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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06A2B8 it is the complementary color #F95D47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06A2B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06A2B8 shade: #0BA2B3, #1CB4C6, #2DC6D9, #3ED8EC and #4FEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06A2B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06A2B8 shade: #06A2B8, #0090A5, #007E92, #006C7F and #005A6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06A2B8 shade: #06A1B7, #0671B7, #0641B7, #0612B7 and #2A06B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06A2B8 shade: #06A1B7, #0671B7, #0641B7, #0612B7 and #0606B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06A2B8 shade matches the following richer shades: #06A1B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06A2B8 shade: #06A1B7, #1596A8, #248A99, #337F89 and #43737A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06A2B8 shade: #06B76D, #06B79C, #06A2B7, #0673B7 and #0644B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06A2B8 shade: #035B67, #047E8F, #06A1B7, #07C4DF and #17DCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06A2B8 shade: #06A2B8, #3E06B7 and #B78506

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06A2B8 shade: #06A2B8, #B706A2 and #A2B706

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06A2B8 shade: #06A2B8, #3E06B7, #B71A06 and #7FB706

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06A2B8 shade: #06A2B8, #7306B7, #B71A06 and #4AB706

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 12 / 0 / 28

HEX #06A2B8

RGB 6 162 184

HSL 187.42, 0.94%, 0.37%

LAB 61.08, -26.9, -21.27

 

Complementary color

CMYK 0 / 63 / 71 / 2

HEX #F95D47

RGB 249 93 71

HSL 7.42, 0.94%, 0.63%

LAB 60.27, 58.39, 43.99

 

CMYK 94 / 9 / 0 / 30

HEX #0BA2B3

RGB 11 162 179

HSL 186.07, 0.88%, 0.37%

LAB 60.93, -28.38, -18.69

 

CMYK 86 / 9 / 0 / 22

HEX #1CB4C6

RGB 28 180 198

HSL 186.35, 0.75%, 0.44%

LAB 67.25, -30.19, -19.64

 

CMYK 79 / 9 / 0 / 15

HEX #2DC6D9

RGB 45 198 217

HSL 186.63, 0.69%, 0.51%

LAB 73.52, -31.61, -20.49

 

CMYK 74 / 8 / 0 / 7

HEX #3ED8EC

RGB 62 216 236

HSL 186.9, 0.82%, 0.58%

LAB 79.72, -32.72, -21.26

 

CMYK 69 / 8 / 0 / 0

HEX #4FEAFF

RGB 79 234 255

HSL 187.16, 1%, 0.65%

LAB 85.87, -33.6, -21.96

 

CMYK 97 / 12 / 0 / 28

HEX #06A2B8

RGB 6 162 184

HSL 187.42, 0.94%, 0.37%

LAB 61.08, -26.9, -21.27

 

CMYK 100 / 13 / 0 / 35

HEX #0090A5

RGB 0 144 165

HSL 187.64, 1%, 0.32%

LAB 54.72, -24.44, -20.21

 

CMYK 100 / 14 / 0 / 43

HEX #007E92

RGB 0 126 146

HSL 188.22, 1%, 0.29%

LAB 48.26, -21.69, -19.08

 

CMYK 100 / 15 / 0 / 50

HEX #006C7F

RGB 0 108 127

HSL 188.98, 1%, 0.25%

LAB 41.62, -18.86, -17.94

 

CMYK 100 / 17 / 0 / 58

HEX #005A6C

RGB 0 90 108

HSL 190, 1%, 0.21%

LAB 34.79, -15.91, -16.79

 

CMYK 97 / 12 / 0 / 28

HEX #06A1B7

RGB 6 161 183

HSL 187.46, 0.94%, 0.37%

LAB 60.74, -26.73, -21.23

 

CMYK 97 / 38 / 0 / 28

HEX #0671B7

RGB 6 113 183

HSL 203.73, 0.94%, 0.37%

LAB 46, 0.1, -44.24

 

CMYK 97 / 64 / 0 / 28

HEX #0641B7

RGB 6 65 183

HSL 220, 0.94%, 0.37%

LAB 32.34, 31.63, -66.33

 

CMYK 97 / 90 / 0 / 28

HEX #0612B7

RGB 6 18 183

HSL 235.93, 0.94%, 0.37%

LAB 23.31, 57.11, -81.3

 

CMYK 77 / 97 / 0 / 28

HEX #2A06B7

RGB 42 6 183

HSL 252.2, 0.94%, 0.37%

LAB 23.81, 61, -80.42

 

CMYK 97 / 12 / 0 / 28

HEX #06A1B7

RGB 6 161 183

HSL 187.46, 0.94%, 0.37%

LAB 60.74, -26.73, -21.23

 

CMYK 97 / 38 / 0 / 28

HEX #0671B7

RGB 6 113 183

HSL 203.73, 0.94%, 0.37%

LAB 46, 0.1, -44.24

 

CMYK 97 / 64 / 0 / 28

HEX #0641B7

RGB 6 65 183

HSL 220, 0.94%, 0.37%

LAB 32.34, 31.63, -66.33

 

CMYK 97 / 90 / 0 / 28

HEX #0612B7

RGB 6 18 183

HSL 235.93, 0.94%, 0.37%

LAB 23.31, 57.11, -81.3

 

CMYK 97 / 97 / 0 / 28

HEX #0606B7

RGB 6 6 183

HSL 240, 0.94%, 0.37%

LAB 22.26, 60.32, -83.05

 

CMYK 97 / 12 / 0 / 28

HEX #06A1B7

RGB 6 161 183

HSL 187.46, 0.94%, 0.37%

LAB 60.74, -26.73, -21.23

 

