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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #088C2B it is the complementary color #F773D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #088C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #088C2B shade: #0D8C26, #1E9E39, #2FB04C, #40C25F and #51D472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #088C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #088C2B shade: #088C2B, #007A18, #006805, #005600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #088C2B shade: #088C2B, #098C08, #2C8C08, #508C08 and #738C08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #088C2B shade: #088C2B, #088C4F, #088C72, #08828C and #085F8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #088C2B shade matches the following richer shades: #088C2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #088C2B shade: #088C2B, #148031, #207436, #2C683C and #385C42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #088C2B shade: #2D8C08, #0A8C08, #088C29, #088C4C and #088C6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #088C2B shade: #043E13, #06651F, #088C2B, #0AB337 and #0DDA43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #088C2B shade: #088C2B, #08518C and #8C081C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #088C2B shade: #088C2B, #29088C and #8C2908

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #088C2B shade: #088C2B, #08518C, #8C086B and #8C4308

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #088C2B shade: #088C2B, #08298C, #8C086B and #8C6B08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

Complementary color

CMYK 0 / 53 / 14 / 3

HEX #F773D4

RGB 247 115 212

HSL 315.91, 0.89%, 0.71%

LAB 67.12, 61.82, -26.31

 

CMYK 91 / 0 / 73 / 45

HEX #0D8C26

RGB 13 140 38

HSL 131.81, 0.83%, 0.3%

LAB 50.67, -52.15, 43.44

 

CMYK 81 / 0 / 64 / 38

HEX #1E9E39

RGB 30 158 57

HSL 132.66, 0.68%, 0.37%

LAB 57.1, -54.2, 42.3

 

CMYK 73 / 0 / 57 / 31

HEX #2FB04C

RGB 47 176 76

HSL 133.49, 0.58%, 0.44%

LAB 63.49, -55.48, 40.9

 

CMYK 67 / 0 / 51 / 24

HEX #40C25F

RGB 64 194 95

HSL 134.31, 0.52%, 0.51%

LAB 69.82, -56.24, 39.43

 

CMYK 62 / 0 / 46 / 17

HEX #51D472

RGB 81 212 114

HSL 135.11, 0.6%, 0.57%

LAB 76.1, -56.65, 37.98

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 100 / 0 / 80 / 52

HEX #007A18

RGB 0 122 24

HSL 131.8, 1%, 0.24%

LAB 44.21, -48.71, 42.17

 

CMYK 100 / 0 / 95 / 59

HEX #006805

RGB 0 104 5

HSL 122.88, 1%, 0.2%

LAB 37.68, -44.33, 41.66

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 94 / 0 / 94 / 45

HEX #098C08

RGB 9 140 8

HSL 119.55, 0.89%, 0.29%

LAB 50.49, -54.27, 51.89

 

CMYK 69 / 0 / 94 / 45

HEX #2C8C08

RGB 44 140 8

HSL 103.64, 0.89%, 0.29%

LAB 51.05, -49.38, 52.58

 

CMYK 43 / 0 / 94 / 45

HEX #508C08

RGB 80 140 8

HSL 87.27, 0.89%, 0.29%

LAB 52.37, -38.9, 54.23

 

CMYK 18 / 0 / 94 / 45

HEX #738C08

RGB 115 140 8

HSL 71.36, 0.89%, 0.29%

LAB 54.47, -24.86, 56.79

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 94 / 0 / 44 / 45

HEX #088C4F

RGB 8 140 79

HSL 152.27, 0.89%, 0.29%

LAB 51.12, -46.47, 23.83

 

CMYK 94 / 0 / 19 / 45

HEX #088C72

RGB 8 140 114

HSL 168.18, 0.89%, 0.29%

LAB 51.86, -38.14, 5

 

CMYK 94 / 7 / 0 / 45

HEX #08828C

RGB 8 130 140

HSL 184.55, 0.89%, 0.29%

LAB 49.39, -25.44, -13.83

 

CMYK 94 / 32 / 0 / 45

HEX #085F8C

RGB 8 95 140

HSL 200.45, 0.89%, 0.29%

LAB 38.07, -5.81, -31.32

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 84 / 0 / 62 / 50

HEX #148031

RGB 20 128 49

HSL 136.11, 0.73%, 0.29%

LAB 46.72, -46.22, 34.18

 

CMYK 72 / 0 / 53 / 55

HEX #207436

RGB 32 116 54

HSL 135.71, 0.57%, 0.29%

LAB 42.86, -39.18, 27.03

 

