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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CC3E5 it is the complementary color #F33C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CC3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CC3E5 shade: #11C3E0, #22D5F3, #33E7FF, #44F9FF and #55FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CC3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CC3E5 shade: #0CC3E5, #00B1D2, #009FBF, #008DAC and #007B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CC3E5 shade: #0CC2E4, #0C88E4, #0C4EE4, #0C13E4 and #3F0CE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CC3E5 shade: #0CC2E4, #0C88E4, #0C4EE4, #0C13E4 and #0C0CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CC3E5 shade matches the following richer shades: #0CC2E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CC3E5 shade: #0CC2E4, #1FB5D0, #33A7BD, #469AAA and #5A8D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CC3E5 shade: #0CE491, #0CE4CB, #0CC3E4, #0C8AE4 and #0C50E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CC3E5 shade: #087F95, #0AA1BD, #0CC2E4, #25D3F4 and #4DDBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CC3E5 shade: #0CC3E5, #570CE4 and #E4AE0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CC3E5 shade: #0CC3E5, #E40CC3 and #C3E40C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CC3E5 shade: #0CC3E5, #570CE4, #E42C0C and #98E40C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CC3E5 shade: #0CC3E5, #980CE4, #E42C0C and #57E40C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 15 / 0 / 10

HEX #0CC3E5

RGB 12 195 229

HSL 189.4, 0.9%, 0.47%

LAB 72.74, -28.22, -28.21

 

Complementary color

CMYK 0 / 75 / 89 / 5

HEX #F33C1A

RGB 243 60 26

HSL 9.4, 0.9%, 0.53%

LAB 54.41, 67.31, 59.35

 

CMYK 92 / 13 / 0 / 12

HEX #11C3E0

RGB 17 195 224

HSL 188.41, 0.86%, 0.47%

LAB 72.58, -29.69, -25.74

 

CMYK 86 / 12 / 0 / 5

HEX #22D5F3

RGB 34 213 243

HSL 188.61, 0.9%, 0.54%

LAB 78.69, -31.51, -26.6

 

CMYK 80 / 9 / 0 / 0

HEX #33E7FF

RGB 51 231 255

HSL 187.06, 1%, 0.6%

LAB 84.52, -35.14, -24.05

 

CMYK 73 / 2 / 0 / 0

HEX #44F9FF

RGB 68 249 255

HSL 181.93, 1%, 0.63%

LAB 89.95, -41.79, -15.82

 

CMYK 67 / 0 / 0 / 0

HEX #55FFFF

RGB 85 255 255

HSL 180, 1%, 0.67%

LAB 91.99, -42.44, -12.75

 

CMYK 95 / 15 / 0 / 10

HEX #0CC3E5

RGB 12 195 229

HSL 189.4, 0.9%, 0.47%

LAB 72.74, -28.22, -28.21

 

CMYK 100 / 16 / 0 / 18

HEX #00B1D2

RGB 0 177 210

HSL 189.43, 1%, 0.41%

LAB 66.59, -25.89, -27.28

 

CMYK 100 / 17 / 0 / 25

HEX #009FBF

RGB 0 159 191

HSL 190.05, 1%, 0.37%

LAB 60.39, -23.19, -26.26

 

CMYK 100 / 18 / 0 / 33

HEX #008DAC

RGB 0 141 172

HSL 190.81, 1%, 0.34%

LAB 54.06, -20.42, -25.25

 

CMYK 100 / 20 / 0 / 40

HEX #007B99

RGB 0 123 153

HSL 191.76, 1%, 0.3%

LAB 47.58, -17.55, -24.23

 

CMYK 95 / 15 / 0 / 11

HEX #0CC2E4

RGB 12 194 228

HSL 189.44, 0.9%, 0.47%

LAB 72.4, -28.05, -28.18

 

CMYK 95 / 40 / 0 / 11

HEX #0C88E4

RGB 12 136 228

HSL 205.56, 0.9%, 0.47%

LAB 55.37, 3.77, -54.89

 

