 0.29%

LAB 46.96, -47.79, 38.67

 

CMYK 78 / 0 / 85 / 49

HEX #1C8113

RGB 28 129 19

HSL 115.09, 0.74%, 0.29%

LAB 46.97, -48.28, 46.47

 

CMYK 55 / 0 / 85 / 49

HEX #3A8113

RGB 58 129 19

HSL 98.73, 0.74%, 0.29%

LAB 47.81, -41.29, 47.56

 

CMYK 33 / 0 / 85 / 49

HEX #578113

RGB 87 129 19

HSL 82.91, 0.74%, 0.29%

LAB 49.22, -31, 49.35

 

CMYK 85 / 0 / 47 / 49

HEX #138145

RGB 19 129 69

HSL 147.27, 0.74%, 0.29%

LAB 47.32, -43.44, 24.43

 

CMYK 85 / 0 / 23 / 49

HEX #138163

RGB 19 129 99

HSL 163.64, 0.74%, 0.29%

LAB 47.93, -36.64, 8.12

 

CMYK 85 / 0 / 1 / 49

HEX #138180

RGB 19 129 128

HSL 179.45, 0.74%, 0.29%

LAB 48.76, -28.19, -7.71

 

CMYK 85 / 23 / 0 / 49

HEX #136381

RGB 19 99 129

HSL 196.36, 0.74%, 0.29%

LAB 38.98, -11.71, -23.21

 

CMYK 85 / 46 / 0 / 49

HEX #134681

RGB 19 70 129

HSL 212.18, 0.74%, 0.29%

LAB 29.67, 6.77, -37.91

 

CMYK 85 / 0 / 47 / 49

HEX #138145

RGB 19 129 69

HSL 147.27, 0.74%, 0.29%

LAB 47.32, -43.44, 24.43

 

CMYK 95 / 0 / 52 / 45

HEX #078D44

RGB 7 141 68

HSL 147.31, 0.91%, 0.29%

LAB 51.28, -48.91, 29.95

 

CMYK 85 / 0 / 47 / 49

HEX #138145

RGB 19 129 69

HSL 147.27, 0.74%, 0.29%

LAB 47.32, -43.44, 24.43

 

CMYK 74 / 0 / 40 / 54

HEX #1F7546

RGB 31 117 70

HSL 147.21, 0.58%, 0.29%

LAB 43.44, -36.8, 18.83

 

CMYK 59 / 0 / 32 / 59

HEX #2B6947

RGB 43 105 71

HSL 147.1, 0.42%, 0.29%

LAB 39.7, -28.68, 13.26

 

CMYK 41 / 0 / 23 / 64

HEX #375D48

RGB 55 93 72

HSL 146.84, 0.26%, 0.29%

LAB 36.19, -18.84, 7.87

 

CMYK 17 / 0 / 10 / 68

HEX #435149

RGB 67 81 73

HSL 145.71, 0.09%, 0.29%

LAB 33.05, -7.36, 2.87

 

CMYK 78 / 0 / 85 / 49

HEX #1C8113

RGB 28 129 19

HSL 115.09, 0.74%, 0.29%

LAB 46.97, -48.28, 46.47

 

CMYK 85 / 0 / 70 / 49

HEX #138127

RGB 19 129 39

HSL 130.91, 0.74%, 0.29%

LAB 46.96, -47.9, 39.1

 

CMYK 85 / 0 / 47 / 49

HEX #138144

RGB 19 129 68

HSL 146.73, 0.74%, 0.29%

LAB 47.31, -43.63, 24.96

 

CMYK 85 / 0 / 24 / 49

HEX #138162

RGB 19 129 98

HSL 163.09, 0.74%, 0.29%

LAB 47.91, -36.9, 8.67

 

CMYK 85 / 0 / 2 / 49

HEX #13817F

RGB 19 129 127

HSL 178.91, 0.74%, 0.29%

LAB 48.72, -28.5, -7.17

 

CMYK 86 / 0 / 46 / 78

HEX #08391F

RGB 8 57 31

HSL 148.16, 0.75%, 0.13%

LAB 20.35, -23.14, 11.77

 

CMYK 85 / 0 / 46 / 64

HEX #0E5D32

RGB 14 93 50

HSL 147.34, 0.74%, 0.21%

LAB 34.3, -33.66, 18.38

 

CMYK 85 / 0 / 47 / 49

HEX #138145

RGB 19 129 69

HSL 147.27, 0.74%, 0.29%

LAB 47.32, -43.44, 24.43

 

CMYK 85 / 0 / 46 / 35

HEX #19A559

RGB 25 165 89

HSL 147.43, 0.74%, 0.37%

LAB 59.74, -52.37, 29.65

 

CMYK 85 / 0 / 46 / 22

HEX #1EC86C

RGB 30 200 108

HSL 147.53, 0.74%, 0.45%

LAB 71.33, -60.84, 34.71

 

CMYK 85 / 0 / 46 / 50

HEX #138045

RGB 19 128 69

HSL 147.52, 0.74%, 0.29%

LAB 46.98, -43.06, 23.99

 

CMYK 85 / 55 / 0 / 49

HEX #133A81

RGB 19 58 129

HSL 218.73, 0.74%, 0.29%

LAB 26.01, 15.14, -43.82

 

CMYK 0 / 81 / 85 / 49

HEX #811913

RGB 129 25 19

HSL 3.27, 0.74%, 0.29%

LAB 27.87, 43.09, 31.65

 

CMYK 85 / 0 / 46 / 50

HEX #138045

RGB 19 128 69

HSL 147.52, 0.74%, 0.29%

LAB 46.98, -43.06, 23.99

 

CMYK 47 / 85 / 0 / 49

HEX #441381

RGB 68 19 129

HSL 266.73, 0.74%, 0.29%

LAB 21.13, 45.25, -51.64

 

CMYK 0 / 47 / 85 / 49

HEX #814413

RGB 129 68 19

HSL 26.73, 0.74%, 0.29%

LAB 35.69, 22.6, 38.83

 

CMYK 85 / 0 / 46 / 50

HEX #138045

RGB 19 128 69

HSL 147.52, 0.74%, 0.29%

LAB 46.98, -43.06, 23.99

 

CMYK 85 / 55 / 0 / 49

HEX #133A81

RGB 19 58 129

HSL 218.73, 0.74%, 0.29%

LAB 26.01, 15.14, -43.82

 

CMYK 0 / 85 / 39 / 49

HEX #81134F

RGB 129 19 79

HSL 327.27, 0.74%, 0.29%

LAB 28.64, 49.01, -6.57

 

CMYK 0 / 30 / 85 / 49

HEX #815A13

RGB 129 90 19

HSL 38.73, 0.74%, 0.29%

LAB 41.26, 9.66, 43.75

 

CMYK 85 / 0 / 46 / 50

HEX #138045

RGB 19 128 69

HSL 147.52, 0.74%, 0.29%

LAB 46.98, -43.06, 23.99

 

CMYK 85 / 81 / 0 / 49

HEX #131981

RGB 19 25 129

HSL 236.73, 0.74%, 0.29%

LAB 17.55, 37.33, -57.7

 

CMYK 0 / 85 / 39 / 49

HEX #81134F

RGB 129 19 79

HSL 327.27, 0.74%, 0.29%

LAB 28.64, 49.01, -6.57

 

CMYK 0 / 5 / 85 / 49

HEX #817B13

RGB 129 123 19

HSL 56.73, 0.74%, 0.29%

LAB 50.55, -9.31, 51.73

 

Description

Color code: HEX #138045 | qconv.com Color code: HEX #138045 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 128 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 128 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 46 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 46% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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