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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ABAB5 it is the complementary color #F5454A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ABAB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0ABAB5: #0FBAB0, #20CCC3, #31DED6, #42F0E9 and #53FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ABAB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0ABAB5: #0ABAB5, #00A8A2, #00968F, #00847C and #007269

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

Complementary color

CMYK 0 / 72 / 70 / 4

HEX #F5454A

RGB 245 69 74

HSL 358.3, 0.9%, 0.62%

LAB 56.25, 66.43, 37.51

 

CMYK 92 / 0 / 5 / 27

HEX #0FBAB0

RGB 15 186 176

HSL 176.49, 0.85%, 0.39%

LAB 68.28, -40.41, -5.98

 

CMYK 84 / 0 / 4 / 20

HEX #20CCC3

RGB 32 204 195

HSL 176.86, 0.73%, 0.46%

LAB 74.47, -41.96, -7.17

 

CMYK 78 / 0 / 4 / 13

HEX #31DED6

RGB 49 222 214

HSL 177.23, 0.72%, 0.53%

LAB 80.6, -43.17, -8.24

 

CMYK 73 / 0 / 3 / 6

HEX #42F0E9

RGB 66 240 233

HSL 177.59, 0.85%, 0.6%

LAB 86.68, -44.11, -9.22

 

CMYK 67 / 0 / 1 / 0

HEX #53FFFC

RGB 83 255 252

HSL 178.95, 1%, 0.66%

LAB 91.86, -43.51, -11.39

 

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

CMYK 100 / 0 / 4 / 34

HEX #00A8A2

RGB 0 168 162

HSL 177.86, 1%, 0.33%

LAB 62.18, -37.01, -7.25

 

CMYK 100 / 0 / 5 / 41

HEX #00968F

RGB 0 150 143

HSL 177.2, 1%, 0.29%

LAB 55.88, -34.55, -5.83

Pantone® 7716 C

CMYK 100 / 0 / 6 / 48

HEX #00847C

RGB 0 132 124

HSL 176.36, 1%, 0.26%

LAB 49.44, -32.03, -4.36

 

CMYK 100 / 0 / 8 / 55

HEX #007269

RGB 0 114 105

HSL 175.26, 1%, 0.22%

LAB 42.85, -29.46, -2.82

 

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

CMYK 95 / 13 / 0 / 28

HEX #09A0B8

RGB 9 160 184

HSL 188.23, 0.91%, 0.38%

LAB 60.48, -25.79, -22.18

 

CMYK 95 / 29 / 0 / 28

HEX #0983B8

RGB 9 131 184

HSL 198.17, 0.91%, 0.38%

LAB 51.55, -10.13, -36.03

 

CMYK 95 / 45 / 0 / 28

HEX #0966B8

RGB 9 102 184

HSL 208.11, 0.91%, 0.38%

LAB 42.8, 7.55, -49.94

 

CMYK 95 / 60 / 0 / 28

HEX #0949B8

RGB 9 73 184

HSL 218.06, 0.91%, 0.38%

LAB 34.57, 26.78, -63.28

 

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

CMYK 95 / 0 / 3 / 7

HEX #0DEDE7

RGB 13 237 231

HSL 178.39, 0.9%, 0.49%

LAB 85.21, -46.92, -10.41

 

CMYK 94 / 0 / 3 / 87

HEX #022120

RGB 2 33 32

HSL 178.06, 0.89%, 0.07%

LAB 10.59, -11.68, -2.68

 

CMYK 94 / 0 / 2 / 67

HEX #055452

RGB 5 84 82

HSL 178.48, 0.89%, 0.17%

LAB 31.77, -21.64, -5.02

 

CMYK 95 / 0 / 3 / 47

HEX #078783

RGB 7 135 131

HSL 178.13, 0.9%, 0.28%

LAB 50.7, -30.89, -6.59

 

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

CMYK 79 / 95 / 0 / 28

HEX #2609B8

RGB 38 9 184

HSL 249.94, 0.91%, 0.38%

LAB 23.9, 60.47, -80.88

 

CMYK 0 / 41 / 95 / 28

HEX #B86C09

RGB 184 108 9

HSL 33.94, 0.91%, 0.38%

LAB 52.88, 24.23, 58.54

 

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

CMYK 3 / 95 / 0 / 28

HEX #B209B8

RGB 178 9 184

HSL 297.94, 0.91%, 0.38%

LAB 42.95, 75.05, -48.93

 

CMYK 0 / 3 / 95 / 28

HEX #B8B209

RGB 184 178 9

HSL 57.94, 0.91%, 0.38%

LAB 70.91, -13.71, 71.71

 

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

CMYK 79 / 95 / 0 / 28

HEX #2609B8

RGB 38 9 184

HSL 249.94, 0.91%, 0.38%

LAB 23.9, 60.47, -80.88

 

CMYK 0 / 95 / 92 / 28

HEX #B8090F

RGB 184 9 15

HSL 357.94, 0.91%, 0.38%

LAB 38.59, 61.87, 47.13

 

CMYK 16 / 0 / 95 / 28

HEX #9BB809

RGB 155 184 9

HSL 69.94, 0.91%, 0.38%

LAB 70.36, -29.17, 70.32

 

CMYK 95 / 0 / 3 / 27

HEX #0ABAB5

RGB 10 186 181

HSL 178.3, 0.9%, 0.38%

LAB 68.4, -39.12, -8.55

 

CMYK 51 / 95 / 0 / 28

HEX #5B09B8

RGB 91 9 184

HSL 268.11, 0.91%, 0.38%

LAB 29.11, 63.6, -72.07

 

CMYK 0 / 95 / 92 / 28

HEX #B8090F

RGB 184 9 15

HSL 357.94, 0.91%, 0.38%

LAB 38.59, 61.87, 47.13

 

CMYK 45 / 0 / 95 / 28

HEX #66B809

RGB 102 184 9

HSL 88.11, 0.91%, 0.38%

LAB 67.37, -49.28, 66.68

 

Description

Color code: HEX #0ABAB5 | qconv.com Color code: HEX #0ABAB5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 186 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 186 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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