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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ABFEB it is the complementary color #F54014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ABFEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ABFEB shade: #0FBFE6, #20D1F9, #31E3FF, #42F5FF and #53FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ABFEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ABFEB shade: #0ABFEB, #00ADD8, #009BC5, #0089B2 and #00779F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ABFEB shade: #0ABFEB, #0A82EB, #0A46EB, #0B0AEB and #480AEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ABFEB shade: #0ABFEB, #0A82EB, #0A46EB and #0A0AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ABFEB shade matches the following richer shades: #0ABFEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ABFEB shade: #0ABFEB, #1EB3D7, #31A7C3, #459BB0 and #598F9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ABFEB shade: #0AEB9C, #0AEBD8, #0AC2EB, #0A86EB and #0A4AEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ABFEB shade: #067F9C, #089FC3, #0ABFEB, #28CEF6 and #50D7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ABFEB shade: #0ABFEB, #600AEB and #EBBA0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ABFEB shade: #0ABFEB, #EB0AC2 and #C2EB0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ABFEB shade: #0ABFEB, #600AEB, #EB330A and #95EB0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ABFEB shade: #0ABFEB, #A40AEB, #EB330A and #51EB0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

Complementary color

CMYK 0 / 74 / 92 / 4

HEX #F54014

RGB 245 64 20

HSL 11.73, 0.92%, 0.52%

LAB 55.21, 66.57, 62.11

 

CMYK 93 / 17 / 0 / 10

HEX #0FBFE6

RGB 15 191 230

HSL 190.88, 0.88%, 0.48%

LAB 71.61, -25.8, -30.5

 

CMYK 87 / 16 / 0 / 2

HEX #20D1F9

RGB 32 209 249

HSL 191.06, 0.95%, 0.55%

LAB 77.73, -27.76, -31.29

 

CMYK 81 / 11 / 0 / 0

HEX #31E3FF

RGB 49 227 255

HSL 188.16, 1%, 0.6%

LAB 83.34, -33.42, -25.85

 

CMYK 74 / 4 / 0 / 0

HEX #42F5FF

RGB 66 245 255

HSL 183.17, 1%, 0.63%

LAB 88.77, -40.19, -17.6

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 100 / 20 / 0 / 15

HEX #00ADD8

RGB 0 173 216

HSL 191.94, 1%, 0.42%

LAB 65.63, -21.79, -32.08

 

CMYK 100 / 21 / 0 / 23

HEX #009BC5

RGB 0 155 197

HSL 192.79, 1%, 0.39%

LAB 59.41, -18.99, -31.15

 

CMYK 100 / 23 / 0 / 30

HEX #0089B2

RGB 0 137 178

HSL 193.82, 1%, 0.35%

LAB 53.06, -16.08, -30.23

 

CMYK 100 / 25 / 0 / 38

HEX #00779F

RGB 0 119 159

HSL 195.09, 1%, 0.31%

LAB 46.57, -13.06, -29.32

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 96 / 45 / 0 / 8

HEX #0A82EB

RGB 10 130 235

HSL 208, 0.92%, 0.48%

LAB 54.06, 10.07, -60.9

 

CMYK 96 / 70 / 0 / 8

HEX #0A46EB

RGB 10 70 235

HSL 224, 0.92%, 0.48%

LAB 38.63, 47.96, -86.06

 

CMYK 95 / 96 / 0 / 8

HEX #0B0AEB

RGB 11 10 235

HSL 240.27, 0.92%, 0.48%

LAB 30.12, 72.84, -100.2

 

CMYK 69 / 96 / 0 / 8

HEX #480AEB

RGB 72 10 235

HSL 256.53, 0.92%, 0.48%

LAB 33.12, 74.21, -95.12

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 96 / 45 / 0 / 8

HEX #0A82EB

RGB 10 130 235

HSL 208, 0.92%, 0.48%

LAB 54.06, 10.07, -60.9

 

CMYK 96 / 70 / 0 / 8

HEX #0A46EB

RGB 10 70 235

HSL 224, 0.92%, 0.48%

LAB 38.63, 47.96, -86.06

 

CMYK 96 / 96 / 0 / 8

HEX #0A0AEB

RGB 10 10 235

HSL 240, 0.92%, 0.48%

LAB 30.11, 72.83, -100.22

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 86 / 17 / 0 / 16

HEX #1EB3D7

RGB 30 179 215

HSL 191.68, 0.76%, 0.48%

LAB 67.59, -24.01, -28.48

 