CMYK 95 / 66 / 0 / 11

HEX #0C4EE4

RGB 12 78 228

HSL 221.67, 0.9%, 0.47%

LAB 39.8, 40.55, -80.16

 

CMYK 95 / 92 / 0 / 11

HEX #0C13E4

RGB 12 19 228

HSL 238.06, 0.9%, 0.47%

LAB 29.78, 69.16, -96.78

 

CMYK 72 / 95 / 0 / 11

HEX #3F0CE4

RGB 63 12 228

HSL 254.17, 0.9%, 0.47%

LAB 31.63, 71.85, -93.63

 

CMYK 95 / 15 / 0 / 11

HEX #0CC2E4

RGB 12 194 228

HSL 189.44, 0.9%, 0.47%

LAB 72.4, -28.05, -28.18

 

CMYK 95 / 40 / 0 / 11

HEX #0C88E4

RGB 12 136 228

HSL 205.56, 0.9%, 0.47%

LAB 55.37, 3.77, -54.89

 

CMYK 95 / 66 / 0 / 11

HEX #0C4EE4

RGB 12 78 228

HSL 221.67, 0.9%, 0.47%

LAB 39.8, 40.55, -80.16

 

CMYK 95 / 92 / 0 / 11

HEX #0C13E4

RGB 12 19 228

HSL 238.06, 0.9%, 0.47%

LAB 29.78, 69.16, -96.78

 

CMYK 95 / 95 / 0 / 11

HEX #0C0CE4

RGB 12 12 228

HSL 240, 0.9%, 0.47%

LAB 29.27, 70.73, -97.63

 

CMYK 95 / 15 / 0 / 11

HEX #0CC2E4

RGB 12 194 228

HSL 189.44, 0.9%, 0.47%

LAB 72.4, -28.05, -28.18

 

CMYK 95 / 15 / 0 / 11

HEX #0CC2E4

RGB 12 194 228

HSL 189.44, 0.9%, 0.47%

LAB 72.4, -28.05, -28.18

 

CMYK 85 / 13 / 0 / 18

HEX #1FB5D0

RGB 31 181 208

HSL 189.15, 0.74%, 0.47%

LAB 67.94, -27.26, -24.1

 

CMYK 73 / 12 / 0 / 26

HEX #33A7BD

RGB 51 167 189

HSL 189.57, 0.58%, 0.47%

LAB 63.36, -24.41, -20.55

 

CMYK 59 / 9 / 0 / 33

HEX #469AAA

RGB 70 154 170

HSL 189.6, 0.42%, 0.47%

LAB 59.27, -20.54, -16.03

 

CMYK 40 / 6 / 0 / 41

HEX #5A8D96

RGB 90 141 150

HSL 189, 0.25%, 0.47%

LAB 55.51, -14.61, -10.18

 

CMYK 95 / 0 / 36 / 11

HEX #0CE491

RGB 12 228 145

HSL 156.94, 0.9%, 0.47%

LAB 80.52, -64.6, 27.9

 

CMYK 95 / 0 / 11 / 11

HEX #0CE4CB

RGB 12 228 203

HSL 173.06, 0.9%, 0.47%

LAB 81.77, -50.92, -0.71

 

CMYK 95 / 14 / 0 / 11

HEX #0CC3E4

RGB 12 195 228

HSL 189.17, 0.9%, 0.47%

LAB 72.7, -28.54, -27.73

 

CMYK 95 / 39 / 0 / 11

HEX #0C8AE4

RGB 12 138 228

HSL 205, 0.9%, 0.47%

LAB 55.94, 2.57, -53.97

 

CMYK 95 / 65 / 0 / 11

HEX #0C50E4

RGB 12 80 228

HSL 221.11, 0.9%, 0.47%

LAB 40.27, 39.28, -79.37

 