CMYK 58 / 0 / 42 / 59

HEX #2C683C

RGB 44 104 60

HSL 136, 0.41%, 0.29%

LAB 39.18, -30.22, 19.05

 

CMYK 39 / 0 / 28 / 64

HEX #385C42

RGB 56 92 66

HSL 136.67, 0.24%, 0.29%

LAB 35.77, -19.29, 10.97

 

CMYK 68 / 0 / 94 / 45

HEX #2D8C08

RGB 45 140 8

HSL 103.18, 0.89%, 0.29%

LAB 51.07, -49.16, 52.62

 

CMYK 93 / 0 / 94 / 45

HEX #0A8C08

RGB 10 140 8

HSL 119.09, 0.89%, 0.29%

LAB 50.5, -54.2, 51.9

 

CMYK 94 / 0 / 71 / 45

HEX #088C29

RGB 8 140 41

HSL 135, 0.89%, 0.29%

LAB 50.65, -52.2, 42.17

 

CMYK 94 / 0 / 46 / 45

HEX #088C4C

RGB 8 140 76

HSL 150.91, 0.89%, 0.29%

LAB 51.07, -47.05, 25.4

 

CMYK 94 / 0 / 21 / 45

HEX #088C6F

RGB 8 140 111

HSL 166.82, 0.89%, 0.29%

LAB 51.79, -38.95, 6.62

 

CMYK 94 / 0 / 69 / 76

HEX #043E13

RGB 4 62 19

HSL 135.52, 0.88%, 0.13%

LAB 22.01, -28.37, 21.08

 

CMYK 94 / 0 / 69 / 60

HEX #06651F

RGB 6 101 31

HSL 135.79, 0.89%, 0.21%

LAB 36.83, -40.66, 31.65

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 94 / 0 / 69 / 30

HEX #0AB337

RGB 10 179 55

HSL 135.98, 0.89%, 0.37%

LAB 63.82, -62.7, 50.47

 

CMYK 94 / 0 / 69 / 15

HEX #0DDA43

RGB 13 218 67

HSL 135.8, 0.89%, 0.45%

LAB 76.46, -72.91, 59.19

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 94 / 42 / 0 / 45

HEX #08518C

RGB 8 81 140

HSL 206.82, 0.89%, 0.29%

LAB 33.63, 3.15, -38.38

 

CMYK 0 / 94 / 80 / 45

HEX #8C081C

RGB 140 8 28

HSL 350.91, 0.89%, 0.29%

LAB 28.99, 50.57, 28.18

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 71 / 94 / 0 / 45

HEX #29088C

RGB 41 8 140

HSL 255, 0.89%, 0.29%

LAB 18.09, 49.16, -63.69

 

CMYK 0 / 71 / 94 / 45

HEX #8C2908

RGB 140 41 8

HSL 15, 0.89%, 0.29%

LAB 32.21, 40.58, 41.22

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 94 / 42 / 0 / 45

HEX #08518C

RGB 8 81 140

HSL 206.82, 0.89%, 0.29%

LAB 33.63, 3.15, -38.38

 

CMYK 0 / 94 / 24 / 45

HEX #8C086B

RGB 140 8 107

HSL 315, 0.89%, 0.29%

LAB 31.37, 57.05, -20.48

 

CMYK 0 / 52 / 94 / 45

HEX #8C4308

RGB 140 67 8

HSL 26.82, 0.89%, 0.29%

LAB 37.13, 27.73, 44.68

 

CMYK 94 / 0 / 69 / 45

HEX #088C2B

RGB 8 140 43

HSL 135.91, 0.89%, 0.29%

LAB 50.67, -51.99, 41.34

 

CMYK 94 / 71 / 0 / 45

HEX #08298C

RGB 8 41 140

HSL 225, 0.89%, 0.29%

LAB 22.06, 30.83, -57.17

 

CMYK 0 / 94 / 24 / 45

HEX #8C086B

RGB 140 8 107

HSL 315, 0.89%, 0.29%

LAB 31.37, 57.05, -20.48

 

CMYK 0 / 24 / 94 / 45

HEX #8C6B08

RGB 140 107 8

HSL 45, 0.89%, 0.29%

LAB 47.12, 4.69, 52.06

 

Description

Color code: HEX #088C2B | qconv.com Color code: HEX #088C2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 140 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 140 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 69 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 69% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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