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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #054761 it is the complementary color #FAB89E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #054761. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #054761: #0A475C, #1B596F, #2C6B82, #3D7D95 and #4E8FA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #054761. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #054761: #054761, #00354E, #00233B, #001128 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

Complementary color

CMYK 0 / 26 / 37 / 2

HEX #FAB89E

RGB 250 184 158

HSL 16.96, 0.9%, 0.8%

LAB 80.22, 20.6, 22.59

 

CMYK 89 / 23 / 0 / 64

HEX #0A475C

RGB 10 71 92

HSL 195.37, 0.8%, 0.2%

LAB 27.69, -10.03, -17.62

 

CMYK 76 / 20 / 0 / 56

HEX #1B596F

RGB 27 89 111

HSL 195.71, 0.61%, 0.27%

LAB 35.05, -11.54, -18.22

 

CMYK 66 / 18 / 0 / 49

HEX #2C6B82

RGB 44 107 130

HSL 196.05, 0.49%, 0.34%

LAB 42.25, -12.5, -18.71

 

CMYK 59 / 16 / 0 / 42

HEX #3D7D95

RGB 61 125 149

HSL 196.36, 0.42%, 0.41%

LAB 49.29, -13.13, -19.15

 

CMYK 54 / 15 / 0 / 34

HEX #4E8FA8

RGB 78 143 168

HSL 196.67, 0.37%, 0.48%

LAB 56.18, -13.56, -19.55

 

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

CMYK 100 / 32 / 0 / 69

HEX #00354E

RGB 0 53 78

HSL 199.23, 1%, 0.15%

LAB 20.43, -5.43, -19.78

 

CMYK 100 / 41 / 0 / 77

HEX #00233B

RGB 0 35 59

HSL 204.41, 1%, 0.12%

LAB 12.72, -1.51, -18.89

 

CMYK 100 / 58 / 0 / 84

HEX #001128

RGB 0 17 40

HSL 214.5, 1%, 0.08%

LAB 5.01, 2.33, -17.28

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

CMYK 95 / 41 / 0 / 62

HEX #053960

RGB 5 57 96

HSL 205.71, 0.9%, 0.2%

LAB 23.01, 0.35, -27.58

 

CMYK 95 / 57 / 0 / 62

HEX #052960

RGB 5 41 96

HSL 216.26, 0.9%, 0.2%

LAB 17.75, 11.96, -36.04

 

CMYK 95 / 73 / 0 / 62

HEX #051A60

RGB 5 26 96

HSL 226.15, 0.9%, 0.2%

LAB 13.32, 23.15, -43.27

 

CMYK 95 / 89 / 0 / 62

HEX #050B60

RGB 5 11 96

HSL 236.04, 0.9%, 0.2%

LAB 9.92, 32.75, -48.9

 

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

CMYK 95 / 27 / 0 / 42

HEX #086C94

RGB 8 108 148

HSL 197.14, 0.9%, 0.31%

LAB 42.63, -10.5, -28.96

 

CMYK 95 / 27 / 0 / 22

HEX #0A92C7

RGB 10 146 199

HSL 196.83, 0.9%, 0.41%

LAB 56.83, -13.02, -36.3

 

CMYK 95 / 27 / 0 / 2

HEX #0DB7FA

RGB 13 183 250

HSL 196.96, 0.96%, 0.52%

LAB 70.07, -14.84, -43.72

 

CMYK 96 / 26 / 0 / 82

HEX #02222E

RGB 2 34 46

HSL 196.36, 0.92%, 0.09%

LAB 11.65, -6.42, -11.28

 

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

CMYK 51 / 95 / 0 / 62

HEX #2F0560

RGB 47 5 96

HSL 267.69, 0.9%, 0.2%

LAB 12.97, 38.87, -43.74

 

CMYK 0 / 13 / 95 / 62

HEX #605405

RGB 96 84 5

HSL 52.09, 0.9%, 0.2%

LAB 35.67, -3.4, 41.94

 

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

CMYK 0 / 95 / 25 / 62

HEX #600548

RGB 96 5 72

HSL 315.82, 0.9%, 0.2%

LAB 20.3, 43.17, -15.2

 

CMYK 25 / 0 / 95 / 62

HEX #486005

RGB 72 96 5

HSL 75.82, 0.9%, 0.2%

LAB 37.4, -21.76, 42.44

 

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

CMYK 51 / 95 / 0 / 62

HEX #2F0560

RGB 47 5 96

HSL 267.69, 0.9%, 0.2%

LAB 12.97, 38.87, -43.74

 

CMYK 0 / 70 / 95 / 62

HEX #601D05

RGB 96 29 5

HSL 15.82, 0.9%, 0.2%

LAB 21.49, 29.3, 29.67

 

CMYK 44 / 0 / 95 / 62

HEX #366005

RGB 54 96 5

HSL 87.69, 0.9%, 0.2%

LAB 36.29, -29.33, 41.07

 

CMYK 95 / 27 / 0 / 62

HEX #054761

RGB 5 71 97

HSL 196.96, 0.9%, 0.2%

LAB 27.85, -8.48, -20.59

 

CMYK 22 / 95 / 0 / 62

HEX #4B0560

RGB 75 5 96

HSL 286.15, 0.9%, 0.2%

LAB 17.69, 42.98, -35.83

 

CMYK 0 / 70 / 95 / 62

HEX #601D05

RGB 96 29 5

HSL 15.82, 0.9%, 0.2%

LAB 21.49, 29.3, 29.67

 

CMYK 73 / 0 / 95 / 62

HEX #1A6005

RGB 26 96 5

HSL 106.15, 0.9%, 0.2%

LAB 35.2, -37.98, 39.71

 

Description

Color code: HEX #054761 | qconv.com Color code: HEX #054761 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 71 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 71 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 27 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 27% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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