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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #105CD2 it is the complementary color #EFA32D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #105CD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #105CD2: #155CCD, #266EE0, #3780F3, #4892FF and #59A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #105CD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #105CD2: #105CD2, #004ABF, #0038AC, #002699 and #001486

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

Complementary color

CMYK 0 / 32 / 81 / 6

HEX #EFA32D

RGB 239 163 45

HSL 36.49, 0.86%, 0.56%

LAB 72.72, 18.97, 67.4

 

CMYK 90 / 55 / 0 / 20

HEX #155CCD

RGB 21 92 205

HSL 216.85, 0.81%, 0.44%

LAB 41.57, 23, -64.09

 

CMYK 83 / 51 / 0 / 12

HEX #266EE0

RGB 38 110 224

HSL 216.77, 0.75%, 0.51%

LAB 48.19, 19.86, -64.17

 

CMYK 77 / 47 / 0 / 5

HEX #3780F3

RGB 55 128 243

HSL 216.7, 0.89%, 0.58%

LAB 54.78, 17.26, -64.14

 

CMYK 72 / 43 / 0 / 0

HEX #4892FF

RGB 72 146 255

HSL 215.74, 1%, 0.64%

LAB 60.92, 12.63, -60.88

 

CMYK 65 / 36 / 0 / 0

HEX #59A4FF

RGB 89 164 255

HSL 212.89, 1%, 0.67%

LAB 66.44, 4.55, -52.05

 

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

CMYK 100 / 61 / 0 / 25

HEX #004ABF

RGB 0 74 191

HSL 216.75, 1%, 0.37%

LAB 35.32, 28.6, -66.16

 

CMYK 100 / 67 / 0 / 33

HEX #0038AC

RGB 0 56 172

HSL 220.47, 1%, 0.34%

LAB 28.92, 33.09, -65.41

 

CMYK 100 / 75 / 0 / 40

HEX #002699

RGB 0 38 153

HSL 225.1, 1%, 0.3%

LAB 22.61, 37.47, -64.31

 

CMYK 100 / 85 / 0 / 47

HEX #001486

RGB 0 20 134

HSL 231.04, 1%, 0.26%

LAB 16.61, 41.03, -62.44

 

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

CMYK 93 / 71 / 0 / 18

HEX #0F3CD0

RGB 15 60 208

HSL 226.01, 0.87%, 0.44%

LAB 33.75, 44.49, -78.65

 

CMYK 93 / 87 / 0 / 18

HEX #0F1CD0

RGB 15 28 208

HSL 235.96, 0.87%, 0.44%

LAB 28.08, 60.83, -88.07

 

CMYK 83 / 93 / 0 / 18

HEX #230FD0

RGB 35 15 208

HSL 246.22, 0.87%, 0.44%

LAB 27.44, 65.3, -89.1

 

CMYK 68 / 93 / 0 / 18

HEX #430FD0

RGB 67 15 208

HSL 256.17, 0.87%, 0.44%

LAB 29.64, 66.54, -85.39

 

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

CMYK 100 / 50 / 0 / 98

HEX #000306

RGB 0 3 6

HSL 210, 1%, 0.01%

LAB 0.71, -0.37, -1.41

 

CMYK 93 / 56 / 0 / 78

HEX #041939

RGB 4 25 57

HSL 216.23, 0.87%, 0.12%

LAB 9.13, 6.02, -23.2

 

CMYK 93 / 56 / 0 / 58

HEX #082F6C

RGB 8 47 108

HSL 216.6, 0.86%, 0.23%

LAB 20.7, 13.12, -39.08

 

CMYK 92 / 56 / 0 / 38

HEX #0C469F

RGB 12 70 159

HSL 216.33, 0.86%, 0.34%

LAB 31.72, 18.78, -53

 

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

CMYK 18 / 93 / 0 / 18

HEX #AA0FD0

RGB 170 15 208

HSL 288.19, 0.87%, 0.44%

LAB 43.42, 77.09, -62.23

 

CMYK 18 / 0 / 93 / 18

HEX #AAD00F

RGB 170 208 15

HSL 71.81, 0.87%, 0.44%

LAB 78.28, -34.15, 76.25

 

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

CMYK 0 / 93 / 56 / 18

HEX #D00F5C

RGB 208 15 92

HSL 336.06, 0.87%, 0.44%

LAB 44.98, 70.32, 10.74

 

CMYK 56 / 0 / 93 / 18

HEX #5CD00F

RGB 92 208 15

HSL 96.06, 0.87%, 0.44%

LAB 74.46, -61, 71.58

 

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

CMYK 18 / 93 / 0 / 18

HEX #AA0FD0

RGB 170 15 208

HSL 288.19, 0.87%, 0.44%

LAB 43.42, 77.09, -62.23

 

CMYK 0 / 37 / 93 / 18

HEX #D0830F

RGB 208 131 15

HSL 36.06, 0.87%, 0.44%

LAB 61.37, 22.17, 64.89

 

CMYK 74 / 0 / 93 / 18

HEX #36D00F

RGB 54 208 15

HSL 107.88, 0.87%, 0.44%

LAB 73.5, -69.03, 70.39

 

CMYK 92 / 56 / 0 / 18

HEX #105CD2

RGB 16 92 210

HSL 216.49, 0.86%, 0.44%

LAB 41.87, 24.74, -66.47

 

CMYK 0 / 93 / 9 / 18

HEX #D00FBD

RGB 208 15 189

HSL 305.91, 0.87%, 0.44%

LAB 48.79, 80.36, -42.22

 

CMYK 0 / 37 / 93 / 18

HEX #D0830F

RGB 208 131 15

HSL 36.06, 0.87%, 0.44%

LAB 61.37, 22.17, 64.89

 

CMYK 93 / 0 / 83 / 18

HEX #0FD023

RGB 15 208 35

HSL 126.22, 0.87%, 0.44%

LAB 73.11, -72.27, 66.12

 

Description

Color code: HEX #105CD2 | qconv.com Color code: HEX #105CD2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 92 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 92 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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