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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CBF03 it is the complementary color #F340FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CBF03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0CBF03: #11BF00, #22D111, #33E324, #44F537 and #55FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CBF03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0CBF03: #0CBF03, #00AD00, #009B00, #008900 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

Complementary color

CMYK 4 / 75 / 0 / 1

HEX #F340FC

RGB 243 64 252

HSL 297.13, 0.97%, 0.62%

LAB 61.44, 86.3, -57.51

 

CMYK 91 / 0 / 100 / 25

HEX #11BF00

RGB 17 191 0

HSL 114.66, 1%, 0.37%

LAB 67.56, -68.54, 67.04

 

CMYK 84 / 0 / 92 / 18

HEX #22D111

RGB 34 209 17

HSL 114.69, 0.85%, 0.44%

LAB 73.53, -71.83, 70.03

 

CMYK 78 / 0 / 84 / 11

HEX #33E324

RGB 51 227 36

HSL 115.29, 0.77%, 0.52%

LAB 79.48, -74.36, 71.77

 

CMYK 72 / 0 / 78 / 4

HEX #44F537

RGB 68 245 55

HSL 115.89, 0.9%, 0.59%

LAB 85.41, -76.26, 72.41

 

CMYK 67 / 0 / 71 / 0

HEX #55FF4A

RGB 85 255 74

HSL 116.35, 1%, 0.65%

LAB 88.9, -75.14, 69.88

 

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

CMYK 99 / 0 / 87 / 25

HEX #02BE18

RGB 2 190 24

HSL 127.02, 0.98%, 0.38%

LAB 67.21, -68.34, 63.31

 

CMYK 99 / 0 / 71 / 25

HEX #02BE38

RGB 2 190 56

HSL 137.23, 0.98%, 0.38%

LAB 67.37, -66.22, 53.82

 

CMYK 99 / 0 / 54 / 25

HEX #02BE57

RGB 2 190 87

HSL 147.13, 0.98%, 0.38%

LAB 67.67, -62.47, 40.51

 

CMYK 99 / 0 / 38 / 25

HEX #02BE76

RGB 2 190 118

HSL 157.02, 0.98%, 0.38%

LAB 68.13, -56.99, 25.32

 

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

CMYK 94 / 0 / 98 / 5

HEX #0FF204

RGB 15 242 4

HSL 117.23, 0.97%, 0.48%

LAB 83.76, -82.29, 79.69

 

CMYK 95 / 0 / 97 / 85

HEX #022601

RGB 2 38 1

HSL 118.38, 0.95%, 0.08%

LAB 11.97, -21.94, 16.9

 

CMYK 93 / 0 / 99 / 65

HEX #065901

RGB 6 89 1

HSL 116.59, 0.98%, 0.18%

LAB 32.23, -39.14, 38.36

 

CMYK 94 / 0 / 99 / 45

HEX #098C02

RGB 9 140 2

HSL 116.96, 0.97%, 0.28%

LAB 50.47, -54.47, 52.96

 

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

CMYK 99 / 15 / 0 / 25

HEX #02A2BE

RGB 2 162 190

HSL 188.94, 0.98%, 0.38%

LAB 61.28, -25.01, -24.33

 

CMYK 0 / 99 / 54 / 25

HEX #BE0257

RGB 190 2 87

HSL 332.87, 0.98%, 0.38%

LAB 40.7, 67.07, 7.34

 

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

CMYK 99 / 94 / 0 / 25

HEX #020CBE

RGB 2 12 190

HSL 236.81, 0.98%, 0.38%

LAB 23.65, 60.73, -84.89

 

CMYK 0 / 99 / 94 / 25

HEX #BE020C

RGB 190 2 12

HSL 356.81, 0.98%, 0.38%

LAB 39.61, 64.12, 49.58

 

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

CMYK 99 / 15 / 0 / 25

HEX #02A2BE

RGB 2 162 190

HSL 188.94, 0.98%, 0.38%

LAB 61.28, -25.01, -24.33

 

CMYK 5 / 99 / 0 / 25

HEX #B502BE

RGB 181 2 190

HSL 297.13, 0.98%, 0.38%

LAB 43.63, 77.13, -51.32

 

CMYK 0 / 84 / 99 / 25

HEX #BE1F02

RGB 190 31 2

HSL 9.26, 0.98%, 0.38%

LAB 41.11, 59.61, 53.77

 

CMYK 94 / 0 / 98 / 25

HEX #0CBF03

RGB 12 191 3

HSL 117.13, 0.97%, 0.38%

LAB 67.54, -68.75, 66.66

 

CMYK 99 / 44 / 0 / 25

HEX #026ABE

RGB 2 106 190

HSL 206.81, 0.98%, 0.38%

LAB 44.29, 7.14, -51.03

 

CMYK 5 / 99 / 0 / 25

HEX #B502BE

RGB 181 2 190

HSL 297.13, 0.98%, 0.38%

LAB 43.63, 77.13, -51.32

 

CMYK 0 / 54 / 99 / 25

HEX #BE5702

RGB 190 87 2

HSL 27.13, 0.98%, 0.38%

LAB 49.21, 37.78, 58.07

 

Description

Color code: HEX #0CBF03FF | qconv.com Color code: HEX #0CBF03FF | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 191 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 191 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 98 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 98% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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