CMYK 95 / 15 / 0 / 42

HEX #087F95

RGB 8 127 149

HSL 189.36, 0.9%, 0.31%

LAB 48.76, -20.77, -20.06

 

CMYK 95 / 15 / 0 / 26

HEX #0AA1BD

RGB 10 161 189

HSL 189.39, 0.9%, 0.39%

LAB 60.98, -24.57, -24.22

 

CMYK 95 / 15 / 0 / 11

HEX #0CC2E4

RGB 12 194 228

HSL 189.44, 0.9%, 0.47%

LAB 72.4, -28.05, -28.18

 

CMYK 85 / 14 / 0 / 4

HEX #25D3F4

RGB 37 211 244

HSL 189.57, 0.9%, 0.55%

LAB 78.18, -30.04, -27.92

 

CMYK 69 / 11 / 0 / 4

HEX #4DDBF6

RGB 77 219 246

HSL 189.59, 0.9%, 0.63%

LAB 81.23, -29.34, -24.26

 

CMYK 95 / 15 / 0 / 10

HEX #0CC3E5

RGB 12 195 229

HSL 189.4, 0.9%, 0.47%

LAB 72.74, -28.22, -28.21

 

CMYK 62 / 95 / 0 / 11

HEX #570CE4

RGB 87 12 228

HSL 260.83, 0.9%, 0.47%

LAB 33.75, 73.02, -90.03

 

CMYK 0 / 24 / 95 / 11

HEX #E4AE0C

RGB 228 174 12

HSL 45, 0.9%, 0.47%

LAB 74.06, 7.76, 75.56

 

CMYK 95 / 15 / 0 / 10

HEX #0CC3E5

RGB 12 195 229

HSL 189.4, 0.9%, 0.47%

LAB 72.74, -28.22, -28.21

 

CMYK 0 / 95 / 14 / 11

HEX #E40CC3

RGB 228 12 195

HSL 309.17, 0.9%, 0.47%

LAB 52.62, 85.01, -39.43

 

CMYK 14 / 0 / 95 / 11

HEX #C3E40C

RGB 195 228 12

HSL 69.17, 0.9%, 0.47%

LAB 85.56, -33.29, 82.96

 

CMYK 95 / 15 / 0 / 10

HEX #0CC3E5

RGB 12 195 229

HSL 189.4, 0.9%, 0.47%

LAB 72.74, -28.22, -28.21

 

CMYK 62 / 95 / 0 / 11

HEX #570CE4

RGB 87 12 228

HSL 260.83, 0.9%, 0.47%

LAB 33.75, 73.02, -90.03

 

CMYK 0 / 81 / 95 / 11

HEX #E42C0C

RGB 228 44 12

HSL 8.89, 0.9%, 0.47%

LAB 49.88, 67.3, 59.56

 

CMYK 33 / 0 / 95 / 11

HEX #98E40C

RGB 152 228 12

HSL 81.11, 0.9%, 0.47%

LAB 83.01, -49.73, 79.87

 

CMYK 95 / 15 / 0 / 10

HEX #0CC3E5

RGB 12 195 229

HSL 189.4, 0.9%, 0.47%

LAB 72.74, -28.22, -28.21

 

CMYK 33 / 95 / 0 / 11

HEX #980CE4

RGB 152 12 228

HSL 278.89, 0.9%, 0.47%

LAB 42.06, 78.76, -76.04

 

CMYK 0 / 81 / 95 / 11

HEX #E42C0C

RGB 228 44 12

HSL 8.89, 0.9%, 0.47%

LAB 49.88, 67.3, 59.56

 

CMYK 62 / 0 / 95 / 11

HEX #57E40C

RGB 87 228 12

HSL 99.17, 0.9%, 0.47%

LAB 80.48, -68.98, 76.78

 

Description

Color code: HEX #0CC3E5 | qconv.com Color code: HEX #0CC3E5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 195 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 195 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 15 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 15% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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