CMYK 97 / 12 / 0 / 28

HEX #06A1B7

RGB 6 161 183

HSL 187.46, 0.94%, 0.37%

LAB 60.74, -26.73, -21.23

 

CMYK 88 / 11 / 0 / 34

HEX #1596A8

RGB 21 150 168

HSL 187.35, 0.78%, 0.37%

LAB 56.88, -25.5, -18.62

 

CMYK 76 / 10 / 0 / 40

HEX #248A99

RGB 36 138 153

HSL 187.69, 0.62%, 0.37%

LAB 52.79, -22.94, -16.21

 

CMYK 63 / 7 / 0 / 46

HEX #337F89

RGB 51 127 137

HSL 186.98, 0.46%, 0.37%

LAB 49.12, -19.99, -12.4

 

CMYK 45 / 6 / 0 / 52

HEX #43737A

RGB 67 115 122

HSL 187.64, 0.29%, 0.37%

LAB 45.44, -14.29, -8.97

 

CMYK 97 / 0 / 40 / 28

HEX #06B76D

RGB 6 183 109

HSL 154.92, 0.94%, 0.37%

LAB 65.76, -56.15, 26.92

 

CMYK 97 / 0 / 15 / 28

HEX #06B79C

RGB 6 183 156

HSL 170.85, 0.94%, 0.37%

LAB 66.75, -45.07, 2.8

 

CMYK 97 / 11 / 0 / 28

HEX #06A2B7

RGB 6 162 183

HSL 187.12, 0.94%, 0.37%

LAB 61.04, -27.23, -20.76

 

CMYK 97 / 37 / 0 / 28

HEX #0673B7

RGB 6 115 183

HSL 203.05, 0.94%, 0.37%

LAB 46.6, -1.13, -43.27

 

CMYK 97 / 63 / 0 / 28

HEX #0644B7

RGB 6 68 183

HSL 218.98, 0.94%, 0.37%

LAB 33.12, 29.63, -65.06

 

CMYK 97 / 12 / 0 / 60

HEX #035B67

RGB 3 91 103

HSL 187.2, 0.94%, 0.21%

LAB 34.96, -18.11, -13.41

 

CMYK 97 / 12 / 0 / 44

HEX #047E8F

RGB 4 126 143

HSL 187.34, 0.95%, 0.29%

LAB 48.17, -22.55, -17.44

 

CMYK 97 / 12 / 0 / 28

HEX #06A1B7

RGB 6 161 183

HSL 187.46, 0.94%, 0.37%

LAB 60.74, -26.73, -21.23

 

CMYK 97 / 12 / 0 / 13

HEX #07C4DF

RGB 7 196 223

HSL 187.5, 0.94%, 0.45%

LAB 72.79, -30.79, -24.88

 

CMYK 91 / 11 / 0 / 3

HEX #17DCF8

RGB 23 220 248

HSL 187.47, 0.94%, 0.53%

LAB 80.82, -33.82, -26.02

 

CMYK 97 / 12 / 0 / 28

HEX #06A2B8

RGB 6 162 184

HSL 187.42, 0.94%, 0.37%

LAB 61.08, -26.9, -21.27

 

CMYK 66 / 97 / 0 / 28

HEX #3E06B7

RGB 62 6 183

HSL 258.98, 0.94%, 0.37%

LAB 25.48, 61.86, -77.59

 

CMYK 0 / 27 / 97 / 28

HEX #B78506

RGB 183 133 6

HSL 43.05, 0.94%, 0.37%

LAB 58.84, 9.9, 63.2

 

CMYK 97 / 12 / 0 / 28

HEX #06A2B8

RGB 6 162 184

HSL 187.42, 0.94%, 0.37%

LAB 61.08, -26.9, -21.27

 

CMYK 0 / 97 / 11 / 28

HEX #B706A2

RGB 183 6 162

HSL 307.12, 0.94%, 0.37%

LAB 42.47, 73.03, -36.56

 

CMYK 11 / 0 / 97 / 28

HEX #A2B706

RGB 162 183 6

HSL 67.12, 0.94%, 0.37%

LAB 70.57, -25.78, 71.03

 

CMYK 97 / 12 / 0 / 28

HEX #06A2B8

RGB 6 162 184

HSL 187.42, 0.94%, 0.37%

LAB 61.08, -26.9, -21.27

 

CMYK 66 / 97 / 0 / 28

HEX #3E06B7

RGB 62 6 183

HSL 258.98, 0.94%, 0.37%

LAB 25.48, 61.86, -77.59

 

CMYK 0 / 86 / 97 / 28

HEX #B71A06

RGB 183 26 6

HSL 6.78, 0.94%, 0.37%

LAB 39.27, 58.8, 50.67

 

CMYK 31 / 0 / 97 / 28

HEX #7FB706

RGB 127 183 6

HSL 78.98, 0.94%, 0.37%

LAB 68.31, -40, 68.3

 

CMYK 97 / 12 / 0 / 28

HEX #06A2B8

RGB 6 162 184

HSL 187.42, 0.94%, 0.37%

LAB 61.08, -26.9, -21.27

 

CMYK 37 / 97 / 0 / 28

HEX #7306B7

RGB 115 6 183

HSL 276.95, 0.94%, 0.37%

LAB 32.24, 66.29, -66.19

 

CMYK 0 / 86 / 97 / 28

HEX #B71A06

RGB 183 26 6

HSL 6.78, 0.94%, 0.37%

LAB 39.27, 58.8, 50.67

 

CMYK 60 / 0 / 97 / 28

HEX #4AB706

RGB 74 183 6

HSL 96.95, 0.94%, 0.37%

LAB 66.01, -57.14, 65.5

 

Description

Color code: HEX #06A2B8 | qconv.com Color code: HEX #06A2B8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 162 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 162 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 12 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 12% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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