CMYK 75 / 14 / 0 / 24

HEX #31A7C3

RGB 49 167 195

HSL 191.51, 0.6%, 0.48%

LAB 63.53, -22.73, -23.63

 

CMYK 61 / 12 / 0 / 31

HEX #459BB0

RGB 69 155 176

HSL 191.78, 0.44%, 0.48%

LAB 59.75, -19.44, -18.7

 

CMYK 43 / 8 / 0 / 39

HEX #598F9C

RGB 89 143 156

HSL 191.64, 0.27%, 0.48%

LAB 56.26, -14.34, -12.51

 

CMYK 96 / 0 / 34 / 8

HEX #0AEB9C

RGB 10 235 156

HSL 158.93, 0.92%, 0.48%

LAB 82.85, -64.87, 25.41

 

CMYK 96 / 0 / 8 / 8

HEX #0AEBD8

RGB 10 235 216

HSL 174.93, 0.92%, 0.48%

LAB 84.19, -50.34, -4.02

 

CMYK 96 / 17 / 0 / 8

HEX #0AC2EB

RGB 10 194 235

HSL 190.93, 0.92%, 0.48%

LAB 72.66, -25.78, -31.58

 

CMYK 96 / 43 / 0 / 8

HEX #0A86EB

RGB 10 134 235

HSL 206.93, 0.92%, 0.48%

LAB 55.19, 7.62, -59.08

 

CMYK 96 / 69 / 0 / 8

HEX #0A4AEB

RGB 10 74 235

HSL 222.93, 0.92%, 0.48%

LAB 39.51, 45.54, -84.6

 

CMYK 96 / 19 / 0 / 39

HEX #067F9C

RGB 6 127 156

HSL 191.6, 0.93%, 0.32%

LAB 49.03, -18.36, -23.74

 

CMYK 96 / 18 / 0 / 24

HEX #089FC3

RGB 8 159 195

HSL 191.55, 0.92%, 0.4%

LAB 60.59, -21.54, -28.19

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 84 / 16 / 0 / 4

HEX #28CEF6

RGB 40 206 246

HSL 191.65, 0.92%, 0.56%

LAB 76.83, -26.74, -31.06

 

CMYK 68 / 13 / 0 / 3

HEX #50D7F8

RGB 80 215 248

HSL 191.79, 0.92%, 0.64%

LAB 80.23, -26.37, -26.85

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 59 / 96 / 0 / 8

HEX #600AEB

RGB 96 10 235

HSL 262.93, 0.92%, 0.48%

LAB 35.4, 75.47, -91.26

 

CMYK 0 / 21 / 96 / 8

HEX #EBBA0A

RGB 235 186 10

HSL 46.93, 0.92%, 0.48%

LAB 77.76, 4.48, 78.78

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 0 / 96 / 17 / 8

HEX #EB0AC2

RGB 235 10 194

HSL 310.93, 0.92%, 0.48%

LAB 53.79, 86.3, -36.92

 

CMYK 17 / 0 / 96 / 8

HEX #C2EB0A

RGB 194 235 10

HSL 70.93, 0.92%, 0.48%

LAB 87.44, -36.89, 84.55

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 59 / 96 / 0 / 8

HEX #600AEB

RGB 96 10 235

HSL 262.93, 0.92%, 0.48%

LAB 35.4, 75.47, -91.26

 

CMYK 0 / 78 / 96 / 8

HEX #EB330A

RGB 235 51 10

HSL 10.93, 0.92%, 0.48%

LAB 51.9, 67.43, 61.88

 

CMYK 37 / 0 / 96 / 8

HEX #95EB0A

RGB 149 235 10

HSL 82.93, 0.92%, 0.48%

LAB 84.91, -53.64, 81.48

 

CMYK 96 / 19 / 0 / 8

HEX #0ABFEB

RGB 10 191 235

HSL 191.73, 0.92%, 0.48%

LAB 71.77, -24.27, -32.95

 

CMYK 30 / 96 / 0 / 8

HEX #A40AEB

RGB 164 10 235

HSL 281.07, 0.92%, 0.48%

LAB 44.39, 81.7, -76.14

 

CMYK 0 / 78 / 96 / 8

HEX #EB330A

RGB 235 51 10

HSL 10.93, 0.92%, 0.48%

LAB 51.9, 67.43, 61.88

 

CMYK 66 / 0 / 96 / 8

HEX #51EB0A

RGB 81 235 10

HSL 101.07, 0.92%, 0.48%

LAB 82.48, -72.51, 78.52

 

Description

Color code: HEX #0ABFEB | qconv.com Color code: HEX #0ABFEB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 191 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 191 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 19 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 19% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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