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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C5E60 it is the complementary color #F3A19F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C5E60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C5E60 shade: #115E5B, #22706E, #338281, #449494 and #55A6A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C5E60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C5E60 shade: #0C5E60, #004C4D, #003A3A, #002827 and #001614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C5E60 shade: #0C5D5F, #0C475F, #0C305F, #0C1A5F and #140C5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C5E60 shade: #0C5D5F, #0C475F, #0C305F, #0C1A5F and #0C0C5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C5E60 shade matches the following richer shades: #0C5D5F and #036668

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C5E60 shade: #0C5D5F, #145557, #1D4D4E, #264545 and #2E3C3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C5E60 shade: #0C5F34, #0C5F4A, #0C5E5F, #0C485F and #0C315F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C5E60 shade: #031516, #07393B, #0C5D5F, #108184 and #15A5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C5E60 shade: #0C5E60, #1E0C5F and #5F3F0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C5E60 shade: #0C5E60, #5F0C5E and #5E5F0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C5E60 shade: #0C5E60, #1E0C5F, #5F0D0C and #4D5F0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C5E60 shade: #0C5E60, #370C5F, #5F0D0C and #345F0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 2 / 0 / 62

HEX #0C5E60

RGB 12 94 96

HSL 181.43, 0.78%, 0.21%

LAB 35.85, -21.49, -7.71

 

Complementary color

CMYK 0 / 34 / 35 / 5

HEX #F3A19F

RGB 243 161 159

HSL 1.43, 0.78%, 0.79%

LAB 74.22, 30.2, 13.6

 

CMYK 82 / 0 / 3 / 63

HEX #115E5B

RGB 17 94 91

HSL 177.66, 0.69%, 0.22%

LAB 35.75, -22.64, -4.73

 

CMYK 70 / 0 / 2 / 56

HEX #22706E

RGB 34 112 110

HSL 178.46, 0.53%, 0.29%

LAB 42.84, -23.5, -5.78

 

CMYK 61 / 0 / 1 / 49

HEX #338281

RGB 51 130 129

HSL 179.24, 0.44%, 0.35%

LAB 49.8, -23.98, -6.67

 

CMYK 54 / 0 / 0 / 42

HEX #449494

RGB 68 148 148

HSL 180, 0.37%, 0.42%

LAB 56.63, -24.25, -7.45

 

CMYK 49 / 1 / 0 / 35

HEX #55A6A7

RGB 85 166 167

HSL 180.73, 0.33%, 0.49%

LAB 63.34, -24.38, -8.16

 

CMYK 88 / 2 / 0 / 62

HEX #0C5E60

RGB 12 94 96

HSL 181.43, 0.78%, 0.21%

LAB 35.85, -21.49, -7.71

 

CMYK 100 / 1 / 0 / 70

HEX #004C4D

RGB 0 76 77

HSL 180.78, 1%, 0.15%

LAB 28.65, -19.67, -6.48

 

CMYK 100 / 0 / 0 / 77

HEX #003A3A

RGB 0 58 58

HSL 180, 1%, 0.11%

LAB 21.33, -16.75, -4.93

 

CMYK 100 / 0 / 2 / 84

HEX #002827

RGB 0 40 39

HSL 178.5, 1%, 0.08%

LAB 13.62, -13.7, -3.26

 

CMYK 100 / 0 / 9 / 91

HEX #001614

RGB 0 22 20

HSL 174.55, 1%, 0.04%

LAB 5.64, -7.38, -1.16

 

CMYK 87 / 2 / 0 / 63

HEX #0C5D5F

RGB 12 93 95

HSL 181.45, 0.78%, 0.21%

LAB 35.47, -21.3, -7.66

 

CMYK 87 / 25 / 0 / 63

HEX #0C475F

RGB 12 71 95

HSL 197.35, 0.78%, 0.21%

LAB 27.87, -8.63, -19.26

 

