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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #126FB4 it is the complementary color #ED904B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #126FB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #126FB4: #176FAF, #2881C2, #3993D5, #4AA5E8 and #5BB7FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #126FB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #126FB4: #126FB4, #015DA1, #004B8E, #00397B and #002768

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

Complementary color

CMYK 0 / 39 / 68 / 7

HEX #ED904B

RGB 237 144 75

HSL 25.56, 0.82%, 0.61%

LAB 68.36, 29.43, 50.51

 

CMYK 87 / 37 / 0 / 31

HEX #176FAF

RGB 23 111 175

HSL 205.26, 0.77%, 0.39%

LAB 45.15, -0.92, -40.92

 

CMYK 79 / 34 / 0 / 24

HEX #2881C2

RGB 40 129 194

HSL 205.32, 0.66%, 0.46%

LAB 51.89, -3.06, -41.19

 

CMYK 73 / 31 / 0 / 16

HEX #3993D5

RGB 57 147 213

HSL 205.38, 0.65%, 0.53%

LAB 58.55, -4.72, -41.41

 

CMYK 68 / 29 / 0 / 9

HEX #4AA5E8

RGB 74 165 232

HSL 205.44, 0.77%, 0.6%

LAB 65.11, -6.04, -41.6

 

CMYK 64 / 27 / 0 / 2

HEX #5BB7FB

RGB 91 183 251

HSL 205.5, 0.95%, 0.67%

LAB 71.59, -7.09, -41.78

 

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

CMYK 99 / 42 / 0 / 37

HEX #015DA1

RGB 1 93 161

HSL 205.5, 0.99%, 0.32%

LAB 38.57, 3.64, -43.16

 

CMYK 100 / 47 / 0 / 44

HEX #004B8E

RGB 0 75 142

HSL 208.31, 1%, 0.28%

LAB 31.77, 7.57, -42.58

 

CMYK 100 / 54 / 0 / 52

HEX #00397B

RGB 0 57 123

HSL 212.2, 1%, 0.24%

LAB 24.82, 11.89, -42

 

CMYK 100 / 63 / 0 / 59

HEX #002768

RGB 0 39 104

HSL 217.5, 1%, 0.2%

LAB 17.69, 16.63, -41.39

 

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

CMYK 91 / 53 / 0 / 29

HEX #1155B4

RGB 17 85 180

HSL 214.97, 0.83%, 0.39%

LAB 37.68, 17.46, -55.84

 

CMYK 91 / 68 / 0 / 29

HEX #113AB4

RGB 17 58 180

HSL 224.91, 0.83%, 0.39%

LAB 30.5, 35.48, -67.58

 

CMYK 91 / 83 / 0 / 29

HEX #111FB4

RGB 17 31 180

HSL 234.85, 0.83%, 0.39%

LAB 24.93, 51.11, -76.79

 

CMYK 83 / 91 / 0 / 29

HEX #1F11B4

RGB 31 17 180

HSL 245.15, 0.83%, 0.39%

LAB 23.63, 57.11, -78.95

 

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

CMYK 90 / 39 / 0 / 9

HEX #178EE7

RGB 23 142 231

HSL 205.67, 0.82%, 0.5%

LAB 57.36, 1.77, -53.37

 

CMYK 89 / 37 / 0 / 89

HEX #03111B

RGB 3 17 27

HSL 205, 0.8%, 0.06%

LAB 4.51, -1.59, -8.01

 

CMYK 90 / 38 / 0 / 69

HEX #08304E

RGB 8 48 78

HSL 205.71, 0.81%, 0.17%

LAB 18.87, -0.95, -22.23

 

CMYK 90 / 38 / 0 / 49

HEX #0D5081

RGB 13 80 129

HSL 205.34, 0.82%, 0.28%

LAB 32.72, -0.44, -33.06

 

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

CMYK 34 / 91 / 0 / 29

HEX #7611B4

RGB 118 17 180

HSL 277.18, 0.83%, 0.39%

LAB 33.02, 64.25, -63.12

 

CMYK 1 / 0 / 91 / 29

HEX #B2B411

RGB 178 180 17

HSL 60.74, 0.83%, 0.39%

LAB 70.97, -17.24, 70.48

 

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

CMYK 0 / 91 / 37 / 29

HEX #B41171

RGB 180 17 113

HSL 324.66, 0.83%, 0.39%

LAB 40.08, 65.31, -10.25

 

CMYK 37 / 0 / 91 / 29

HEX #71B411

RGB 113 180 17

HSL 84.66, 0.83%, 0.39%

LAB 66.67, -43.7, 65.21

 

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

CMYK 34 / 91 / 0 / 29

HEX #7611B4

RGB 118 17 180

HSL 277.18, 0.83%, 0.39%

LAB 33.02, 64.25, -63.12

 

CMYK 0 / 53 / 91 / 29

HEX #B45511

RGB 180 85 17

HSL 25.03, 0.83%, 0.39%

LAB 47.29, 35, 52.3

 

CMYK 56 / 0 / 91 / 29

HEX #50B411

RGB 80 180 17

HSL 96.81, 0.83%, 0.39%

LAB 65.27, -54.25, 63.48

 

CMYK 90 / 38 / 0 / 29

HEX #126FB4

RGB 18 111 180

HSL 205.56, 0.82%, 0.39%

LAB 45.35, 0.7, -43.52

 

CMYK 7 / 91 / 0 / 29

HEX #A711B4

RGB 167 17 180

HSL 295.21, 0.83%, 0.39%

LAB 41.08, 71.65, -49.68

 

CMYK 0 / 53 / 91 / 29

HEX #B45511

RGB 180 85 17

HSL 25.03, 0.83%, 0.39%

LAB 47.29, 35, 52.3

 

CMYK 83 / 0 / 91 / 29

HEX #1FB411

RGB 31 180 17

HSL 114.85, 0.83%, 0.39%

LAB 64.14, -63.79, 62.07

 

Description

Color code: HEX #126FB4 | qconv.com Color code: HEX #126FB4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 111 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 111 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 38 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 38% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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