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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DFF87 it is the complementary color #F20078. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DFF87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0DFF87: #12FF82, #23FF95, #34FFA8, #45FFBB and #56FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DFF87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0DFF87: #0DFF87, #00ED74, #00DB61, #00C94E and #00B73B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

Complementary color

CMYK 0 / 100 / 50 / 5

HEX #F20078

RGB 242 0 120

HSL 330.25, 1%, 0.47%

LAB 52.1, 81.19, 4.55

 

CMYK 93 / 0 / 49 / 0

HEX #12FF82

RGB 18 255 130

HSL 148.35, 1%, 0.54%

LAB 88.57, -75.92, 45.75

 

CMYK 86 / 0 / 42 / 0

HEX #23FF95

RGB 35 255 149

HSL 151.09, 1%, 0.57%

LAB 88.94, -71.88, 37.08

 

CMYK 80 / 0 / 34 / 0

HEX #34FFA8

RGB 52 255 168

HSL 154.29, 1%, 0.6%

LAB 89.43, -66.93, 28.3

 

CMYK 73 / 0 / 27 / 0

HEX #45FFBB

RGB 69 255 187

HSL 158.06, 1%, 0.64%

LAB 90.03, -61.13, 19.51

 

CMYK 66 / 0 / 19 / 0

HEX #56FFCE

RGB 86 255 206

HSL 162.6, 1%, 0.67%

LAB 90.76, -54.56, 10.83

 

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

CMYK 100 / 0 / 51 / 7

HEX #00ED74

RGB 0 237 116

HSL 149.37, 1%, 0.46%

LAB 82.82, -72.99, 45.21

 

CMYK 100 / 0 / 56 / 14

HEX #00DB61

RGB 0 219 97

HSL 146.58, 1%, 0.43%

LAB 77, -70.19, 47.02

 

CMYK 100 / 0 / 61 / 21

HEX #00C94E

RGB 0 201 78

HSL 143.28, 1%, 0.39%

LAB 71.09, -67.19, 48.73

 

CMYK 100 / 0 / 68 / 28

HEX #00B73B

RGB 0 183 59

HSL 139.34, 1%, 0.36%

LAB 65.11, -63.95, 50.21

 

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

CMYK 94 / 0 / 31 / 0

HEX #0FFFAF

RGB 15 255 175

HSL 160, 1%, 0.53%

LAB 89.26, -67.81, 24.48

 

CMYK 94 / 0 / 16 / 0

HEX #0FFFD7

RGB 15 255 215

HSL 170, 1%, 0.53%

LAB 90.1, -58.56, 5.12

 

CMYK 94 / 0 / 0 / 0

HEX #0FFFFF

RGB 15 255 255

HSL 180, 1%, 0.53%

LAB 91.16, -47.77, -14.06

 

CMYK 94 / 16 / 0 / 0

HEX #0FD7FF

RGB 15 215 255

HSL 190, 1%, 0.53%

LAB 79.57, -29.45, -31.66

 

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

CMYK 94 / 0 / 47 / 80

HEX #03331B

RGB 3 51 27

HSL 150, 0.89%, 0.11%

LAB 17.76, -22.41, 10.94

 

CMYK 95 / 0 / 47 / 60

HEX #056636

RGB 5 102 54

HSL 150.31, 0.91%, 0.21%

LAB 37.48, -37.37, 20.15

 

CMYK 95 / 0 / 47 / 40

HEX #089951

RGB 8 153 81

HSL 150.21, 0.9%, 0.32%

LAB 55.51, -50.78, 28.42

 

CMYK 95 / 0 / 47 / 20

HEX #0ACC6C

RGB 10 204 108

HSL 150.31, 0.91%, 0.42%

LAB 72.45, -63.37, 36.11

 

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

CMYK 94 / 66 / 0 / 0

HEX #0F57FF

RGB 15 87 255

HSL 222, 1%, 0.53%

LAB 44.43, 44.91, -87.72

 

CMYK 0 / 85 / 94 / 0

HEX #FF270F

RGB 255 39 15

HSL 6, 1%, 0.53%

LAB 54.81, 75.78, 64.3

 

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

CMYK 47 / 94 / 0 / 0

HEX #870FFF

RGB 135 15 255

HSL 270, 1%, 0.53%

LAB 42.33, 82.12, -90.93

 

CMYK 0 / 47 / 94 / 0

HEX #FF870F

RGB 255 135 15

HSL 30, 1%, 0.53%

LAB 68.48, 39.48, 72.75

 

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

CMYK 94 / 66 / 0 / 0

HEX #0F57FF

RGB 15 87 255

HSL 222, 1%, 0.53%

LAB 44.43, 44.91, -87.72

 

CMYK 0 / 94 / 47 / 0

HEX #FF0F87

RGB 255 15 135

HSL 330, 1%, 0.53%

LAB 55.43, 84.05, 0.66

 

CMYK 0 / 28 / 94 / 0

HEX #FFB70F

RGB 255 183 15

HSL 42, 1%, 0.53%

LAB 79.13, 14.67, 80.16

 

CMYK 95 / 0 / 47 / 0

HEX #0DFF87

RGB 13 255 135

HSL 150.25, 1%, 0.53%

LAB 88.62, -75.31, 43.43

 

CMYK 94 / 94 / 0 / 0

HEX #0F0FFF

RGB 15 15 255

HSL 240, 1%, 0.53%

LAB 33.27, 76.96, -106.24

 

CMYK 0 / 94 / 47 / 0

HEX #FF0F87

RGB 255 15 135

HSL 330, 1%, 0.53%

LAB 55.43, 84.05, 0.66

 

CMYK 0 / 0 / 94 / 0

HEX #FFFF0F

RGB 255 255 15

HSL 60, 1%, 0.53%

LAB 97.15, -21.44, 93.42

 

Description

Color code: HEX #0DFF87 | qconv.com Color code: HEX #0DFF87 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 255 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 255 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 47 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 47% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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