CMYK 87 / 49 / 0 / 63

HEX #0C305F

RGB 12 48 95

HSL 213.98, 0.78%, 0.21%

LAB 20.12, 7.01, -31.54

 

CMYK 87 / 73 / 0 / 63

HEX #0C1A5F

RGB 12 26 95

HSL 229.88, 0.78%, 0.21%

LAB 13.49, 23.28, -42.32

 

CMYK 79 / 87 / 0 / 63

HEX #140C5F

RGB 20 12 95

HSL 245.78, 0.78%, 0.21%

LAB 10.83, 32.75, -46.7

 

CMYK 87 / 2 / 0 / 63

HEX #0C5D5F

RGB 12 93 95

HSL 181.45, 0.78%, 0.21%

LAB 35.47, -21.3, -7.66

 

CMYK 87 / 25 / 0 / 63

HEX #0C475F

RGB 12 71 95

HSL 197.35, 0.78%, 0.21%

LAB 27.87, -8.63, -19.26

 

CMYK 87 / 49 / 0 / 63

HEX #0C305F

RGB 12 48 95

HSL 213.98, 0.78%, 0.21%

LAB 20.12, 7.01, -31.54

 

CMYK 87 / 73 / 0 / 63

HEX #0C1A5F

RGB 12 26 95

HSL 229.88, 0.78%, 0.21%

LAB 13.49, 23.28, -42.32

 

CMYK 87 / 87 / 0 / 63

HEX #0C0C5F

RGB 12 12 95

HSL 240, 0.78%, 0.21%

LAB 10.31, 32.21, -47.58

 

CMYK 87 / 2 / 0 / 63

HEX #0C5D5F

RGB 12 93 95

HSL 181.45, 0.78%, 0.21%

LAB 35.47, -21.3, -7.66

 

CMYK 97 / 2 / 0 / 59

HEX #036668

RGB 3 102 104

HSL 181.19, 0.94%, 0.21%

LAB 38.76, -23.63, -8.28

 

CMYK 87 / 2 / 0 / 63

HEX #0C5D5F

RGB 12 93 95

HSL 181.45, 0.78%, 0.21%

LAB 35.47, -21.3, -7.66

 

CMYK 77 / 2 / 0 / 66

HEX #145557

RGB 20 85 87

HSL 181.79, 0.63%, 0.21%

LAB 32.56, -18.78, -6.98

 

CMYK 63 / 1 / 0 / 69

HEX #1D4D4E

RGB 29 77 78

HSL 181.22, 0.46%, 0.21%

LAB 29.71, -15.67, -5.47

 

CMYK 45 / 0 / 0 / 73

HEX #264545

RGB 38 69 69

HSL 180, 0.29%, 0.21%

LAB 27.01, -11.46, -3.62

 

CMYK 25 / 2 / 0 / 76

HEX #2E3C3D

RGB 46 60 61

HSL 184, 0.14%, 0.21%

LAB 24.16, -5.42, -2.51

 

CMYK 87 / 0 / 45 / 63

HEX #0C5F34

RGB 12 95 52

HSL 148.92, 0.78%, 0.21%

LAB 35.02, -34.3, 18.14

 

CMYK 87 / 0 / 22 / 63

HEX #0C5F4A

RGB 12 95 74

HSL 164.82, 0.78%, 0.21%

LAB 35.51, -28.88, 5.47

 

CMYK 87 / 1 / 0 / 63

HEX #0C5E5F

RGB 12 94 95

HSL 180.72, 0.78%, 0.21%

LAB 35.81, -21.83, -7.14

 

CMYK 87 / 24 / 0 / 63

HEX #0C485F

RGB 12 72 95

HSL 196.63, 0.78%, 0.21%

LAB 28.22, -9.25, -18.73

 

CMYK 87 / 48 / 0 / 63

HEX #0C315F

RGB 12 49 95

HSL 213.25, 0.78%, 0.21%

LAB 20.44, 6.28, -31.01

 

CMYK 86 / 5 / 0 / 91

HEX #031516

RGB 3 21 22

HSL 183.16, 0.76%, 0.05%

LAB 5.54, -5.44, -2.66

 

CMYK 88 / 3 / 0 / 77

HEX #07393B

RGB 7 57 59

HSL 182.31, 0.79%, 0.13%

LAB 21.16, -14.71, -5.83

 

CMYK 87 / 2 / 0 / 63

HEX #0C5D5F

RGB 12 93 95

HSL 181.45, 0.78%, 0.21%

LAB 35.47, -21.3, -7.66

 

CMYK 88 / 2 / 0 / 48

HEX #108184

RGB 16 129 132

HSL 181.55, 0.78%, 0.29%

LAB 48.86, -27.13, -9.92

 

CMYK 88 / 2 / 0 / 34

HEX #15A5A9

RGB 21 165 169

HSL 181.62, 0.78%, 0.37%

LAB 61.6, -32.56, -12.04

 

CMYK 88 / 2 / 0 / 62

HEX #0C5E60

RGB 12 94 96

HSL 181.43, 0.78%, 0.21%

LAB 35.85, -21.49, -7.71

 

CMYK 68 / 87 / 0 / 63

HEX #1E0C5F

RGB 30 12 95

HSL 253.01, 0.78%, 0.21%

LAB 11.72, 33.67, -45.2

 

CMYK 0 / 34 / 87 / 63

HEX #5F3F0C

RGB 95 63 12

HSL 36.87, 0.78%, 0.21%

LAB 29.45, 9.23, 34.32

 

CMYK 88 / 2 / 0 / 62

HEX #0C5E60

RGB 12 94 96

HSL 181.43, 0.78%, 0.21%

LAB 35.85, -21.49, -7.71

 

CMYK 0 / 87 / 1 / 63

HEX #5F0C5E

RGB 95 12 94

HSL 300.72, 0.78%, 0.21%

LAB 21.96, 44.67, -27.43

 

CMYK 1 / 0 / 87 / 63

HEX #5E5F0C

RGB 94 95 12

HSL 60.72, 0.78%, 0.21%

LAB 38.88, -10.58, 42.48

 

CMYK 88 / 2 / 0 / 62

HEX #0C5E60

RGB 12 94 96

HSL 181.43, 0.78%, 0.21%

LAB 35.85, -21.49, -7.71

 

CMYK 68 / 87 / 0 / 63

HEX #1E0C5F

RGB 30 12 95

HSL 253.01, 0.78%, 0.21%

LAB 11.72, 33.67, -45.2

 

CMYK 0 / 86 / 87 / 63

HEX #5F0D0C

RGB 95 13 12

HSL 0.72, 0.78%, 0.21%

LAB 19, 35.59, 23.92

 

CMYK 19 / 0 / 87 / 63

HEX #4D5F0C

RGB 77 95 12

HSL 73.01, 0.78%, 0.21%

LAB 37.46, -18.69, 40.69

 

CMYK 88 / 2 / 0 / 62

HEX #0C5E60

RGB 12 94 96

HSL 181.43, 0.78%, 0.21%

LAB 35.85, -21.49, -7.71

 

CMYK 42 / 87 / 0 / 63

HEX #370C5F

RGB 55 12 95

HSL 271.08, 0.78%, 0.21%

LAB 14.96, 37.1, -39.75

 

CMYK 0 / 86 / 87 / 63

HEX #5F0D0C

RGB 95 13 12

HSL 0.72, 0.78%, 0.21%

LAB 19, 35.59, 23.92

 

CMYK 45 / 0 / 87 / 63

HEX #345F0C

RGB 52 95 12

HSL 91.08, 0.78%, 0.21%

LAB 35.87, -29.31, 38.67

 

Description

Color code: HEX #0C5E60 | qconv.com Color code: HEX #0C5E60 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 94 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 94 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 2 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 2% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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